HOKUSAI KATSUSHIKA, THE FUJI OF LITERATE n. 57

HOKUSAI KATSUSHIKA, THE FUJI OF LITERATE n. 57

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Bunhen no fuji

Series : One Hundred Views of Fuji, Fugaku Hyakkei

Technique: nishikie, woodcuts in two shades of gray and one of pink.

Format: hanshinbon koban diptych (about 183x253 mm)

Signatures : Zen Hokusai Iitsu aratame Gakyorojin Manji

Seal of the artist : Fuji no Yama

Dates : 1834- 1836.

Engravers: Egawa Tomekichi and Tsentaro

Editors: Nishimura Yuzo, Eirakuya Toshiro.

Beautiful test with good contrasts, in a fourth edition published by Tohikedo in 1852 with the characteristic pink tone. Imprinted on Japan paper, in excellent condition, with uncut margins all around beyond the marginal line.

Bibliography:

Stocking GC Hokusai, the old madman for painting , Milan 1999-2000, London, 2003.

Calza GC Hokusai, the hundred views of Fuji , Milan, 1982.

Dickins FV Fugaku hiyaku-kei: one hundred view of Fuji by Hokusai , London, 1880.

Forrer M. Hokusai, prints and drawings , London, 1991.

Hillier J. The art of Hokusai in book illustration , London, 1980.

Lane R. Hokusai, life and works , Milan, 1991.

Salamon Villa T., The hundred views of Fuji, Turin, 1975.

Smith II H. Hokusai: one hundred view of Fuji by Hokusai, London, 1988.

 

As in a dream, on a cloud decorated with geometric motifs, a poet contemplates the Fuji from the beach of Tagus.

Suzuki suggests the name of Yamabe no Akahito (active between 724 and 737):

Tago no ura ni / uchidete mireba / mashiro no zu / Fuji no takane ni / yuki wa furitsutsu

Passing on the beach of Tagus, I saw the snow fall, white, up there on the peak of Fuji.

The same landscape appears in the Tokaido Eijiri Tago no ura ryakuzu plate , a drawing of the Tagus coast near Eijiri on the Tokaido, from the series of Thirty-six views of Fuji . A preparatory drawing of this panel is also known.