{"product_id":"hokusai-katsushika-cento-vedute-del-monte-fuji-n-16-1834","title":"HOKUSAI KATSUHIKA, One Hundred Views of Mount Fuji n. 16, 1834","description":"\u003cp\u003eA splendid impression with good contrasts, attributable to the Eirakuya Tōshirō edition (mid-19th century) from the original blocks of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSelected Bibliography\u003c\/strong\u003e\u003cbr\u003eH.D. Smith II, \u003cem\u003eHokusai: One Hundred Views of Mt. Fuji\u003c\/em\u003e, New York: George Braziller, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, London: Royal Academy of Arts, 1991\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, New York: Rizzoli, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai: Prints and Drawings\u003c\/em\u003e, Munich: Prestel, 1991\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai: il vecchio pazzo per la pittura\u003c\/em\u003e, Milan 1999-2000, London 2003\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai: le cento vedute del Fuji\u003c\/em\u003e, Milan: Editoriale Nuova, 1982\u003cbr\u003eJ. Hillier, \u003cem\u003eThe Art of Hokusai in Book Illustration\u003c\/em\u003e, London: Sotheby Parke Bernet, 1980\u003cbr\u003eJ. Hillier, L. Smith, \u003cem\u003eJapanese Prints: 300 Years of Albums and Books\u003c\/em\u003e, London: British Museum Publications, 1980\u003cbr\u003eR.S. Keyes, \u003cem\u003eEhon: The Artist and the Book in Japan\u003c\/em\u003e, New York: George Braziller, 2006\u003cbr\u003eT. Clark (ed.), \u003cem\u003eHokusai: Beyond the Great Wave\u003c\/em\u003e, London: British Museum Press, 2017\u003cbr\u003eM. Forrer, W.R. van Gulik, \u003cem\u003eHokusai and His School: Paintings, Drawings and Illustrated Books\u003c\/em\u003e, Leiden: Society for Japanese Arts and Crafts, 1991\u003cbr\u003eThe Metropolitan Museum of Art, New York: \u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/78803\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/78803\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCommentary\u003c\/strong\u003e\u003cbr\u003eA bird's-eye view of Omori Bay, south of Edo, near Kawarasaki along the Tokaido, the imperial road connecting Edo, the shogunate's capital, to Kyoto, the emperor's seat. Omori was outside the southern borders of the city, where nori seaweed was cultivated on bamboo poles seen protruding from the water. This is one of the few instances where Hokusai depicts a specific location in Edo in its characteristic appearance, even though he does so without great precision (since, for example, neither of the two boats depicted is of the type used for cultivating seaweed).\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":52893161390427,"sku":null,"price":600.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiKatsushikaCentovedutedelFuji16.jpg?v=1777456056","url":"https:\/\/www.elenasalamon.com\/en\/products\/hokusai-katsushika-cento-vedute-del-monte-fuji-n-16-1834","provider":"Galleria Elena Salamon - Arte Moderna","version":"1.0","type":"link"}