Beautiful proof with good contrasts, attributable to the print run of Eirakuya Tōshirō (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line.
Annotated Bibliography
H.D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988
M. Forrer, Hokusai, London: Royal Academy of Arts, 1991
M. Forrer, Hokusai, New York: Rizzoli, 1988
M. Forrer, Hokusai: Prints and Drawings, Munich: Prestel, 1991
G.C. Calza, Hokusai: The Old Mad about Painting, Milan 1999-2000, London 2003
G.C. Calza, Hokusai: The One Hundred Views of Fuji, Milan: Editoriale Nuova, 1982
J. Hillier, The Art of Hokusai in Book Illustration, London: Sotheby Parke Bernet, 1980
J. Hillier, L. Smith, Japanese Prints: 300 Years of Albums and Books, London: British Museum Publications, 1980
R.S. Keyes, Ehon: The Artist and the Book in Japan, New York: George Braziller, 2006
T. Clark (ed.), Hokusai: Beyond the Great Wave, London: British Museum Press, 2017
M. Forrer, W.R. van Gulik, Hokusai and His School: Paintings, Drawings and Illustrated Books, Leiden: Society for Japanese Arts and Crafts, 1991
The Metropolitan Museum of Art, New York: https://www.metmuseum.org/art/collection/search/78803
Commentary
A fierce wind, heralding imminent rain, sweeps across the foreground scene and threatens to uproot the poles to which a system of wooden tablets is hung, supported by bamboo canes used to protect the sown fields from birds. In the background, the majestic snow-capped mountain, in its solitary and unperturbed calm, seems to observe the difficulties of the travelers struck by the gusts of wind.
The theme of the wind is one of the most fascinating for Hokusai, who has extensively treated it similarly in the drawing Sunshu Ejiri from the series Thirty-Six Views of Mount Fuji and, in relation to the human figure buffeted by the gusts, in the album Hokusai soga (1820), in Hokusai Manga vol. XII, untitled plate (1834) and, finally, in the album Kyoka Miyakodori (1802).
A preparatory drawing for this plate is also known.
Frequently Asked Questions
Are the prints for sale original?
Absolutely yes. The gallery deals exclusively with original prints: lithographs, etchings, woodcuts, and screenprints from the 20th century, as well as a selection of Japanese prints by Masters such as Hokusai, Hiroshige, and Utamaro, and contemporary artists specializing in art prints. Each print is accompanied by a certificate of authenticity on letterhead, with precise information on the author, technique, condition, and, where available, edition size, references to catalogues raisonnés, and bibliography.
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