HOKUSAI KATSUSHIKA, THE FUJI ON THE EDGE OF A VILLAGE n. 82

HOKUSAI KATSUSHIKA, THE FUJI ON THE EDGE OF A VILLAGE n. 82

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Murazakai no fuji

Series : One Hundred Views of Fuji, Fugaku Hyakkei

Technique: nishikie, woodcuts in two shades of gray and one of pink.

Format: hanshinbon koban (about 183x123 mm)

Signatures : Zen Hokusai Iitsu aratame Gakyorojin Manji

Seal of the artist : Fuji no Yama

Dates : 1834- 1836.

Engravers: Egawa Tomekichi and Tsentaro

Editors: Nishimura Yuzo, Eirakuya Toshiro.

Beautiful test with good contrasts, in a fourth edition published by Tohikedo in 1852 with the characteristic pink tone. Imprinted on Japan paper, in excellent condition, with uncut margins all around beyond the marginal line.

Bibliography:

Stocking GC Hokusai, the old madman for painting , Milan 1999-2000, London, 2003.

Calza GC Hokusai, the hundred views of Fuji , Milan, 1982.

Dickins FV Fugaku hiyaku-kei: one hundred view of Fuji by Hokusai , London, 1880.

Forrer M. Hokusai, prints and drawings , London, 1991.

Hillier J. The art of Hokusai in book illustration , London, 1980.

Lane R. Hokusai, life and works , Milan, 1991.

Salamon Villa T., The hundred views of Fuji, Turin, 1975.

Smith II H. Hokusai: one hundred view of Fuji by Hokusai, London, 1988.

Usually the boundaries of the villages were marked by temples or other marks in order to propitiate the local Kami .

The illustrated sign, consisting of strips of paper with votive offerings, Gohei , was placed on a rope stretched between two branches.

In Shinto temples there are no idols or images of divinities, the revered Kami are represented by the Goshintai or mi-tama-shiro , mirrors, stones, swords, etc. or from the Gohei , paper offerings, bells, flower arrangements.