Jaoinuma no fuji
Series : One Hundred Views of Fuji, Fugaku Hyakkei
Technique: nishikie, woodcuts in two shades of gray and one of pink.
Format: hanshinbon koban diptych (about 183x253 mm)
Signatures : Zen Hokusai Iitsu aratame Gakyorojin Manji
Seal of the artist : Fuji no Yama
Dates : 1834- 1836.
Engravers: Egawa Tomekichi and Tsentaro
Editors: Nishimura Yuzo, Eirakuya Toshiro.
Beautiful test with good contrasts, in a fourth edition published by Tohikedo in 1852 with the characteristic pink tone. Imprinted on Japan paper, in excellent condition, with uncut margins all around beyond the marginal line.
Stocking GC Hokusai, the old madman for painting , Milan 1999-2000, London, 2003.
Calza GC Hokusai, the hundred views of Fuji , Milan, 1982.
Dickins FV Fugaku hiyaku-kei: one hundred view of Fuji by Hokusai , London, 1880.
Forrer M. Hokusai, prints and drawings , London, 1991.
Hillier J. The art of Hokusai in book illustration , London, 1980.
Lane R. Hokusai, life and works , Milan, 1991.
Salamon Villa T., The hundred views of Fuji, Turin, 1975.
Smith II H. Hokusai: one hundred view of Fuji by Hokusai, London, 1988.
The vision of Fuji reflected in the water is particularly suggestive and fascinating.
The poetry of these last plates is at the highest level.
A variant of the Koshu Misaka suimen drawing, from the series of Thirty-six views of Fuji , where the mountain is reflected on the surface of Lake Misaka, one of the five lakes around Fuji. While Jaoinuma may be a proper name, the relative locality has not been identified.