Collection: Miró Joan

(Barcelona 1893 - Palma de Mallorca 1983)

A Catalan painter, sculptor, and ceramicist, Joan Miró was a leading figure of Surrealism, perhaps the most enigmatic artist of the movement. Despite this, he was always enormously successful, because his works have the curious ability to bring a smile to the viewer’s face, thanks to their bright, cheerful colors, strange, unreal figures, and especially his marks, which at first glance may look like children’s scribbles. The serenity of his work is so powerful that it encourages viewers to accept his expression even without fully understanding its meaning: Miró seems to speak directly to the unconscious, to the deepest emotions.
He grew up between Barcelona and his family’s country house in Montroig, a place that profoundly influenced his imagination. From 1912 to 1915, he attended Francisco Galí’s Academy in Barcelona, where he was taught to draw by first touching objects with his eyes closed: an avant-garde academy where he became familiar with the paintings of Claude Monet, Vincent Van Gogh, Paul Cézanne, the Fauves, and the Cubists. In 1924, he joined the Surrealist group, and twenty years later he took part in the International Surrealist Exhibition in Paris. From 1925 to 1927, his paintings became dreamlike and bare, as if freed from the force of gravity and drawn toward the stars.

28 products
  • MIRÓ JOAN, Green Moon, 1972
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    €550,00
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  • MIRÓ JOAN, Collage Paper, 1955
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    €750,00
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  • MIRÓ JOAN, Miró Prévert, Plate II, 1956
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  • MIRÓ JOAN, Wonders with Acrostic Variations in the Garden of Miró, 1975
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  • MIRÓ JOAN, Lithographer III, 1977
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  • MIRÓ JOAN, Lithographer I, 1972
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  • MIRÓ JOAN, Stars and dancers, 1938
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  • MIRÓ JOAN, Joan Miró Lithographer II, Plate XI, 1975
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  • MIRÓ JOAN, XX Century Yellow, 1967
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  • MIRÓ JOAN, XX Century Red, 1967
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  • MIRÓ JOAN, XX Century Green, 1967
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  • MIRÓ JOAN, Solar Bird, Lunar Bird, Sparks, 1967
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  • MIRÓ JOAN, The Dog Barking at the Moon, 1952
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  • MIRÓ JOAN, Cartons - Table XV, 1965
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    €350,00
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  • MIRÓ JOAN, The Two Ends of the Brush, 1960
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  • MIRÓ JOAN, Miró Artigas V – Zephyr Bird, 1956
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  • MIRÓ JOAN, Miró Artigas, 1956
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  • MIRÓ JOAN, Cartoons, 1965
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  • MIRÓ JOAN, Miró Prévert, Table VII, 1956
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  • MIRÓ JOAN, Cartons - Table XXI, 1965
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  • MIRÓ JOAN, Cartons - Table XVII, 1965
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  • MIRÓ JOAN, Cartons - Table V, 1965
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  • MIRÓ JOAN, Cartons - Table IX, 1965
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  • MIRÓ JOAN, Print from the Mourlot Press, 1964-65
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  • MIRÓ JOAN, Sun eater, 1955
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  • MIRÓ JOAN, Woman at the Mirror, 1956
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  • MIRÓ JOAN, Cartons - Table XIX, 1965
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    €380,00
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  • MIRÓ JOAN, Miró Prévert, Table III, 1956
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Miró’s Prints: Between Marks, Color, and Surrealist Symbols

Miró’s graphic work was equally important: he became so deeply involved in it that for several years he stopped painting to devote himself body and soul to works intended for artists’ books and magazines. Between 1947 and 1956, he devoted himself to lithographs and engravings and illustrated many books by poet friends – including Jacques Prévert – and began his collaboration with Maeght for Derrière le miroir.
Recognition of this work came in 1954, when he won the Grand Prize for Graphic Art at the Venice Biennale: an award that confirmed the central role of the original print in his artistic research, alongside painting rather than subordinate to it.
In addition to numerous awards and two honorary degrees, in 1980 King Juan Carlos awarded Miró the Gold Medal of Fine Arts. The Fundació Pilar i Joan Miró in Palma was founded in 1981 as his permanent legacy to the city that welcomed him.

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