HOKUSAI KATSUSHIKA, THE FUJI FROM A SCAFFOLDING n. 86

HOKUSAI KATSUSHIKA, THE FUJI FROM A SCAFFOLDING n. 86

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Ashiro no fuji

Series : One Hundred Views of Fuji, Fugaku Hyakkei

Technique: nishikie, woodcuts in two shades of gray and one of pink.

Format: hanshinbon koban (about 183x123 mm)

Signatures : Zen Hokusai Iitsu aratame Gakyorojin Manji

Seal of the artist : Fuji no Yama

Dates : 1834- 1836.

Engravers: Egawa Tomekichi and Tsentaro

Editors: Nishimura Yuzo, Eirakuya Toshiro.

Beautiful test with good contrasts, in a fourth edition published by Tohikedo in 1852 with the characteristic pink tone. Imprinted on Japan paper, in excellent condition, with uncut margins all around beyond the marginal line.

Bibliography:

Stocking GC Hokusai, the old madman for painting , Milan 1999-2000, London, 2003.

Calza GC Hokusai, the hundred views of Fuji , Milan, 1982.

Dickins FV Fugaku hiyaku-kei: one hundred view of Fuji by Hokusai , London, 1880.

Forrer M. Hokusai, prints and drawings , London, 1991.

Hillier J. The art of Hokusai in book illustration , London, 1980.

Lane R. Hokusai, life and works , Milan, 1991.

Salamon Villa T., The hundred views of Fuji, Turin, 1975.

Smith II H. Hokusai: one hundred view of Fuji by Hokusai, London, 1988.

Masons at work on a construction site along the banks of the Sumida.

The rhythm suggested by the scaffolding, by the geometric cadence of straight lines, is accentuated by the contrast of the bodies of the two workers caught in the moment of maximum tension, a characteristic dear to Hokusai.

Table with a similar concept is the one titled Honjo Tatekawa , from the series of the Thirty-six views of Fuji , set in a wood deposit in Tatekawa in Edo.