{"product_id":"hokusai-katsushika-cento-vedute-del-monte-fuji-n-14-1834","title":"HOKUSAI KATSUHIKA, One Hundred Views of Mount Fuji n. 14, 1834","description":"\u003cp\u003eA splendid impression with good contrasts, attributable to the Eirakuya Tōshirō edition (mid-19th century) from the original blocks of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSelected Bibliography\u003c\/strong\u003e\u003cbr\u003eH.D. Smith II, \u003cem\u003eHokusai: One Hundred Views of Mt. Fuji\u003c\/em\u003e, New York: George Braziller, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, London: Royal Academy of Arts, 1991\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, New York: Rizzoli, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai: Prints and Drawings\u003c\/em\u003e, Munich: Prestel, 1991\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai: the Old Man Mad About Painting\u003c\/em\u003e, Milan 1999-2000, London 2003\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai: the One Hundred Views of Fuji\u003c\/em\u003e, Milan: Editoriale Nuova, 1982\u003cbr\u003eJ. Hillier, \u003cem\u003eThe Art of Hokusai in Book Illustration\u003c\/em\u003e, London: Sotheby Parke Bernet, 1980\u003cbr\u003eJ. Hillier, L. Smith, \u003cem\u003eJapanese Prints: 300 Years of Albums and Books\u003c\/em\u003e, London: British Museum Publications, 1980\u003cbr\u003eR.S. Keyes, \u003cem\u003eEhon: The Artist and the Book in Japan\u003c\/em\u003e, New York: George Braziller, 2006\u003cbr\u003eT. Clark (ed.), \u003cem\u003eHokusai: Beyond the Great Wave\u003c\/em\u003e, London: British Museum Press, 2017\u003cbr\u003eM. Forrer, W.R. van Gulik, \u003cem\u003eHokusai and His School: Paintings, Drawings and Illustrated Books\u003c\/em\u003e, Leiden: Society for Japanese Arts and Crafts, 1991\u003cbr\u003eThe Metropolitan Museum of Art, New York: \u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/78803\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/78803\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCommentary\u003c\/strong\u003e\u003cbr\u003eThe Fujimi plain with flocks of cranes. \u003cem\u003eTsuru\u003c\/em\u003e, the crane, is the bird favored by Taoists who, with its song, awakens the sun every morning, a symbol of peace in traditional iconography. This locality is now integrated into the city of Nagoya. Along with Nikkō (in plate no. 63) and the imaginary Orankai (in plate no. 73), it represents one of the furthest places, relative to this series, from which Fuji can still be seen.\u003cbr\u003eA drawing of a group of cranes is in the plate \u003cem\u003eSoshu Umezawazai\u003c\/em\u003e in the series \u003cem\u003eThirty-six Views of Mount Fuji\u003c\/em\u003e.\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":52893095493979,"sku":null,"price":600.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiCentovedutedelFuji14.jpg?v=1777455429","url":"https:\/\/www.elenasalamon.com\/en\/products\/hokusai-katsushika-cento-vedute-del-monte-fuji-n-14-1834","provider":"Galleria Elena Salamon - Arte Moderna","version":"1.0","type":"link"}