{"title":"STAMPE GIAPPONESI dall’ukiyo-e al sōsaku-hanga","description":null,"products":[{"product_id":"hasui-kawase-winter-moon-over-toyama-plain-fuyu-no-tsuki-toyamagahara-1931","title":"HASUI KAWASE, Winter Moon over the Toyama Plain, 1931","description":"\u003cp class=\"p1\"\u003e\u003cspan\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eBeautiful proof with excellent colors. Printed on Japanese paper \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eafter \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e1956 as per engraver's and printer's stamps. In perfect condition, with excellent margins all around beyond the marginal line.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cstrong\u003eBibliography\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eK.H. Brown, \u003cem\u003eKawase Hasui. \u003ci\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003eThe Complete Woodblock Prints\u003c\/span\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/em\u003e, 2003, n. 260\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eK.H. Brown, \u003ci\u003eVisions Of Japan: Kawase Hasui’s Masterpieces\u003c\/i\u003e, Hotei, 2004, \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003ep. 81, \u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003en. 45\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan\u003e\u003cbr\u003eArt Institute of Chicago \u003c\/span\u003e\u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/87336\/winter-moon-at-toyamagahara-fuyu-no-tsuki-toyamagahara\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/87336\/luna-invernale-a-toyamagahara-fuyu-no-tsuki-toyamagahara\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003eMuseum of Fine Art Boston \u003ca rel=\"noopener\" href=\"https:\/\/collections.mfa.org\/objects\/247795\/luna-invernale-a-toyamagahara-fuyu-no-tsuki-toyamagahara;jsessionid=B073F41B957C1FCA1A1465B6214E2D3D?ctx=3ba37bde-ee90-477b-969f-e86ec5c5c007\u0026amp;amp;idx=1\" target=\"_blank\"\u003ehttps:\/\/collections.mfa.org\/objects\/247795\/luna-invernale-a-toyamagahara-fuyu-no-tsuki-toyamagahara;jsessionid=B073F41B957C1FCA1A1465B6214E2D3D?ctx=3ba37bde-ee90-477b-969f-e86ec5c5c007\u0026amp;idx=1\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003eKawase Hasui\u003c\/span\u003e\u003c\/span\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e(\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003eTokyo 1883-1957)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e was one of the most famous Japanese artists of the \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cem\u003e \u003c\/em\u003e(“new prints”), which flourished in the early decades of the 20th century. This movement aimed to renew the tradition of \u003cem\u003eukiyo-e\u003c\/em\u003e prints by combining classical techniques with modern sensibilities and Western influences. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003eBorn in Tokyo, Hasui initially studied traditional Japanese painting (\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003eNihonga\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e) under the guidance of Kaburagi Kiyokata, who then encouraged him to focus on prints. In 1918 he began collaborating with the famous publisher \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003eShōzaburō Watanabe\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e, a pioneer of the Shin-hanga movement. This collaboration was crucial: under Watanabe's direction, Hasui created hundreds of prints that became famous for their extraordinary atmosphere and technical refinement.\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e Hasui is especially known for his poetic landscape views. His prints depict temples, gardens, cities, and Japanese countryside, often enveloped in twilight, rain, or snow. His masterful use of light and shadow and a melancholic sensibility distinguish his work. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003eWhile drawing inspiration from \u003cem\u003eukiyo-e\u003c\/em\u003e masters like Hiroshige, Hasui introduces Western elements, such as linear perspective and a more pronounced realism in landscapes.\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e In 1956, a year before his death, Kawase Hasui was designated \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003eLiving National Treasure\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e by the Japanese government, a recognition reserved for artists considered essential for the preservation of traditional arts in Japan.\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003e\u003cspan dir=\"auto\" style=\"vertical-align: inherit;\"\u003eHis works are now held in major museums around the world, including the Metropolitan Museum of Art in New York and the Museum of Fine Arts in Boston. Hasui's prints continue to influence artists and fascinate collectors for their ability to evoke a nostalgic and timeless Japan.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":36789991571606,"sku":null,"price":1800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/products\/Hasui-Winter-Moon-over-Toyama-Plain_-1931.jpg?v=1603292691"},{"product_id":"tsuda-seifu-kamon-fu-1899-1900-n-238","title":"KŌRIN FURUYA, Kōrin-style Patterns no. 101, 1907","description":"\u003cp\u003eSuperb proof with excellent colors, in the first edition. Printed on Japanese paper from the Meiji era 32-33. In exceptional condition, with untrimmed margins all around beyond the marginal line.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBibliography\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eK. Yokoya, F. Becky (ed.), \u003cem\u003eZuancho in Kyoto: Textile Design Books for the Kimono Trade\u003c\/em\u003e, Stanford University, 2007\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":42548354646261,"sku":null,"price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/products\/TsudaSeifu238.jpg?v=1648058459"},{"product_id":"furuya-korin-kaizu-1875-1941","title":"KŌRIN FURUYA, Kōrin-style Patterns n. 102, 1907","description":"\u003cp\u003eStunning proof with excellent colors, in the first edition. Printed on paper from Japan during the Meiji era (1868–1912). In exceptional condition, with untrimmed margins all around.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBibliography\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eJ.T. Carpenter, \u003cem\u003eDesigning Nature: The Rinpa Aesthetic in Japanese Art\u003c\/em\u003e, The Metropolitan Museum of Art, 2012, p. 111\u003cbr\u003eJ. Hillier, \u003cem\u003eThe Art of the Japanese Book\u003c\/em\u003e, London: Sotheby’s, 1987\u003cbr\u003eA. Jackson (ed.), \u003cem\u003eKimono: The Art and Evolution of Japanese Fashion\u003c\/em\u003e, London: Thames \u0026amp; Hudson, 2015\u003cbr\u003eS. Johnson, \u003cem\u003eZuan Pattern Books: The Glory Years\u003c\/em\u003e, Andon, 2015, p. 100\u003cbr\u003eT.S. Milhaupt, \u003cem\u003eKimono: A Modern\u003c\/em\u003e \u003cem\u003eHistory\u003c\/em\u003e, London: Reaktion Books, 2014\u003cbr\u003eK. Yokoya, F. Becky (ed.), \u003cem\u003eZuancho in Kyoto: Textile Design Books for the Kimono Trade\u003c\/em\u003e, Stanford University, 2007\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca href=\"https:\/\/libmma.contentdm.oclc.org\/digital\/collection\/p16028coll7\/id\/23933\/rec\/3\" rel=\"noopener\" target=\"_blank\"\u003ehttps:\/\/libmma.contentdm.oclc.org\/digital\/collection\/p16028coll7\/id\/23933\/rec\/3\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKōrin Furuya\u003c\/strong\u003e (Kaizu 1875-1910) was a Japanese artist, illustrator, and designer active in the artistic circle of Kyoto during the Meiji period. He taught at the Kyoto School of Art from 1905 until his death.\u003cbr\u003eThe \u003cem\u003eKōrin-style Patterns\u003c\/em\u003e (\u003cem\u003eKōrin moyō\u003c\/em\u003e), printed and published between 1880 and 1907, are multicolored woodblock prints originally conceived as a sample of textile patterns inspired by works in the Rinpa style, which later became very popular among kimono designers and producers in Kyoto. John T. Carpenter, curator of the Japanese Art section at the Metropolitan Museum of Art, describes them as \"a collection that blends traditional Japanese motifs with modern Western designs.\"\u003cbr\u003eThe works of Kōrin Furuya are preserved at the Metropolitan Museum of Art in New York and the Rijksmuseum in Amsterdam.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":46810106921307,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/FuruyaKorin68.jpg?v=1686130764"},{"product_id":"hokkei-totoya-dochu-gafu-album-di-illustrazioni-lungo-la-strada-n-38-1838-1850","title":"HOKKEI TOTOYA, Dochu Gafu No. 38, 1838-1850","description":"\u003cp\u003eBeautiful proof with excellent colors in an edition dating around 1850. Printed on Japanese paper. In perfect condition, with margins all around.\u003cbr\u003eThe book illustrates views of locations and travelers along the Tōkaidō road.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBibliography\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eM. Forrer, \u003cem\u003eEirakuya Tōshirō Publisher in Nagoya\u003c\/em\u003e, Amsterdam 1985, p. 159\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai and His School. Paintings, Drawings, and Illustrated Books\u003c\/em\u003e, Haarlem 1982, no. 87\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHokkei Totoya\u003c\/strong\u003e (Edo 1780 - Edo 1850) was one of the first and most well-known students of Hokusai, with a large body of work consisting of prints, book illustrations, and paintings. The \u003cem\u003eDochu gafu\u003c\/em\u003e (\u003cem\u003eAlbum of Illustrations Along the Road\u003c\/em\u003e) are color woodblock prints, in two shades of gray and one of pink, that reproduce views of locations and travelers along the Tōkaidō road.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":47014084182363,"sku":null,"price":130.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/Hokkei-Dochu-Gafu-38.jpg?v=1691780397"},{"product_id":"hokkei-totoya-dochu-gafu-album-di-illustrazioni-lungo-la-strada-n-28-1838-1850","title":"HOKKEI TOTOYA, Dochu Gafu No. 28, 1838-1850","description":"\u003cp\u003eBeautiful proof with excellent colors in an edition dating around 1850. Printed on Japanese paper. In perfect condition, with margins all around.\u003cbr\u003eThe book illustrates views of locations and travelers along the Tōkaidō road.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBibliography\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eM. Forrer, \u003cem\u003eEirakuya Tōshirō Publisher in Nagoya\u003c\/em\u003e, Amsterdam 1985, p. 159\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai and His School. Paintings, Drawings, and Illustrated Books\u003c\/em\u003e, Haarlem 1982, no. 87\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHokkei Totoya\u003c\/strong\u003e (Edo 1780 - Edo 1850) was one of the first and most well-known students of Hokusai, with a large body of work consisting of prints, book illustrations, and paintings. The \u003cem\u003eDochu gafu\u003c\/em\u003e (\u003cem\u003eAlbum of Illustrations Along the Road\u003c\/em\u003e) are color woodblock prints, in two shades of gray and one of pink, that reproduce views of locations and travelers along the Tōkaidō road.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":47014130319707,"sku":null,"price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/Hokkei-Dochu-Gafu-28.jpg?v=1691781452"},{"product_id":"hokkei-totoya-dochu-gafu-album-di-illustrazioni-lungo-la-strada-n-25-1838-1850","title":"HOKKEI TOTOYA, Dochu Gafu No. 25, 1838-1850","description":"\u003cp\u003eBeautiful proof with excellent colors in an edition dating around 1850. Printed on Japanese paper. In perfect condition, with margins all around.\u003cbr\u003eThe book illustrates views of locations and travelers along the Tōkaidō road.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBibliography\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eM. Forrer, \u003cem\u003eEirakuya Tōshirō Publisher in Nagoya\u003c\/em\u003e, Amsterdam 1985, p. 159\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai and His School. Paintings, Drawings, and Illustrated Books\u003c\/em\u003e, Haarlem 1982, no. 87\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHokkei Totoya\u003c\/strong\u003e (Edo 1780 - Edo 1850) was one of the first and most well-known students of Hokusai, with a large body of work consisting of prints, book illustrations, and paintings. The \u003cem\u003eDochu gafu\u003c\/em\u003e (\u003cem\u003eAlbum of Illustrations Along the Road\u003c\/em\u003e) are color woodblock prints, in two shades of gray and one of pink, that reproduce views of locations and travelers along the Tōkaidō road.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":47014136217947,"sku":null,"price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/Hokkei-Dochu-Gafu-25.jpg?v=1691781705"},{"product_id":"hokkei-totoya-dochu-gafu-album-di-illustrazioni-lungo-la-strada-n-21-1838-1850","title":"HOKKEI TOTOYA, Dochu gafu no. 21, 1838-1850","description":"\u003cp\u003eBeautiful proof with excellent colors in an edition dating around 1850. Printed on Japanese paper. In perfect condition, with margins all around.\u003cbr\u003eThe book illustrates views of locations and travelers along the Tōkaidō road.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBibliography\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eM. Forrer, \u003cem\u003eEirakuya Tōshirō Publisher in Nagoya\u003c\/em\u003e, Amsterdam 1985, p. 159\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai and His School. Paintings, Drawings, and Illustrated Books\u003c\/em\u003e, Haarlem 1982, no. 87\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHokkei Totoya\u003c\/strong\u003e (Edo 1780 - Edo 1850) was one of the first and most well-known students of Hokusai, with a large body of work consisting of prints, book illustrations, and paintings. The \u003cem\u003eDochu gafu\u003c\/em\u003e (\u003cem\u003eAlbum of Illustrations Along the Road\u003c\/em\u003e) are color woodblock prints, in two shades of gray and one of pink, that reproduce views of locations and travelers along the Tōkaidō road.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":47014143230299,"sku":null,"price":110.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/Hokkei-Dochu-Gafu-21.jpg?v=1691781906"},{"product_id":"hokkei-totoya-dochu-gafu-album-di-illustrazioni-lungo-la-strada-n-3-1838-1850","title":"HOKKEI TOTOYA, Dochu gafu no. 3, 1838-1850","description":"\u003cp\u003eBeautiful proof with excellent colors in an edition dating around 1850. Printed on Japanese paper. In perfect condition, with margins all around. \u003cbr\u003eThe book illustrates views of locations and travelers along the Tōkaidō road.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBibliography\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eM. Forrer, \u003cem\u003eEirakuya Tōshirō Publisher in Nagoya\u003c\/em\u003e, Amsterdam 1985, p. 159 \u003cbr\u003eM. Forrer, \u003cem\u003eHokusai and His School. Paintings, Drawings, and Illustrated Books\u003c\/em\u003e, Haarlem 1982, no. 87\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHokkei Totoya\u003c\/strong\u003e (Edo 1780 - Edo 1850) was one of the first and most well-known students of Hokusai, with a large body of work consisting of prints, book illustrations, and paintings. The \u003cem\u003eDochu gafu \u003c\/em\u003e(\u003cem\u003eAlbum of Illustrations Along the Road\u003c\/em\u003e) are color woodblock prints, in two shades of gray and one of pink, that reproduce views of locations and travelers along the Tōkaidō road.\u003cbr\u003e\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":47014168789339,"sku":null,"price":130.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/Hokkei-Dochu-Gafu-3.jpg?v=1691782729"},{"product_id":"hiroshige-utagawa-i-tsukudajima-from-eitai-bridge-eitaibashi-tsukudajima-from-the-series-one-hundred-famous-views-of-edo-meisho-edo-hyakkei-copia","title":"HIROSHIGE UTAGAWA I, Seido and the Kanda River from the Shohei Bridge, 1857","description":"\u003cp class=\"p1\"\u003eMagnificent proof with excellent colors. Printed on paper from Japan, dating to the second half of the 1800s. In perfect condition. Superb \u003ci\u003ebokashi\u003c\/i\u003e shading. With excellent margins all around beyond the marginal line.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eBibliography\u003c\/strong\u003e\u003cbr\u003eSakai, Hiroshige Edo fûkei (1996), list #12.47, pls. 156, 157 \u003cbr\u003eSmith \u0026amp; Poster, 100 Views (1986), #4; \u003cbr\u003eUkiyo-e shûka 14 (1981), Hiroshige list, p. 250, vertical ôban #62.47\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003ca rel=\"noopener\" href=\"https:\/\/www.brooklynmuseum.org\/opencollection\/objects\/121660\" target=\"_blank\"\u003ehttps:\/\/www.brooklynmuseum.org\/opencollection\/objects\/121660\u003c\/a\u003e\u003ca href=\"https:\/\/www.brooklynmuseum.org\/opencollection\/objects\/121660\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/53679\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/53679\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003cbr\u003eRare inking with the very dark and rain-laden sky. It is the first (no. 47) of the three depictions of rain in the series \u003ci id=\"mwDA\" data-mw=\"{\u0026quot;parts\u0026quot;:[{\u0026quot;template\u0026quot;:{\u0026quot;target\u0026quot;:{\u0026quot;wt\u0026quot;:\u0026quot;nihongo\u0026quot;,\u0026quot;href\u0026quot;:\u0026quot;.\/Template:Nihongo\u0026quot;},\u0026quot;params\u0026quot;:{\u0026quot;1\u0026quot;:{\u0026quot;wt\u0026quot;:\u0026quot;'''''One Hundred Famous Views of Edo'''''\u0026quot;},\u0026quot;2\u0026quot;:{\u0026quot;wt\u0026quot;:\u0026quot;名所江戸百景\u0026quot;},\u0026quot;3\u0026quot;:{\u0026quot;wt\u0026quot;:\u0026quot;Meisho Edo Hyakkei\u0026quot;}},\u0026quot;i\u0026quot;:0}}]}\"\u003eOne Hundred Famous Views of Edo \u003c\/i\u003e(\u003cem\u003eMeisho Edo hyakkei\u003c\/em\u003e), all belonging to the summer season. Here Hiroshige depicts the type of constant and oblique precipitation, typical of the “plum rain” of June, so named for the fruit that appears during that time. In the Kanda River, the boatmen, protected by straw raincoats, transport their loads of timber, while the hill residents all seem comfortable under the warm summer rain. On the right, the outer walls of the Yushima Seidō Shrine, founded in the 17th century for the study of Confucianism, are visible.\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":49266766086491,"sku":null,"price":3100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HiroshigeSeidoandKandariverfromShoheibridge.jpg?v=1729260266"},{"product_id":"korin-furuya-korin-style-patterns-korin-moyo-n-20-1897","title":"KŌRIN FURUYA, Kōrin-style Patterns no. 20, 1897","description":"\u003cp\u003eStunning proof with excellent colors, in the first edition. Printed on paper from Japan during the Meiji era (1868–1912). In exceptional condition, with untrimmed margins all around.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBibliography\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eJ.T. Carpenter, \u003cem\u003eDesigning Nature: The Rinpa Aesthetic in Japanese Art\u003c\/em\u003e, The Metropolitan Museum of Art, 2012, p. 111\u003cbr\u003eJ. Hillier, \u003cem\u003eThe Art of the Japanese Book\u003c\/em\u003e, London: Sotheby’s, 1987\u003cbr\u003eA. Jackson (ed.), \u003cem\u003eKimono: The Art and Evolution of Japanese Fashion\u003c\/em\u003e, London: Thames \u0026amp; Hudson, 2015\u003cbr\u003eS. Johnson, \u003cem\u003eZuan Pattern Books: The Glory Years\u003c\/em\u003e, Andon, 2015, p. 100\u003cbr\u003eT.S. Milhaupt, \u003cem\u003eKimono: A Modern\u003c\/em\u003e \u003cem\u003eHistory\u003c\/em\u003e, London: Reaktion Books, 2014\u003cbr\u003eK. Yokoya, F. Becky (ed.), \u003cem\u003eZuancho in Kyoto: Textile Design Books for the Kimono Trade\u003c\/em\u003e, Stanford University, 2007\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca href=\"https:\/\/libmma.contentdm.oclc.org\/digital\/collection\/p16028coll7\/id\/23933\/rec\/3\" rel=\"noopener\" target=\"_blank\"\u003ehttps:\/\/libmma.contentdm.oclc.org\/digital\/collection\/p16028coll7\/id\/23933\/rec\/3\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKōrin Furuya\u003c\/strong\u003e (Kaizu 1875-1910) was a Japanese artist, illustrator, and designer active in the artistic circle of Kyoto during the Meiji period. He taught at the Kyoto School of Art from 1905 until his death.\u003cbr\u003eThe \u003cem\u003eKōrin-style Patterns\u003c\/em\u003e (\u003cem\u003eKōrin moyō\u003c\/em\u003e), printed and published between 1880 and 1907, are multicolored woodblock prints originally conceived as a sample of textile patterns inspired by works in the Rinpa style, which later became very popular among kimono designers and producers in Kyoto. John T. Carpenter, curator of the Japanese Art section at the Metropolitan Museum of Art, describes them as \"a collection that blends traditional Japanese motifs with modern Western designs.\"\u003cbr\u003eThe works of Kōrin Furuya are preserved at the Metropolitan Museum of Art in New York and the Rijksmuseum in Amsterdam.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":50179090973019,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/20Patternstampegiapponesi.jpg?v=1741110558"},{"product_id":"korin-furuya-korin-style-patterns-korin-moyo-n-11-1897","title":"KŌRIN FURUYA, Kōrin-style Patterns no. 11, 1897","description":"\u003cp\u003eStunning proof with excellent colors, in the first edition. Printed on paper from Japan during the Meiji era (1868–1912). In exceptional condition, with untrimmed margins all around.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBibliography\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eJ.T. Carpenter, \u003cem\u003eDesigning Nature: The Rinpa Aesthetic in Japanese Art\u003c\/em\u003e, The Metropolitan Museum of Art, 2012, p. 111\u003cbr\u003eJ. Hillier, \u003cem\u003eThe Art of the Japanese Book\u003c\/em\u003e, London: Sotheby’s, 1987\u003cbr\u003eA. Jackson (ed.), \u003cem\u003eKimono: The Art and Evolution of Japanese Fashion\u003c\/em\u003e, London: Thames \u0026amp; Hudson, 2015\u003cbr\u003eS. Johnson, \u003cem\u003eZuan Pattern Books: The Glory Years\u003c\/em\u003e, Andon, 2015, p. 100\u003cbr\u003eT.S. Milhaupt, \u003cem\u003eKimono: A Modern\u003c\/em\u003e \u003cem\u003eHistory\u003c\/em\u003e, London: Reaktion Books, 2014\u003cbr\u003eK. Yokoya, F. Becky (ed.), \u003cem\u003eZuancho in Kyoto: Textile Design Books for the Kimono Trade\u003c\/em\u003e, Stanford University, 2007\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca href=\"https:\/\/libmma.contentdm.oclc.org\/digital\/collection\/p16028coll7\/id\/23933\/rec\/3\" rel=\"noopener\" target=\"_blank\"\u003ehttps:\/\/libmma.contentdm.oclc.org\/digital\/collection\/p16028coll7\/id\/23933\/rec\/3\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKōrin Furuya\u003c\/strong\u003e (Kaizu 1875-1910) was a Japanese artist, illustrator, and designer active in the artistic circle of Kyoto during the Meiji period. He taught at the Kyoto School of Art from 1905 until his death.\u003cbr\u003eThe \u003cem\u003eKōrin-style Patterns\u003c\/em\u003e (\u003cem\u003eKōrin moyō\u003c\/em\u003e), printed and published between 1880 and 1907, are multicolored woodblock prints originally conceived as a sample of textile patterns inspired by works in the Rinpa style, which later became very popular among kimono designers and producers in Kyoto. John T. Carpenter, curator of the Japanese Art section at the Metropolitan Museum of Art, describes them as \"a collection that blends traditional Japanese motifs with modern Western designs.\"\u003cbr\u003eThe works of Kōrin Furuya are preserved at the Metropolitan Museum of Art in New York and the Rijksmuseum in Amsterdam.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":50179132653915,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/11Patternstampegiapponesi.jpg?v=1741110602"},{"product_id":"korin-furuya-korin-style-patterns-korin-moyo-n-9-1897","title":"KŌRIN FURUYA, Kōrin-style Patterns no. 9, 1897","description":"\u003cp\u003eStunning proof with excellent colors, in the first edition. Printed on paper from Japan during the Meiji era (1868–1912). In exceptional condition, with untrimmed margins all around.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBibliography\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eJ.T. Carpenter, \u003cem\u003eDesigning Nature: The Rinpa Aesthetic in Japanese Art\u003c\/em\u003e, The Metropolitan Museum of Art, 2012, p. 111\u003cbr\u003eJ. Hillier, \u003cem\u003eThe Art of the Japanese Book\u003c\/em\u003e, London: Sotheby’s, 1987\u003cbr\u003eA. Jackson (ed.), \u003cem\u003eKimono: The Art and Evolution of Japanese Fashion\u003c\/em\u003e, London: Thames \u0026amp; Hudson, 2015\u003cbr\u003eS. Johnson, \u003cem\u003eZuan Pattern Books: The Glory Years\u003c\/em\u003e, Andon, 2015, p. 100\u003cbr\u003eT.S. Milhaupt, \u003cem\u003eKimono: A Modern\u003c\/em\u003e \u003cem\u003eHistory\u003c\/em\u003e, London: Reaktion Books, 2014\u003cbr\u003eK. Yokoya, F. Becky (ed.), \u003cem\u003eZuancho in Kyoto: Textile Design Books for the Kimono Trade\u003c\/em\u003e, Stanford University, 2007\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca href=\"https:\/\/libmma.contentdm.oclc.org\/digital\/collection\/p16028coll7\/id\/23933\/rec\/3\" rel=\"noopener\" target=\"_blank\"\u003ehttps:\/\/libmma.contentdm.oclc.org\/digital\/collection\/p16028coll7\/id\/23933\/rec\/3\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKōrin Furuya\u003c\/strong\u003e (Kaizu 1875-1910) was a Japanese artist, illustrator, and designer active in the artistic circle of Kyoto during the Meiji period. He taught at the Kyoto School of Art from 1905 until his death.\u003cbr\u003eThe \u003cem\u003eKōrin-style Patterns\u003c\/em\u003e (\u003cem\u003eKōrin moyō\u003c\/em\u003e), printed and published between 1880 and 1907, are multicolored woodblock prints originally conceived as a sample of textile patterns inspired by works in the Rinpa style, which later became very popular among kimono designers and producers in Kyoto. John T. Carpenter, curator of the Japanese Art section at the Metropolitan Museum of Art, describes them as \"a collection that blends traditional Japanese motifs with modern Western designs.\"\u003cbr\u003eThe works of Kōrin Furuya are preserved at the Metropolitan Museum of Art in New York and the Rijksmuseum in Amsterdam.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":50179141075291,"sku":null,"price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/9AntiqueJapanesepatterns.jpg?v=1741110678"},{"product_id":"korin-furuya-korin-style-patterns-korin-moyo-n-75-1897","title":"KŌRIN FURUYA, Kōrin-style Patterns no. 73, 1897","description":"\u003cp\u003eStunning proof with excellent colors, in the first edition. Printed on paper from Japan during the Meiji era (1868–1912). In exceptional condition, with untrimmed margins all around.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBibliography\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eJ.T. Carpenter, \u003cem\u003eDesigning Nature: The Rinpa Aesthetic in Japanese Art\u003c\/em\u003e, The Metropolitan Museum of Art, 2012, p. 111\u003cbr\u003eJ. Hillier, \u003cem\u003eThe Art of the Japanese Book\u003c\/em\u003e, London: Sotheby’s, 1987\u003cbr\u003eA. Jackson (ed.), \u003cem\u003eKimono: The Art and Evolution of Japanese Fashion\u003c\/em\u003e, London: Thames \u0026amp; Hudson, 2015\u003cbr\u003eS. Johnson, \u003cem\u003eZuan Pattern Books: The Glory Years\u003c\/em\u003e, Andon, 2015, p. 100\u003cbr\u003eT.S. Milhaupt, \u003cem\u003eKimono: A Modern\u003c\/em\u003e \u003cem\u003eHistory\u003c\/em\u003e, London: Reaktion Books, 2014\u003cbr\u003eK. Yokoya, F. Becky (ed.), \u003cem\u003eZuancho in Kyoto: Textile Design Books for the Kimono Trade\u003c\/em\u003e, Stanford University, 2007\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca href=\"https:\/\/libmma.contentdm.oclc.org\/digital\/collection\/p16028coll7\/id\/23933\/rec\/3\" rel=\"noopener\" target=\"_blank\"\u003ehttps:\/\/libmma.contentdm.oclc.org\/digital\/collection\/p16028coll7\/id\/23933\/rec\/3\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKōrin Furuya\u003c\/strong\u003e (Kaizu 1875-1910) was a Japanese artist, illustrator, and designer active in the artistic circle of Kyoto during the Meiji period. He taught at the Kyoto School of Art from 1905 until his death.\u003cbr\u003eThe \u003cem\u003eKōrin-style Patterns\u003c\/em\u003e (\u003cem\u003eKōrin moyō\u003c\/em\u003e), printed and published between 1880 and 1907, are multicolored woodblock prints originally conceived as a sample of textile patterns inspired by works in the Rinpa style, which later became very popular among kimono designers and producers in Kyoto. John T. Carpenter, curator of the Japanese Art section at the Metropolitan Museum of Art, describes them as \"a collection that blends traditional Japanese motifs with modern Western designs.\"\u003cbr\u003eThe works of Kōrin Furuya are preserved at the Metropolitan Museum of Art in New York and the Rijksmuseum in Amsterdam.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":50206446682459,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/74.jpg?v=1741533432"},{"product_id":"korin-furuya-korin-style-patterns-korin-moyo-n-56-1897","title":"KŌRIN FURUYA, Kōrin-style Patterns no. 56, 1897","description":"\u003cp\u003eStunning proof with excellent colors, in the first edition. Printed on paper from Japan during the Meiji era (1868–1912). In exceptional condition, with untrimmed margins all around.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBibliography\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eJ.T. Carpenter, \u003cem\u003eDesigning Nature: The Rinpa Aesthetic in Japanese Art\u003c\/em\u003e, The Metropolitan Museum of Art, 2012, p. 111\u003cbr\u003eJ. Hillier, \u003cem\u003eThe Art of the Japanese Book\u003c\/em\u003e, London: Sotheby’s, 1987\u003cbr\u003eA. Jackson (ed.), \u003cem\u003eKimono: The Art and Evolution of Japanese Fashion\u003c\/em\u003e, London: Thames \u0026amp; Hudson, 2015\u003cbr\u003eS. Johnson, \u003cem\u003eZuan Pattern Books: The Glory Years\u003c\/em\u003e, Andon, 2015, p. 100\u003cbr\u003eT.S. Milhaupt, \u003cem\u003eKimono: A Modern\u003c\/em\u003e \u003cem\u003eHistory\u003c\/em\u003e, London: Reaktion Books, 2014\u003cbr\u003eK. Yokoya, F. Becky (ed.), \u003cem\u003eZuancho in Kyoto: Textile Design Books for the Kimono Trade\u003c\/em\u003e, Stanford University, 2007\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca href=\"https:\/\/libmma.contentdm.oclc.org\/digital\/collection\/p16028coll7\/id\/23933\/rec\/3\" rel=\"noopener\" target=\"_blank\"\u003ehttps:\/\/libmma.contentdm.oclc.org\/digital\/collection\/p16028coll7\/id\/23933\/rec\/3\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKōrin Furuya\u003c\/strong\u003e (Kaizu 1875-1910) was a Japanese artist, illustrator, and designer active in the artistic circle of Kyoto during the Meiji period. He taught at the Kyoto School of Art from 1905 until his death.\u003cbr\u003eThe \u003cem\u003eKōrin-style Patterns\u003c\/em\u003e (\u003cem\u003eKōrin moyō\u003c\/em\u003e), printed and published between 1880 and 1907, are multicolored woodblock prints originally conceived as a sample of textile patterns inspired by works in the Rinpa style, which later became very popular among kimono designers and producers in Kyoto. John T. Carpenter, curator of the Japanese Art section at the Metropolitan Museum of Art, describes them as \"a collection that blends traditional Japanese motifs with modern Western designs.\"\u003cbr\u003eThe works of Kōrin Furuya are preserved at the Metropolitan Museum of Art in New York and the Rijksmuseum in Amsterdam.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":50206552883547,"sku":null,"price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/56stampegiapponesi.jpg?v=1741535146"},{"product_id":"korin-furuya-korin-style-patterns-korin-moyo-n-54-1897","title":"KŌRIN FURUYA, Kōrin-style Patterns no. 54, 1897","description":"\u003cp\u003eStunning proof with excellent colors, in the first edition. Printed on paper from Japan during the Meiji era (1868–1912). In exceptional condition, with untrimmed margins all around.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBibliography\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eJ.T. Carpenter, \u003cem\u003eDesigning Nature: The Rinpa Aesthetic in Japanese Art\u003c\/em\u003e, The Metropolitan Museum of Art, 2012, p. 111\u003cbr\u003eJ. Hillier, \u003cem\u003eThe Art of the Japanese Book\u003c\/em\u003e, London: Sotheby’s, 1987\u003cbr\u003eA. Jackson (ed.), \u003cem\u003eKimono: The Art and Evolution of Japanese Fashion\u003c\/em\u003e, London: Thames \u0026amp; Hudson, 2015\u003cbr\u003eS. Johnson, \u003cem\u003eZuan Pattern Books: The Glory Years\u003c\/em\u003e, Andon, 2015, p. 100\u003cbr\u003eT.S. Milhaupt, \u003cem\u003eKimono: A Modern\u003c\/em\u003e \u003cem\u003eHistory\u003c\/em\u003e, London: Reaktion Books, 2014\u003cbr\u003eK. Yokoya, F. Becky (ed.), \u003cem\u003eZuancho in Kyoto: Textile Design Books for the Kimono Trade\u003c\/em\u003e, Stanford University, 2007\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca href=\"https:\/\/libmma.contentdm.oclc.org\/digital\/collection\/p16028coll7\/id\/23933\/rec\/3\" rel=\"noopener\" target=\"_blank\"\u003ehttps:\/\/libmma.contentdm.oclc.org\/digital\/collection\/p16028coll7\/id\/23933\/rec\/3\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKōrin Furuya\u003c\/strong\u003e (Kaizu 1875-1910) was a Japanese artist, illustrator, and designer active in the artistic circle of Kyoto during the Meiji period. He taught at the Kyoto School of Art from 1905 until his death.\u003cbr\u003eThe \u003cem\u003eKōrin-style Patterns\u003c\/em\u003e (\u003cem\u003eKōrin moyō\u003c\/em\u003e), printed and published between 1880 and 1907, are multicolored woodblock prints originally conceived as a sample of textile patterns inspired by works in the Rinpa style, which later became very popular among kimono designers and producers in Kyoto. John T. Carpenter, curator of the Japanese Art section at the Metropolitan Museum of Art, describes them as \"a collection that blends traditional Japanese motifs with modern Western designs.\"\u003cbr\u003eThe works of Kōrin Furuya are preserved at the Metropolitan Museum of Art in New York and the Rijksmuseum in Amsterdam.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":50206557208923,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/54stampegiapponesi.jpg?v=1741535212"},{"product_id":"hiroshige-utagawa-i-tokaido-fukei-zue-vedute-della-tokaido-n-65-kaei-4-1851","title":"UTAGAWA HIROSHIGE I, Views of the Tōkaidō no. 65, 1851","description":"\u003cp\u003eDelicate proof in contemporary edition, printed on Japanese paper, in good condition, with a small margin all around. Volumes \u003cem\u003eZen Pen\u003c\/em\u003e (Vol. I) and \u003cem\u003eGo Hen\u003c\/em\u003e (Vol. II), dating to the fourth year of the Kaei era (1851), with preface and texts by Ryūkatei Tanekazu.\u003cbr\u003eThe series \u003cem\u003eTōkaidō fukei zue\u003c\/em\u003e collects narrative and landscape illustrations that retrace the stations of the Tōkaidō, the ancient road that connected Kyoto with the capital Edo. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBibliography\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.hiroshige.org.uk\/Illustrated_Books\/TokaidoFukeiZuye1851.htm\" rel=\"noopener\" target=\"_blank\"\u003ehttps:\/\/www.hiroshige.org.uk\/Illustrated_Books\/TokaidoFukeiZuye1851.htm\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-550-1?selectedImageId=1613410201\" rel=\"noopener\" target=\"_blank\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-550-1?selectedImageId=1613410201\" rel=\"noopener\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-550-1?selectedImageId=1613410201\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.artic.edu\/artworks\/231171\/te%D1%9Ckaide%D1%9C-fe-kei-zue\" rel=\"noopener\" target=\"_blank\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.artic.edu\/artworks\/231171\/te%D1%9Ckaide%D1%9C-fe-kei-zue\" rel=\"noopener\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231171\/teќkaideќ-fe-kei-zue\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/asia-archive.si.edu\/object\/FSC-GR-780.700\/\" rel=\"noopener\" target=\"_blank\"\u003ehttps:\/\/asia-archive.si.edu\/object\/FSC-GR-780.700\/\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eRyūkatei Tanekazu writes in the spring of 1851:\u003cbr\u003e\u003cem\u003ePreface to Volume I\u003c\/em\u003e\u003cbr\u003e“Traveling is one of life’s greatest pleasures. Every year, with a trembling heart, I have longed to depart, but daily commitments have always held me back, making it impossible to realize this dream. This work by the famous artist Hiroshige offers us a magnificent alternative to travel itself. It carefully and meticulously depicts over fifty villages along the route between Kyoto and Yedo (Edo), including famous coastal and mountainous locations: Mount Akiha in the province of Omi, the Horaiji temple in Mikawa, and the paths leading to the sacred Ise shrine. Observing these images is a pleasure that, at times, can even surpass that of real travel. Those who have never traveled will find a valuable guide in these pages; those who have already visited these places will see their most vivid memories rekindled. Even though I am ignorant in the art of drawing, I dare say that this work — with its shading, its ink tones, its harmony and grace — is not at all inferior to those of the great masters of the past.”\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAfterword on the back of Volume II\u003c\/em\u003e\u003cbr\u003e“A thought directed to the teacher Hiroshige: leaning against the desk, I observed the first drafts depicting Kanazawa and Kamakura; the pine forests of the Hodogaya villa; the flowering plums at Sugita; the coastal waters of Kagekiyo; the Horai temple, the Atsuta temple; Yokkaichi; the clear waters of the Isuzu river; the Asama mountain and the conjugal rocks of Futami-ga-Ura (Meoto Iwa, which means “husband and wife rocks” is a very famous place in Japan, ed.). Continuing towards the western capital, Kyoto, the Higashiyama hills, the Kiyomizu temple, and finally the Sanjō bridge appear. Like a fox borrowing the mane of a lion, I have the honor of writing these final words to conclude the work, on a rainy day at the beginning of spring.”\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":50441564422491,"sku":null,"price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HiroshigeoriginalLittleTokaido65.jpg?v=1744811684"},{"product_id":"hiroshige-utagawa-i-tokaido-fukei-zue-vedute-della-tokaido-n-53-kaei-4-1851","title":"UTAGAWA HIROSHIGE I, Views of the Tōkaidō no. 53, 1851","description":"\u003cp\u003eDelicate proof in contemporary edition, printed on Japanese paper, in good condition, with a small margin all around. Volumes \u003cem\u003eZen Pen\u003c\/em\u003e (Vol. I) and \u003cem\u003eGo Hen\u003c\/em\u003e (Vol. II), dating to the fourth year of the Kaei era (1851), with preface and texts by Ryūkatei Tanekazu.\u003cbr\u003eThe series \u003cem\u003eTōkaidō fukei zue\u003c\/em\u003e collects narrative and landscape illustrations that retrace the stations of the Tōkaidō, the ancient road that connected Kyoto with the Edo capital. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBibliography\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.hiroshige.org.uk\/Illustrated_Books\/TokaidoFukeiZuye1851.htm\" rel=\"noopener\" target=\"_blank\"\u003ehttps:\/\/www.hiroshige.org.uk\/Illustrated_Books\/TokaidoFukeiZuye1851.htm\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-550-1?selectedImageId=1613410201\" rel=\"noopener\" target=\"_blank\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-550-1?selectedImageId=1613410201\" rel=\"noopener\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-550-1?selectedImageId=1613410201\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.artic.edu\/artworks\/231171\/te%D1%9Ckaide%D1%9C-fe-kei-zue\" rel=\"noopener\" target=\"_blank\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.artic.edu\/artworks\/231171\/te%D1%9Ckaide%D1%9C-fe-kei-zue\" rel=\"noopener\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231171\/teќkaideќ-fe-kei-zue\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/asia-archive.si.edu\/object\/FSC-GR-780.700\/\" rel=\"noopener\" target=\"_blank\"\u003ehttps:\/\/asia-archive.si.edu\/object\/FSC-GR-780.700\/\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eRyūkatei Tanekazu writes in the spring of 1851:\u003cbr\u003e\u003cem\u003ePreface to Volume I\u003c\/em\u003e\u003cbr\u003e“Traveling is one of life’s greatest pleasures. Every year, with a trembling heart, I have longed to depart, but daily commitments have always held me back, making it impossible to realize this dream. This work by the famous artist Hiroshige offers us a magnificent alternative to travel itself. It carefully and meticulously depicts over fifty villages along the route between Kyoto and Yedo (Edo), including famous coastal and mountainous locations: Mount Akiha in the province of Omi, the Horaiji temple in Mikawa, and the paths leading to the sacred Ise shrine. Observing these images is a pleasure that, at times, can even surpass that of real travel. Those who have never traveled will find a valuable guide in these pages; those who have already visited these places will see their most vivid memories rekindled. Even though I am ignorant in the art of drawing, I dare say that this work — with its shading, its ink tones, its harmony and grace — is not at all inferior to those of the great masters of the past.”\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAfterword on the back of Volume II\u003c\/em\u003e\u003cbr\u003e“A thought directed to the teacher Hiroshige: leaning against the desk, I observed the first drafts depicting Kanazawa and Kamakura; the pine forests of the Hodogaya villa; the flowering plums at Sugita; the coastal waters of Kagekiyo; the Horai temple, the Atsuta temple; Yokkaichi; the clear waters of the Isuzu river; the Asama mountain and the conjugal rocks of Futami-ga-Ura (Meoto Iwa, which means “husband and wife rocks” is a very famous place in Japan, ed.). Continuing towards the western capital, Kyoto, the Higashiyama hills, the Kiyomizu temple, and finally the Sanjō bridge appear. Like a fox borrowing the mane of a lion, I have the honor of writing these final words to conclude the work, on a rainy day at the beginning of spring.”\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":50441624453467,"sku":null,"price":90.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HiroshigeoriginalLittleTokaido53.jpg?v=1744812169"},{"product_id":"hiroshige-utagawa-i-tokaido-fukei-zue-vedute-della-tokaido-n-30-kaei-4-1851","title":"UTAGAWA HIROSHIGE I, Views of the Tōkaidō no. 30, 1851","description":"\u003cp\u003eDelicate proof in contemporary edition, printed on Japanese paper, in good condition, with a small margin all around. Volumes \u003cem\u003eZen Pen\u003c\/em\u003e (Vol. I) and \u003cem\u003eGo Hen\u003c\/em\u003e (Vol. II), dating to the fourth year of the Kaei era (1851), with preface and texts by Ryūkatei Tanekazu.\u003cbr\u003eThe series \u003cem\u003eTōkaidō fukei zue\u003c\/em\u003e collects narrative and landscape illustrations that retrace the stations of the Tōkaidō, the ancient road that connected Kyoto with the capital Edo. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBibliography\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.hiroshige.org.uk\/Illustrated_Books\/TokaidoFukeiZuye1851.htm\" rel=\"noopener\" target=\"_blank\"\u003ehttps:\/\/www.hiroshige.org.uk\/Illustrated_Books\/TokaidoFukeiZuye1851.htm\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-550-1?selectedImageId=1613410201\" rel=\"noopener\" target=\"_blank\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-550-1?selectedImageId=1613410201\" rel=\"noopener\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-550-1?selectedImageId=1613410201\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.artic.edu\/artworks\/231171\/te%D1%9Ckaide%D1%9C-fe-kei-zue\" rel=\"noopener\" target=\"_blank\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.artic.edu\/artworks\/231171\/te%D1%9Ckaide%D1%9C-fe-kei-zue\" rel=\"noopener\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231171\/teќkaideќ-fe-kei-zue\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/asia-archive.si.edu\/object\/FSC-GR-780.700\/\" rel=\"noopener\" target=\"_blank\"\u003ehttps:\/\/asia-archive.si.edu\/object\/FSC-GR-780.700\/\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eRyūkatei Tanekazu in the spring of 1851 writes:\u003cbr\u003e\u003cem\u003ePreface to Volume I\u003c\/em\u003e\u003cbr\u003e“Traveling is one of life’s greatest pleasures. Every year, with a trembling heart, I have longed to depart, but daily commitments have always held me back, making it impossible to realize this dream. This work by the famous artist Hiroshige offers us a magnificent alternative to travel itself. It carefully and meticulously depicts over fifty villages along the route between Kyoto and Yedo (Edo), including famous coastal and mountainous locations: Mount Akiha in the province of Omi, the Horaiji temple in Mikawa, and the paths leading to the sacred Ise shrine. Observing these images is a pleasure that, at times, can even surpass that of real travel. Those who have never traveled will find a valuable guide in these pages; those who have already visited these places will see their most vivid memories rekindled. Even though I am ignorant in the art of drawing, I dare say that this work — with its shading, its ink nuances, its harmony and grace — is not at all inferior to those of the great masters of the past.”\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAfterword on the back of Volume II\u003c\/em\u003e\u003cbr\u003e“A thought directed to the teacher Hiroshige: leaning on the desk, I observed the first drafts depicting Kanazawa and Kamakura; the pine forests of the Hodogaya villa; the flowering plums at Sugita; the coastal waters of Kagekiyo; the Horai temple, the Atsuta temple; Yokkaichi; the clear waters of the Isuzu river; the Asama mountain and the conjugal rocks of Futami-ga-Ura (Meoto Iwa, which means “husband and wife rocks” is a very famous place in Japan, ed.). Continuing towards the western capital, Kyoto, the Higashiyama hills, the Kiyomizu temple, and finally the Sanjō bridge appear. Like a fox borrowing the mane of a lion, I have the honor of writing these final words to conclude the work, on a rainy day at the beginning of spring.”\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":50441760801115,"sku":null,"price":90.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HiroshigeoriginalLittleTokaido30.jpg?v=1744813585"},{"product_id":"hiroshige-utagawa-i-tokaido-fukei-zue-vedute-della-tokaido-n-26-kaei-4-1851","title":"UTAGAWA HIROSHIGE I, Views of the Tōkaidō no. 26, 1851","description":"\u003cp\u003eDelicate proof in contemporary edition, printed on Japanese paper, in good condition, with a small margin all around. Volumes \u003cem\u003eZen Pen\u003c\/em\u003e (Vol. I) and \u003cem\u003eGo Hen\u003c\/em\u003e (Vol. II), dating to the fourth year of the Kaei era (1851), with preface and texts by Ryūkatei Tanekazu.\u003cbr\u003eThe series \u003cem\u003eTōkaidō fukei zue\u003c\/em\u003e collects narrative and landscape illustrations that retrace the stations of the Tōkaidō, the ancient road that connected Kyoto with the capital Edo. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBibliography\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.hiroshige.org.uk\/Illustrated_Books\/TokaidoFukeiZuye1851.htm\" rel=\"noopener\" target=\"_blank\"\u003ehttps:\/\/www.hiroshige.org.uk\/Illustrated_Books\/TokaidoFukeiZuye1851.htm\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-550-1?selectedImageId=1613410201\" rel=\"noopener\" target=\"_blank\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-550-1?selectedImageId=1613410201\" rel=\"noopener\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-550-1?selectedImageId=1613410201\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.artic.edu\/artworks\/231171\/te%D1%9Ckaide%D1%9C-fe-kei-zue\" rel=\"noopener\" target=\"_blank\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.artic.edu\/artworks\/231171\/te%D1%9Ckaide%D1%9C-fe-kei-zue\" rel=\"noopener\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231171\/teќkaideќ-fe-kei-zue\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/asia-archive.si.edu\/object\/FSC-GR-780.700\/\" rel=\"noopener\" target=\"_blank\"\u003ehttps:\/\/asia-archive.si.edu\/object\/FSC-GR-780.700\/\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eRyūkatei Tanekazu in the spring of 1851 writes:\u003cbr\u003e\u003cem\u003ePreface to Volume I\u003c\/em\u003e\u003cbr\u003e“Traveling is one of life’s greatest pleasures. Every year, with a trembling heart, I have longed to depart, but daily commitments have always held me back, making it impossible to realize this dream. This work by the famous artist Hiroshige offers us a magnificent alternative to travel itself. It carefully and meticulously depicts over fifty villages along the route between Kyoto and Yedo (Edo), including famous coastal and mountainous locations: Mount Akiha in the province of Omi, the Horaiji temple in Mikawa, and the paths leading to the sacred Ise shrine. Observing these images is a pleasure that, at times, can even surpass that of real travel. Those who have never traveled will find a valuable guide in these pages; those who have already visited these places will see their most vivid memories rekindled. Even though I am ignorant in the art of drawing, I dare say that this work — with its shading, its ink nuances, its harmony and grace — is not at all inferior to those of the great masters of the past.”\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAfterword on the back of Volume II\u003c\/em\u003e\u003cbr\u003e“A thought directed to the teacher Hiroshige: leaning on the desk, I observed the first drafts depicting Kanazawa and Kamakura; the pine forests of the Hodogaya villa; the flowering plums at Sugita; the coastal waters of Kagekiyo; the Horai temple, the Atsuta temple; Yokkaichi; the clear waters of the Isuzu river; the Asama mountain and the conjugal rocks of Futami-ga-Ura (Meoto Iwa, which means “husband and wife rocks” is a very famous place in Japan, ed.). Continuing towards the western capital, Kyoto, the Higashiyama hills, the Kiyomizu temple, and finally the Sanjō bridge appear. Like a fox borrowing the mane of a lion, I have the honor of writing these final words to conclude the work, on a rainy day at the beginning of spring.”\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":50441776136539,"sku":null,"price":90.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HiroshigeoriginalLittleTokaido26.jpg?v=1744813779"},{"product_id":"hokusai-katsushika-cento-vedute-del-monte-fuji-n-101-1836-1847","title":"HOKUSAI KATSUSHIKA, One Hundred Views of Mount Fuji No. 101, 1836-1847","description":"\u003cp\u003eStunning proof with good contrasts, attributable to the print run of Eirakuya Tōshirō (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnnotated Bibliography\u003c\/strong\u003e\u003cbr\u003eH.D. Smith II, \u003cem\u003eHokusai: One Hundred Views of Mt. Fuji\u003c\/em\u003e, New York: George Braziller, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, London: Royal Academy of Arts, 1991\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, New York: Rizzoli, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai: Prints and Drawings\u003c\/em\u003e, Munich: Prestel, 1991\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai: The Old Mad about Painting\u003c\/em\u003e, Milan 1999-2000, London 2003\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai: The One Hundred Views of Fuji\u003c\/em\u003e, Milan: Editoriale Nuova, 1982\u003cbr\u003eJ. Hillier, \u003cem\u003eThe Art of Hokusai in Book Illustration\u003c\/em\u003e, London: Sotheby Parke Bernet, 1980\u003cbr\u003eJ. Hillier, L. Smith, \u003cem\u003eJapanese Prints: 300 Years of Albums and Books\u003c\/em\u003e, London: British Museum Publications, 1980\u003cbr\u003eR.S. Keyes, \u003cem\u003eEhon: The Artist and the Book in Japan\u003c\/em\u003e, New York: George Braziller, 2006\u003cbr\u003eT. Clark (ed.), \u003cem\u003eHokusai: Beyond the Great Wave\u003c\/em\u003e, London: British Museum Press, 2017\u003cbr\u003eM. Forrer, W.R. van Gulik, \u003cem\u003eHokusai and His School: Paintings, Drawings and Illustrated Books\u003c\/em\u003e, Leiden: Society for Japanese Arts and Crafts, 1991\u003cbr\u003eThe Metropolitan Museum of Art, New York: \u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/78803\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/78803\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCommentary\u003c\/strong\u003e\u003cbr\u003eThe panel offers a particularly evocative and poetic view of Fuji reflected in the waters. The title mentions Jaoinuma, or Hebioinuma, “swamp of snake hunting,” probably a proper name: however, the location has never been identified and seems to generically indicate a marshy environment. \u003cbr\u003eOn the left, a curious open structure appears by the water, perhaps a platform for performances or for moon observation. The reflection of Fuji appears enlarged and asymmetric, an optical improbability that reveals Hokusai's interest in the imaginative possibilities of mirroring on water. The idea has a clear precedent and a variant in the drawing \u003cem\u003eKōshū Misaka suimen\u003c\/em\u003e from the series \u003cem\u003eThirty-Six Views of Mount Fuji\u003c\/em\u003e, where the mountain is reflected on the surface of Lake Misaka, one of the five lakes around Fuji, as well as in the famous summer view of Lake Kawaguchi, where the irregular silhouette of the mountain transforms in the mirror of water into a snow-covered winter Fuji.\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":51976021672283,"sku":null,"price":900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiOneHundredViewsofMountFuji101.jpg?v=1767279598"},{"product_id":"hokusai-katsushika-cento-vedute-del-monte-fuji-n-100-1836-1847","title":"HOKUSAI KATSUSHIKA, One Hundred Views of Mount Fuji no. 100, 1836-1847","description":"\u003cp\u003eStunning proof with good contrasts, attributable to the print run of Eirakuya Tōshirō (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnnotated Bibliography\u003c\/strong\u003e\u003cbr\u003eH.D. Smith II, \u003cem\u003eHokusai: One Hundred Views of Mt. Fuji\u003c\/em\u003e, New York: George Braziller, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, London: Royal Academy of Arts, 1991\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, New York: Rizzoli, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai: Prints and Drawings\u003c\/em\u003e, Munich: Prestel, 1991\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai: The Old Madman of Painting\u003c\/em\u003e, Milan 1999-2000, London 2003\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai: The One Hundred Views of Fuji\u003c\/em\u003e, Milan: Editoriale Nuova, 1982\u003cbr\u003eJ. Hillier, \u003cem\u003eThe Art of Hokusai in Book Illustration\u003c\/em\u003e, London: Sotheby Parke Bernet, 1980\u003cbr\u003eJ. Hillier, L. Smith, \u003cem\u003eJapanese Prints: 300 Years of Albums and Books\u003c\/em\u003e, London: British Museum Publications, 1980\u003cbr\u003eR.S. Keyes, \u003cem\u003eEhon: The Artist and the Book in Japan\u003c\/em\u003e, New York: George Braziller, 2006\u003cbr\u003eT. Clark (ed.), \u003cem\u003eHokusai: Beyond the Great Wave\u003c\/em\u003e, London: British Museum Press, 2017\u003cbr\u003eM. Forrer, W.R. van Gulik, \u003cem\u003eHokusai and His School: Paintings, Drawings and Illustrated Books\u003c\/em\u003e, Leiden: Society for Japanese Arts and Crafts, 1991\u003cbr\u003eThe Metropolitan Museum of Art, New York: \u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/78803\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/78803\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCommentary\u003c\/strong\u003e\u003cbr\u003eThe plate presents a striking night view, in which Fuji is framed by a spectacular overhanging rock formation. The location is not indicated, and in the area around Fuji, no natural formation of this type has ever been identified, an element that makes a strictly topographical reading unlikely.\u003cbr\u003eHokusai had already depicted similar landscapes in earlier works, such as in the book \u003cem\u003eHinauta tsuki kuwashi\u003c\/em\u003e from 1803, dedicated to moonlit poems. A more convincing reference is provided by a preparatory drawing reproduced by Narasaki, which shows a very similar rock formation and identifies the location as Mount Nokogiri, in the Chiba Peninsula. This site would offer a view through the water similar to that represented, with the motif of seaweed on the beach in the foreground and a more abstract pattern of the sea surface in the center.\u003cbr\u003eIn any case, even this reference seems only suggested, as in the plate the rock is brought much closer to the coast, enhancing the scenic and symbolic effect of the composition.\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":51979672322395,"sku":null,"price":530.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiOneHundredViewsofMountFuji100.jpg?v=1767369599"},{"product_id":"hokusai-katsushika-cento-vedute-del-monte-fuji-n-64-1836-1847","title":"HOKUSAI KATSUSHIKA, One Hundred Views of Mount Fuji no. 64, 1836-1847","description":"\u003cp\u003eStunning proof with good contrasts, referable to the print run of Eirakuya Tōshirō (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReasoned Bibliography\u003c\/strong\u003e\u003cbr\u003eH.D. Smith II, \u003cem\u003eHokusai: One Hundred Views of Mt. Fuji\u003c\/em\u003e, New York: George Braziller, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, London: Royal Academy of Arts, 1991\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, New York: Rizzoli, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai: Prints and Drawings\u003c\/em\u003e, Munich: Prestel, 1991\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai: The Old Mad about Painting\u003c\/em\u003e, Milan 1999-2000, London 2003\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai: The One Hundred Views of Fuji\u003c\/em\u003e, Milan: Editoriale Nuova, 1982\u003cbr\u003eJ. Hillier, \u003cem\u003eThe Art of Hokusai in Book Illustration\u003c\/em\u003e, London: Sotheby Parke Bernet, 1980\u003cbr\u003eJ. Hillier, L. Smith, \u003cem\u003eJapanese Prints: 300 Years of Albums and Books\u003c\/em\u003e, London: British Museum Publications, 1980\u003cbr\u003eR.S. Keyes, \u003cem\u003eEhon: The Artist and the Book in Japan\u003c\/em\u003e, New York: George Braziller, 2006\u003cbr\u003eT. Clark (ed.), \u003cem\u003eHokusai: Beyond the Great Wave\u003c\/em\u003e, London: British Museum Press, 2017\u003cbr\u003eM. Forrer, W.R. van Gulik, \u003cem\u003eHokusai and His School: Paintings, Drawings and Illustrated Books\u003c\/em\u003e, Leiden: Society for Japanese Arts and Crafts, 1991\u003cbr\u003eThe Metropolitan Museum of Art, New York: \u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/78803\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/78803\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003cbr\u003eThe scene shows Mount Fuji through a heavy snowfall with large flakes, the so-called botan\u003cem\u003e yuki\u003c\/em\u003e, “peony snow,” while a group of travelers struggles forward in the foreground, almost entirely enveloped by the storm, revealing only small glimpses of their eyes. \u003cbr\u003eThe visual effect of the print is based on the skillful use of different shades of gray, from which depend both the rendering of the snowflakes and the sky and the shadow that envelops the mountain, evoking the muffled light of the completely snow-covered landscape.\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":51989351792987,"sku":null,"price":1500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiOneHundredViewsofMountFuji64.jpg?v=1767528204"},{"product_id":"hokusai-katsushika-cento-vedute-del-monte-fuji-n-60-1835","title":"HOKUSAI KATSUSHIKA, One Hundred Views of Mount Fuji no. 60, 1835","description":"\u003cp\u003eBeautiful proof with good contrasts, referable to the print run of Eirakuya Tōshirō (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnnotated Bibliography\u003c\/strong\u003e\u003cbr\u003eH.D. Smith II, \u003cem\u003eHokusai: One Hundred Views of Mt. Fuji\u003c\/em\u003e, New York: George Braziller, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, London: Royal Academy of Arts, 1991\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, New York: Rizzoli, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai: Prints and Drawings\u003c\/em\u003e, Munich: Prestel, 1991\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai: The Old Madman of Painting\u003c\/em\u003e, Milan 1999-2000, London 2003\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai: The One Hundred Views of Fuji\u003c\/em\u003e, Milan: Editoriale Nuova, 1982\u003cbr\u003eJ. Hillier, \u003cem\u003eThe Art of Hokusai in Book Illustration\u003c\/em\u003e, London: Sotheby Parke Bernet, 1980\u003cbr\u003eJ. Hillier, L. Smith, \u003cem\u003eJapanese Prints: 300 Years of Albums and Books\u003c\/em\u003e, London: British Museum Publications, 1980\u003cbr\u003eR.S. Keyes, \u003cem\u003eEhon: The Artist and the Book in Japan\u003c\/em\u003e, New York: George Braziller, 2006\u003cbr\u003eT. Clark (ed.), \u003cem\u003eHokusai: Beyond the Great Wave\u003c\/em\u003e, London: British Museum Press, 2017\u003cbr\u003eM. Forrer, W.R. van Gulik, \u003cem\u003eHokusai and His School: Paintings, Drawings and Illustrated Books\u003c\/em\u003e, Leiden: Society for Japanese Arts and Crafts, 1991\u003cbr\u003eThe Metropolitan Museum of Art, New York: \u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/78803\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/78803\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCommentary\u003c\/strong\u003e\u003cbr\u003eMount Fuji, inscribed in a perfect circle visible through a window, dominates the scene as a visual and symbolic focal point. In the foreground, an old poet is seated at his desk: he has just paused his work and, setting aside his pipe, raises his arms in a gesture that combines tension and relaxation, allowing his gaze to wander towards the sacred mountain. His body forms an arc that echoes the silhouette of Fuji, while outside, in the sky, a flock of birds flies, probably returning geese, a traditional sign of the end of the day.\u003cbr\u003eThe poet's gesture has been interpreted in various ways: Western observers, starting with Dickins, have read it as an expression of ecstasy and wonder in front of the mountain, while the Japanese tradition rather recognizes a yawn, a simple daily act that reflects the difference in cultural codes of body language. By rotating the scene, in fact, the man's attitude clearly appears to be that of someone stretching after the concentration of work.\u003cbr\u003eAll Japanese commentators have emphasized Hokusai's probable inspiration from a homonymous view by Kawamura Minsetsu, although the approach is entirely different. Minsetsu's image is indeed purely architectural, devoid of human figures and with a small window, which barely reveals the distant and static Fuji. Hokusai, on the other hand, transforms the scene into a moment of life, a suspended instant in which the artist invites the viewer to construct their own narrative.\u003cbr\u003eOne might imagine that the poet, after finishing a difficult part of composition, allows himself a break: he stretches contentedly, ready to resume his pipe, when beyond the window he sees the geese crossing the sky in front of Fuji. The entire image thus becomes similar to a visual \u003cem\u003ehaiku\u003c\/em\u003e, in which the simplicity of the human gesture and the grandeur of nature merge in a perfect balance of time, light, and contemplation.\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":51989403271515,"sku":null,"price":550.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiOneHundredViewsofMountFuji60.jpg?v=1767529124"},{"product_id":"hokusai-katsushika-cento-vedute-del-monte-fuji-n-43-1835","title":"HOKUSAI KATSUSHIKA, One Hundred Views of Mount Fuji no. 43, 1835","description":"\u003cp\u003eBeautiful proof with good contrasts, attributable to the print run of Eirakuya Tōshirō (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnnotated Bibliography\u003c\/strong\u003e\u003cbr\u003eH.D. Smith II, \u003cem\u003eHokusai: One Hundred Views of Mt. Fuji\u003c\/em\u003e, New York: George Braziller, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, London: Royal Academy of Arts, 1991\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, New York: Rizzoli, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai: Prints and Drawings\u003c\/em\u003e, Munich: Prestel, 1991\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai: The Old Mad about Painting\u003c\/em\u003e, Milan 1999-2000, London 2003\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai: The One Hundred Views of Fuji\u003c\/em\u003e, Milan: Editoriale Nuova, 1982\u003cbr\u003eJ. Hillier, \u003cem\u003eThe Art of Hokusai in Book Illustration\u003c\/em\u003e, London: Sotheby Parke Bernet, 1980\u003cbr\u003eJ. Hillier, L. Smith, \u003cem\u003eJapanese Prints: 300 Years of Albums and Books\u003c\/em\u003e, London: British Museum Publications, 1980\u003cbr\u003eR.S. Keyes, \u003cem\u003eEhon: The Artist and the Book in Japan\u003c\/em\u003e, New York: George Braziller, 2006\u003cbr\u003eT. Clark (ed.), \u003cem\u003eHokusai: Beyond the Great Wave\u003c\/em\u003e, London: British Museum Press, 2017\u003cbr\u003eM. Forrer, W.R. van Gulik, \u003cem\u003eHokusai and His School: Paintings, Drawings and Illustrated Books\u003c\/em\u003e, Leiden: Society for Japanese Arts and Crafts, 1991\u003cbr\u003eThe Metropolitan Museum of Art, New York: \u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/78803\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/78803\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCommentary\u003c\/strong\u003e\u003cbr\u003eThe “three whites” constituted a fixed formula in Japanese painting in the Chinese manner, with inevitable allusions to good fortune. Fuji, the pines, and the two herons under a snowfall, in a composition of refined simplicity in which one seems to perceive calm and silence, muffled sounds, and the wonder of the snow that envelops everything.\u003cbr\u003eA drawing that poetically expresses the Japanese love for snowy landscapes.\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":51993876496731,"sku":null,"price":650.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiKatsushikaOneHundredViewsofMountFuji43.jpg?v=1767634963"},{"product_id":"hokusai-katsushika-cento-vedute-del-monte-fuji-n-40-1835","title":"HOKUSAI KATSUSHIKA, One Hundred Views of Mount Fuji no. 40, 1835","description":"\u003cp\u003eStunning proof with good contrasts, attributable to the print run of Eirakuya Tōshirō (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnnotated Bibliography\u003c\/strong\u003e\u003cbr\u003eH.D. Smith II, \u003cem\u003eHokusai: One Hundred Views of Mt. Fuji\u003c\/em\u003e, New York: George Braziller, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, London: Royal Academy of Arts, 1991\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, New York: Rizzoli, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai: Prints and Drawings\u003c\/em\u003e, Munich: Prestel, 1991\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai: The Old Madman of Painting\u003c\/em\u003e, Milan 1999-2000, London 2003\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai: The One Hundred Views of Fuji\u003c\/em\u003e, Milan: Editoriale Nuova, 1982\u003cbr\u003eJ. Hillier, \u003cem\u003eThe Art of Hokusai in Book Illustration\u003c\/em\u003e, London: Sotheby Parke Bernet, 1980\u003cbr\u003eJ. Hillier, L. Smith, \u003cem\u003eJapanese Prints: 300 Years of Albums and Books\u003c\/em\u003e, London: British Museum Publications, 1980\u003cbr\u003eR.S. Keyes, \u003cem\u003eEhon: The Artist and the Book in Japan\u003c\/em\u003e, New York: George Braziller, 2006\u003cbr\u003eT. Clark (ed.), \u003cem\u003eHokusai: Beyond the Great Wave\u003c\/em\u003e, London: British Museum Press, 2017\u003cbr\u003eM. Forrer, W.R. van Gulik, \u003cem\u003eHokusai and His School: Paintings, Drawings and Illustrated Books\u003c\/em\u003e, Leiden: Society for Japanese Arts and Crafts, 1991\u003cbr\u003eThe Metropolitan Museum of Art, New York: \u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/78803\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/78803\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCommentary\u003c\/strong\u003e\u003cbr\u003eOne of the great masterpieces of Japanese art.\u003cbr\u003eOn windy days, when the swells rise high and full, it can happen that a violent gust seizes the crest of a wave, detaching it from the dark mass and launching it into the sky, transforming it into a lace of foam. The crest, before falling back into the trough that awaits it, seems for a moment to stop, remaining still in the void. In that timeless moment, tiny bubbles float in the air, rising and diving again, and there they are transformed into a flock of \u003cem\u003echidori\u003c\/em\u003e, small plovers born from the ocean and the wind.\u003cbr\u003eThe eye of the Japanese viewer is accustomed to looking from right to left, so the gaze follows the foam generated by the crashing waves, up to the flight of the plovers. Nothing is depicted that is not in motion, even the \u003cem\u003echidori\u003c\/em\u003e that rise above the last crest tremble in the wind. A swirling ellipse, from the outstretched crest to the oncoming new wave, a hypnotic whirl that grabs the viewer, leaving them ultimately surprised: here, the only fixed point, is Fuji.\u003cbr\u003eHokusai painted this phenomenon multiple times throughout his life, a metaphor for his constant search. The board immediately recalls the famous \u003cem\u003eKanagawa oki namiura\u003c\/em\u003e (\u003cem\u003eThe Wave off Kanagawa\u003c\/em\u003e or \u003cem\u003eThe Great Wave\u003c\/em\u003e) from the series \u003cem\u003eThirty-Six Views of Mount Fuji\u003c\/em\u003e and other almost \"prehistoric\" engravings included in two series of Western landscapes (\u003cem\u003eKanagawa oki Honmoku no zu\u003c\/em\u003e, \u003cem\u003eView of Honmoku near Kanazawa\u003c\/em\u003e circa 1803; and \u003cem\u003eOshiokuri hato tsusen no zu\u003c\/em\u003e, \u003cem\u003eTransport Boats in the Waves\u003c\/em\u003e circa 1805). No other image, however, possesses the same suggestion, the philosophical-religious breath, the architectural structure, the vastness of pictorial conception.\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":51993882526043,"sku":null,"price":1.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiKatsushikaOneHundredViewsofMountFuji40a.jpg?v=1767635351"},{"product_id":"hokusai-katsushika-cento-vedute-del-monte-fuji-n-39-1835","title":"HOKUSAI KATSUSHIKA, One Hundred Views of Mount Fuji no. 39, 1835","description":"\u003cp\u003eBeautiful proof with good contrasts, attributable to the print run of Eirakuya Tōshirō (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnnotated Bibliography\u003c\/strong\u003e\u003cbr\u003eH.D. Smith II, \u003cem\u003eHokusai: One Hundred Views of Mt. Fuji\u003c\/em\u003e, New York: George Braziller, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, London: Royal Academy of Arts, 1991\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, New York: Rizzoli, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai: Prints and Drawings\u003c\/em\u003e, Munich: Prestel, 1991\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai: The Old Madman of Painting\u003c\/em\u003e, Milan 1999-2000, London 2003\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai: The One Hundred Views of Fuji\u003c\/em\u003e, Milan: Editoriale Nuova, 1982\u003cbr\u003eJ. Hillier, \u003cem\u003eThe Art of Hokusai in Book Illustration\u003c\/em\u003e, London: Sotheby Parke Bernet, 1980\u003cbr\u003eJ. Hillier, L. Smith, \u003cem\u003eJapanese Prints: 300 Years of Albums and Books\u003c\/em\u003e, London: British Museum Publications, 1980\u003cbr\u003eR.S. Keyes, \u003cem\u003eEhon: The Artist and the Book in Japan\u003c\/em\u003e, New York: George Braziller, 2006\u003cbr\u003eT. Clark (ed.), \u003cem\u003eHokusai: Beyond the Great Wave\u003c\/em\u003e, London: British Museum Press, 2017\u003cbr\u003eM. Forrer, W.R. van Gulik, \u003cem\u003eHokusai and His School: Paintings, Drawings and Illustrated Books\u003c\/em\u003e, Leiden: Society for Japanese Arts and Crafts, 1991\u003cbr\u003eThe Metropolitan Museum of Art, New York: \u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/78803\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/78803\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCommentary\u003c\/strong\u003e\u003cbr\u003eThe elaborate display of feathers overflowing from the fisherman's basket and curling around the tree is the clue that Hokusai is depicting the folk tale of Hagoromo, titled \u003cem\u003eThe Feathered Robe\u003c\/em\u003e. The most famous version is set in Miho, which became renowned thanks to the Nō theater adaptation of the same title, \u003cem\u003eHagoromo\u003c\/em\u003e. The story begins when the fisherman Hakuryō arrives at the beach of Miho and discovers a beautiful feathered robe, lost by an angel and hanging from one of the pines for which the place is celebrated. Happy with his find, he prepares to take the robe home: this is the moment that Hokusai depicts, where the fisherman celebrates by pouring a little \u003cem\u003esake\u003c\/em\u003e from his flask and is pleased to see the auspicious reflection of Fuji in the cup.\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":51993903530331,"sku":null,"price":550.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiKatsushikaOneHundredViewsofMountFuji39.jpg?v=1767636004"},{"product_id":"hokusai-katsushika-cento-vedute-del-monte-fuji-n-38-1835","title":"HOKUSAI KATSUSHIKA, One Hundred Views of Mount Fuji no. 38, 1835","description":"\u003cp\u003eStunning proof with good contrasts, attributable to the print run of Eirakuya Tōshirō (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnnotated Bibliography\u003c\/strong\u003e\u003cbr\u003eH.D. Smith II, \u003cem\u003eHokusai: One Hundred Views of Mt. Fuji\u003c\/em\u003e, New York: George Braziller, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, London: Royal Academy of Arts, 1991\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, New York: Rizzoli, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai: Prints and Drawings\u003c\/em\u003e, Munich: Prestel, 1991\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai: The Old Madman of Painting\u003c\/em\u003e, Milan 1999-2000, London 2003\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai: The One Hundred Views of Fuji\u003c\/em\u003e, Milan: Editoriale Nuova, 1982\u003cbr\u003eJ. Hillier, \u003cem\u003eThe Art of Hokusai in Book Illustration\u003c\/em\u003e, London: Sotheby Parke Bernet, 1980\u003cbr\u003eJ. Hillier, L. Smith, \u003cem\u003eJapanese Prints: 300 Years of Albums and Books\u003c\/em\u003e, London: British Museum Publications, 1980\u003cbr\u003eR.S. Keyes, \u003cem\u003eEhon: The Artist and the Book in Japan\u003c\/em\u003e, New York: George Braziller, 2006\u003cbr\u003eT. Clark (ed.), \u003cem\u003eHokusai: Beyond the Great Wave\u003c\/em\u003e, London: British Museum Press, 2017\u003cbr\u003eM. Forrer, W.R. van Gulik, \u003cem\u003eHokusai and His School: Paintings, Drawings and Illustrated Books\u003c\/em\u003e, Leiden: Society for Japanese Arts and Crafts, 1991\u003cbr\u003eThe Metropolitan Museum of Art, New York: \u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/78803\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/78803\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCommentary\u003c\/strong\u003e\u003cbr\u003eThe Fuji glimpsed through the freshly dyed fabrics hung out to dry, in the Kanda district of Edo. While everything seems still, a piece of cloth, raised on a bamboo pole, is yet to be hung: a witty detail that emphasizes the feeling of an ephemeral moment against the eternity of the half-hidden mountain. A wonderful plate with very modern geometries.\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":51993907691867,"sku":null,"price":650.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiKatsushikaOneHundredViewsofMountFuji38.jpg?v=1767636145"},{"product_id":"hokusai-katsushika-cento-vedute-del-monte-fuji-n-6-1834","title":"HOKUSAI KATSUSHIKA, One Hundred Views of Mount Fuji no. 6, 1834","description":"\u003cp\u003eBeautiful proof with good contrasts, attributable to the print run of Eirakuya Tōshirō (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnnotated Bibliography\u003c\/strong\u003e\u003cbr\u003eH.D. Smith II, \u003cem\u003eHokusai: One Hundred Views of Mt. Fuji\u003c\/em\u003e, New York: George Braziller, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, London: Royal Academy of Arts, 1991\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, New York: Rizzoli, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai: Prints and Drawings\u003c\/em\u003e, Munich: Prestel, 1991\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai: The Old Madman of Painting\u003c\/em\u003e, Milan 1999-2000, London 2003\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai: The One Hundred Views of Fuji\u003c\/em\u003e, Milan: Editoriale Nuova, 1982\u003cbr\u003eJ. Hillier, \u003cem\u003eThe Art of Hokusai in Book Illustration\u003c\/em\u003e, London: Sotheby Parke Bernet, 1980\u003cbr\u003eJ. Hillier, L. Smith, \u003cem\u003eJapanese Prints: 300 Years of Albums and Books\u003c\/em\u003e, London: British Museum Publications, 1980\u003cbr\u003eR.S. Keyes, \u003cem\u003eEhon: The Artist and the Book in Japan\u003c\/em\u003e, New York: George Braziller, 2006\u003cbr\u003eT. Clark (ed.), \u003cem\u003eHokusai: Beyond the Great Wave\u003c\/em\u003e, London: British Museum Press, 2017\u003cbr\u003eM. Forrer, W.R. van Gulik, \u003cem\u003eHokusai and His School: Paintings, Drawings and Illustrated Books\u003c\/em\u003e, Leiden: Society for Japanese Arts and Crafts, 1991\u003cbr\u003eThe Metropolitan Museum of Art, New York: \u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/78803\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/78803\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCommentary\u003c\/strong\u003e\u003cbr\u003eThe swift descent from the mountain by the followers of the Fujiko sect, worshippers of Fuji, along the slopes covered in volcanic dust.\u003cbr\u003eThe plate is connected to the previous one, representing the arduous ascent to the mountain.\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":51996953641307,"sku":null,"price":380.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiCentovedutedelFuji6.jpg?v=1767705004"},{"product_id":"hokusai-katsushika-cento-vedute-del-monte-fuji-n-5-1834","title":"HOKUSAI KATSUSHIKA, One Hundred Views of Mount Fuji no. 5, 1834","description":"\u003cp\u003eBeautiful proof with good contrasts, attributable to the print run of Eirakuya Tōshirō (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnnotated Bibliography\u003c\/strong\u003e\u003cbr\u003eH.D. Smith II, \u003cem\u003eHokusai: One Hundred Views of Mt. Fuji\u003c\/em\u003e, New York: George Braziller, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, London: Royal Academy of Arts, 1991\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, New York: Rizzoli, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai: Prints and Drawings\u003c\/em\u003e, Munich: Prestel, 1991\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai: The Old Mad about Painting\u003c\/em\u003e, Milan 1999-2000, London 2003\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai: The One Hundred Views of Fuji\u003c\/em\u003e, Milan: Editoriale Nuova, 1982\u003cbr\u003eJ. Hillier, \u003cem\u003eThe Art of Hokusai in Book Illustration\u003c\/em\u003e, London: Sotheby Parke Bernet, 1980\u003cbr\u003eJ. Hillier, L. Smith, \u003cem\u003eJapanese Prints: 300 Years of Albums and Books\u003c\/em\u003e, London: British Museum Publications, 1980\u003cbr\u003eR.S. Keyes, \u003cem\u003eEhon: The Artist and the Book in Japan\u003c\/em\u003e, New York: George Braziller, 2006\u003cbr\u003eT. Clark (ed.), \u003cem\u003eHokusai: Beyond the Great Wave\u003c\/em\u003e, London: British Museum Press, 2017\u003cbr\u003eM. Forrer, W.R. van Gulik, \u003cem\u003eHokusai and His School: Paintings, Drawings and Illustrated Books\u003c\/em\u003e, Leiden: Society for Japanese Arts and Crafts, 1991\u003cbr\u003eThe Metropolitan Museum of Art, New York: \u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/78803\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/78803\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCommentary\u003c\/strong\u003e\u003cbr\u003eThe ritual ascent of the mountain on the first day of the sixth month, by the followers of the Fujiko sect, worshippers of Fuji (as suggested by the ideogram \u003cem\u003e“Fuji”\u003c\/em\u003e, placed on their headdress), among cliffs of broken lava from eurya japonica shrubs.\u003cbr\u003eThe pilgrims advance compactly, one alone, raising his head, plays the \u003cem\u003ehorogai\u003c\/em\u003e, the large shell used as a musical and religious instrument.\u003cbr\u003eThe panel is connected to the next one, representing the descent from the mountain.\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":51996955509083,"sku":null,"price":380.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiCentovedutedelFuji5.jpg?v=1767705133"},{"product_id":"hokusai-katsushika-cento-vedute-del-monte-fuji-n-4-1834","title":"HOKUSAI KATSUSHIKA, One Hundred Views of Mount Fuji no. 4, 1834","description":"\u003cp\u003eStunning proof with good contrasts, attributable to the print run of Eirakuya Tōshirō (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnnotated Bibliography\u003c\/strong\u003e\u003cbr\u003eH.D. Smith II, \u003cem\u003eHokusai: One Hundred Views of Mt. Fuji\u003c\/em\u003e, New York: George Braziller, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, London: Royal Academy of Arts, 1991\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, New York: Rizzoli, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai: Prints and Drawings\u003c\/em\u003e, Munich: Prestel, 1991\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai: The Old Madman of Painting\u003c\/em\u003e, Milan 1999-2000, London 2003\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai: The One Hundred Views of Fuji\u003c\/em\u003e, Milan: Editoriale Nuova, 1982\u003cbr\u003eJ. Hillier, \u003cem\u003eThe Art of Hokusai in Book Illustration\u003c\/em\u003e, London: Sotheby Parke Bernet, 1980\u003cbr\u003eJ. Hillier, L. Smith, \u003cem\u003eJapanese Prints: 300 Years of Albums and Books\u003c\/em\u003e, London: British Museum Publications, 1980\u003cbr\u003eR.S. Keyes, \u003cem\u003eEhon: The Artist and the Book in Japan\u003c\/em\u003e, New York: George Braziller, 2006\u003cbr\u003eT. Clark (ed.), \u003cem\u003eHokusai: Beyond the Great Wave\u003c\/em\u003e, London: British Museum Press, 2017\u003cbr\u003eM. Forrer, W.R. van Gulik, \u003cem\u003eHokusai and His School: Paintings, Drawings and Illustrated Books\u003c\/em\u003e, Leiden: Society for Japanese Arts and Crafts, 1991\u003cbr\u003eThe Metropolitan Museum of Art, New York: \u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/78803\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/78803\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCommentary\u003c\/strong\u003e\u003cbr\u003eFollowing the three previous views depicting Fuji in myth, history, and legend, the current plate is dedicated to the mountain itself, in its majestic physical presence. An explosion of energy and beauty of nature, contrasted by the small birds high in flight and the fragile boats navigating the river, the only human presence, dominated by the majesty of the snow-capped mountain surrounded by high cirrus clouds streaking the sky, remnants of the storm that has passed and left the clear weather of the title.\u003cbr\u003eThe view represents Fuji from the south, from Sagami Bay, and takes up in winter version and monochrome the engraving from the series \u003cem\u003eThirty-Six Views of Mount Fuji\u003c\/em\u003e, titled \u003cem\u003eGaifu kaisei\u003c\/em\u003e (\u003cem\u003eFresh Wind on a Clear Morning\u003c\/em\u003e, better known as \u003cem\u003eThe Red Fuji\u003c\/em\u003e). Although occupying a double plate, due to the precise extreme-eastern aesthetic canons that reject symmetry, Fuji, the focal point of the plate, is completely off-center.\u003cbr\u003eA similar representation of the sacred mountain is in \u003cem\u003eHokusai Manga\u003c\/em\u003e vol. V (1816), untitled. \u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":51996957081947,"sku":null,"price":1300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiCentovedutedelFuji4.jpg?v=1767705264"},{"product_id":"hokusai-katsushika-cento-vedute-del-monte-fuji-n-2-1834","title":"HOKUSAI KATSUSHIKA, One Hundred Views of Mount Fuji no. 2, 1834","description":"\u003cp\u003eBeautiful proof with good contrasts, attributable to the print run of Eirakuya Tōshirō (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnnotated Bibliography\u003c\/strong\u003e\u003cbr\u003eH.D. Smith II, \u003cem\u003eHokusai: One Hundred Views of Mt. Fuji\u003c\/em\u003e, New York: George Braziller, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, London: Royal Academy of Arts, 1991\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, New York: Rizzoli, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai: Prints and Drawings\u003c\/em\u003e, Munich: Prestel, 1991\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai: The Old Madman of Painting\u003c\/em\u003e, Milan 1999-2000, London 2003\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai: The One Hundred Views of Fuji\u003c\/em\u003e, Milan: Editoriale Nuova, 1982\u003cbr\u003eJ. Hillier, \u003cem\u003eThe Art of Hokusai in Book Illustration\u003c\/em\u003e, London: Sotheby Parke Bernet, 1980\u003cbr\u003eJ. Hillier, L. Smith, \u003cem\u003eJapanese Prints: 300 Years of Albums and Books\u003c\/em\u003e, London: British Museum Publications, 1980\u003cbr\u003eR.S. Keyes, \u003cem\u003eEhon: The Artist and the Book in Japan\u003c\/em\u003e, New York: George Braziller, 2006\u003cbr\u003eT. Clark (ed.), \u003cem\u003eHokusai: Beyond the Great Wave\u003c\/em\u003e, London: British Museum Press, 2017\u003cbr\u003eM. Forrer, W.R. van Gulik, \u003cem\u003eHokusai and His School: Paintings, Drawings and Illustrated Books\u003c\/em\u003e, Leiden: Society for Japanese Arts and Crafts, 1991\u003cbr\u003eThe Metropolitan Museum of Art, New York: \u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/78803\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/78803\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCommentary\u003c\/strong\u003e\u003cbr\u003eAccording to legend, Mount Fuji and Lake Biwa were created simultaneously in the fifth year of the reign of Korei (the seventh emperor of Japan, 342-215 BC), that is, in 286 BC.\u003cbr\u003eThe table depicts the mystical appearance of the mountain. It is dawn, the first rays illuminate the peak that breaks the limits of the table, as if the sacred image could not be contained in any predetermined space. Two groups of people observe the scene, astonished and amazed: on the right the \u003cem\u003emurayakunin\u003c\/em\u003e, the village authorities, on the left two officials with their attendants. All eyes are turned to the mountain, except, it seems, for the man pointing to the scribe following his gestures. This direct gaze in a different direction could be a device to raise tension: the viewer wonders what the depicted characters are looking at, if not the mountain. The pathos is conveyed, finally, by other small details, such as the gestures of the hands of the two officials.\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":51996982903131,"sku":null,"price":650.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiCentovedutedelFuji2.jpg?v=1767705850"},{"product_id":"hajime-namiki-tokyo-1947-hills-poppy-2020","title":"HAJIME NAMIKI, Hills Poppy, 2020","description":"\u003cp class=\"p1\"\u003eSplendid proof, printed on Torinoko paper. Perfect preservation with uncut margins.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cstrong\u003eHajime Namiki\u003c\/strong\u003e (Tokyo 1947) initially trained as a sculptor, studying sculpture with Shigeru Ogura in 1965 to join the Japanese Sculpture Association in 1974. He then approached woodblock printing in 1978.\u003cbr\u003eNamiki's most characteristic works, which follow the tradition of \u003ci\u003esōsaku hanga\u003c\/i\u003e by carving and printing the blocks himself, are printed with oil-based pigments on backgrounds of silver or gold leaf, on handmade Torinoko paper, which creates a reflective surface capable of changing with light and the angle of observation.\u003cbr\u003eNamiki has extensively exhibited his woodblock prints in Japan and internationally. His works are present in the collections of the White House, the Los Angeles County Museum of Art, the Art Institute of Chicago, and the New Orleans Museum of Art.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":51997529473371,"sku":null,"price":450.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HajimeNamikiPoppy.jpg?v=1767719369"},{"product_id":"hokusai-katsushika-ippitsu-gafu-n-17-1823","title":"HOKUSAI KATSUSHIKA, Ippitsu Gafu no. 17, 1823","description":"\u003cp\u003eStunning proof with bright colors and subtle marks, attributable to the print run of Eirakuya Tōshirō (early Meiji era) from the original woodblocks. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnnotated Bibliography\u003cbr\u003e\u003c\/strong\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, Munich: Prestel Verlag, 2010\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, New York: Rizzoli, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai. Prints and Drawings\u003c\/em\u003e, Munich: Prestel, 1991\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai. The Old Madman of Painting\u003c\/em\u003e, Milan: Electa, 2003\u003cbr\u003eJ. Hillier, \u003cem\u003eThe Art of Hokusai in Book Illustration\u003c\/em\u003e, London: Sotheby Parke Bernet, 1980\u003cbr\u003eJ. Hillier, L. Smith, \u003cem\u003eJapanese Prints. 300 Years of Albums and Books\u003c\/em\u003e, London: British Museum Publications, 1980\u003cbr\u003eR.S. Keyes, \u003cem\u003eEhon. The Artist and the Book in Japan\u003c\/em\u003e, New York: George Braziller, 2006\u003cbr\u003eM. Forrer, W.R. van Gulik, \u003cem\u003eHokusai and His School. Paintings, Drawings and Illustrated Books\u003c\/em\u003e, Leiden: Society for Japanese Arts and Crafts, 1991\u003cbr\u003eM. Forrer, E. Tōshirō, \u003cem\u003ePublisher at Nagoya. A Contribution to the History of Publishing in 19th Century Japan\u003c\/em\u003e, Amsterdam: J.C. Gieben, 1985\u003cbr\u003eS. Nagata, \u003cem\u003eHokusai no Etehon (Hokusai's Drawing Manuals)\u003c\/em\u003e, vol. 1, Tokyo: Iwasaki Bijutsu-sha, 1986\u003cbr\u003eS. Vesco, \u003cem\u003eSpontaneous Mastery. The Ryakuga haya oshie of Katsushika Hokusai\u003c\/em\u003e, Venice: Edizioni Ca’ Foscari, 2020\u003cbr\u003eBritish Museum: \u003ca href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1915-0823-0-93\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1915-0823-0-93\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago \u003ca href=\"https:\/\/www.artic.edu\/artworks\/192278\/ippitsu-gafu-album-of-drawings-with-one-stroke-complete-in-1-vol\"\u003ehttps:\/\/www.artic.edu\/artworks\/192278\/ippitsu-gafu-album-of-drawings-with-one-stroke-complete-in-1-vol\u003c\/a\u003e\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/78799\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/78799\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCommentary\u003c\/strong\u003e\u003cbr\u003eThe very title of the collection, \u003cem\u003eConveying the Spirit, Revealing the Form of Things through a Single Brushstroke\u003c\/em\u003e (\u003cem\u003eDenshin kaishu Ippitsu gafu\u003c\/em\u003e), expresses Hokusai's entire philosophy: the belief that art must go beyond mere reproduction of reality to capture the vital energy of each subject. \u003cbr\u003eAs Van Gogh recalled in a letter to his brother Theo in 1888, \"the charm of Hokusai lies in his ability to remove the superfluous to let the essential shine through.\" The refined tones of turquoise and deep pink in the woodblock prints of the collection indeed enchant with their immediate freshness and demonstrate how Hokusai, in his graphic synthesis, anticipated and influenced modern sensibility, from Impressionist painters onward.\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":52232237220187,"sku":null,"price":320.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiIppitsuGafu17.jpg?v=1770670087"},{"product_id":"hokusai-katsushika-ippitsu-gafu-n-14-1823","title":"HOKUSAI KATSUSHIKA, Ippitsu Gafu no. 14, 1823","description":"\u003cp\u003eStunning proof with bright colors and subtle marks, attributable to the print run of Eirakuya Tōshirō (early Meiji era) from the original woodblocks. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnnotated Bibliography\u003cbr\u003e\u003c\/strong\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, Munich: Prestel Verlag, 2010\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, New York: Rizzoli, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai. Prints and Drawings\u003c\/em\u003e, Munich: Prestel, 1991\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai. The Old Madman of Painting\u003c\/em\u003e, Milan: Electa, 2003\u003cbr\u003eJ. Hillier, \u003cem\u003eThe Art of Hokusai in Book Illustration\u003c\/em\u003e, London: Sotheby Parke Bernet, 1980\u003cbr\u003eJ. Hillier, L. Smith, \u003cem\u003eJapanese Prints. 300 Years of Albums and Books\u003c\/em\u003e, London: British Museum Publications, 1980\u003cbr\u003eR.S. Keyes, \u003cem\u003eEhon. The Artist and the Book in Japan\u003c\/em\u003e, New York: George Braziller, 2006\u003cbr\u003eM. Forrer, W.R. van Gulik, \u003cem\u003eHokusai and His School. Paintings, Drawings and Illustrated Books\u003c\/em\u003e, Leiden: Society for Japanese Arts and Crafts, 1991\u003cbr\u003eM. Forrer, E. Tōshirō, \u003cem\u003ePublisher at Nagoya. A Contribution to the History of Publishing in 19th Century Japan\u003c\/em\u003e, Amsterdam: J.C. Gieben, 1985\u003cbr\u003eS. Nagata, \u003cem\u003eHokusai no Etehon (Hokusai's Drawing Manuals)\u003c\/em\u003e, vol. 1, Tokyo: Iwasaki Bijutsu-sha, 1986\u003cbr\u003eS. Vesco, \u003cem\u003eSpontaneous Mastery. The Ryakuga haya oshie of Katsushika Hokusai\u003c\/em\u003e, Venice: Edizioni Ca’ Foscari, 2020\u003cbr\u003eBritish Museum: \u003ca href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1915-0823-0-93\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1915-0823-0-93\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago \u003ca href=\"https:\/\/www.artic.edu\/artworks\/192278\/ippitsu-gafu-album-of-drawings-with-one-stroke-complete-in-1-vol\"\u003ehttps:\/\/www.artic.edu\/artworks\/192278\/ippitsu-gafu-album-of-drawings-with-one-stroke-complete-in-1-vol\u003c\/a\u003e\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/78799\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/78799\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCommentary\u003c\/strong\u003e\u003cbr\u003eThe very title of the collection, \u003cem\u003eConveying the Spirit, Revealing the Form of Things through a Single Brushstroke\u003c\/em\u003e (\u003cem\u003eDenshin kaishu Ippitsu gafu\u003c\/em\u003e), expresses Hokusai's entire philosophy: the belief that art must go beyond mere reproduction of reality to capture the vital energy of each subject. \u003cbr\u003eAs Van Gogh recalled in a letter to his brother Theo in 1888, \"the charm of Hokusai lies in his ability to remove the superfluous to let the essential shine through.\" The refined tones of turquoise and deep pink in the woodblock prints of the collection indeed enchant with their immediate freshness and demonstrate how Hokusai, in his graphic synthesis, anticipated and influenced modern sensibility, from Impressionist painters onward.\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":52232380744027,"sku":null,"price":320.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiIppitsuGafu14.jpg?v=1770670182"},{"product_id":"hokusai-katsushika-ippitsu-gafu-n-13-1823","title":"HOKUSAI KATSUSHIKA, Ippitsu Gafu no. 13, 1823","description":"\u003cp\u003eStunning proof with bright colors and subtle marks, attributable to the print run of Eirakuya Tōshirō (early Meiji era) from the original woodblocks. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnnotated Bibliography\u003cbr\u003e\u003c\/strong\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, Munich: Prestel Verlag, 2010\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, New York: Rizzoli, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai. Prints and Drawings\u003c\/em\u003e, Munich: Prestel, 1991\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai. The Old Madman of Painting\u003c\/em\u003e, Milan: Electa, 2003\u003cbr\u003eJ. Hillier, \u003cem\u003eThe Art of Hokusai in Book Illustration\u003c\/em\u003e, London: Sotheby Parke Bernet, 1980\u003cbr\u003eJ. Hillier, L. Smith, \u003cem\u003eJapanese Prints. 300 Years of Albums and Books\u003c\/em\u003e, London: British Museum Publications, 1980\u003cbr\u003eR.S. Keyes, \u003cem\u003eEhon. The Artist and the Book in Japan\u003c\/em\u003e, New York: George Braziller, 2006\u003cbr\u003eM. Forrer, W.R. van Gulik, \u003cem\u003eHokusai and His School. Paintings, Drawings and Illustrated Books\u003c\/em\u003e, Leiden: Society for Japanese Arts and Crafts, 1991\u003cbr\u003eM. Forrer, E. Tōshirō, \u003cem\u003ePublisher at Nagoya. A Contribution to the History of Publishing in 19th Century Japan\u003c\/em\u003e, Amsterdam: J.C. Gieben, 1985\u003cbr\u003eS. Nagata, \u003cem\u003eHokusai no Etehon (Hokusai's Drawing Manuals)\u003c\/em\u003e, vol. 1, Tokyo: Iwasaki Bijutsu-sha, 1986\u003cbr\u003eS. Vesco, \u003cem\u003eSpontaneous Mastery. The Ryakuga haya oshie of Katsushika Hokusai\u003c\/em\u003e, Venice: Edizioni Ca’ Foscari, 2020\u003cbr\u003eBritish Museum: \u003ca href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1915-0823-0-93\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1915-0823-0-93\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago \u003ca href=\"https:\/\/www.artic.edu\/artworks\/192278\/ippitsu-gafu-album-of-drawings-with-one-stroke-complete-in-1-vol\"\u003ehttps:\/\/www.artic.edu\/artworks\/192278\/ippitsu-gafu-album-of-drawings-with-one-stroke-complete-in-1-vol\u003c\/a\u003e\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/78799\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/78799\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCommentary\u003c\/strong\u003e\u003cbr\u003eThe very title of the collection, \u003cem\u003eConveying the Spirit, Revealing the Form of Things through a Single Brushstroke\u003c\/em\u003e (\u003cem\u003eDenshin kaishu Ippitsu gafu\u003c\/em\u003e), expresses Hokusai's entire philosophy: the belief that art must go beyond mere reproduction of reality to capture the vital energy of each subject. \u003cbr\u003eAs Van Gogh recalled in a letter to his brother Theo in 1888, \"the charm of Hokusai lies in his ability to remove the superfluous to let the essential shine through.\" The refined tones of turquoise and deep pink in the woodblock prints of the collection indeed enchant with their immediate freshness and demonstrate how Hokusai, in his graphic synthesis, anticipated and influenced modern sensibility, from Impressionist painters onward.\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":52232431305051,"sku":null,"price":320.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiIppitsuGafu13.jpg?v=1770670220"},{"product_id":"hokusai-katsushika-ippitsu-gafu-n-10-1823","title":"HOKUSAI KATSUSHIKA, Ippitsu Gafu no. 10, 1823","description":"\u003cp\u003eStunning proof with bright colors and subtle marks, attributable to the print run of Eirakuya Tōshirō (early Meiji era) from the original woodblocks. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnnotated Bibliography\u003cbr\u003e\u003c\/strong\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, Munich: Prestel Verlag, 2010\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, New York: Rizzoli, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai. Prints and Drawings\u003c\/em\u003e, Munich: Prestel, 1991\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai. The Old Madman of Painting\u003c\/em\u003e, Milan: Electa, 2003\u003cbr\u003eJ. Hillier, \u003cem\u003eThe Art of Hokusai in Book Illustration\u003c\/em\u003e, London: Sotheby Parke Bernet, 1980\u003cbr\u003eJ. Hillier, L. Smith, \u003cem\u003eJapanese Prints. 300 Years of Albums and Books\u003c\/em\u003e, London: British Museum Publications, 1980\u003cbr\u003eR.S. Keyes, \u003cem\u003eEhon. The Artist and the Book in Japan\u003c\/em\u003e, New York: George Braziller, 2006\u003cbr\u003eM. Forrer, W.R. van Gulik, \u003cem\u003eHokusai and His School. Paintings, Drawings and Illustrated Books\u003c\/em\u003e, Leiden: Society for Japanese Arts and Crafts, 1991\u003cbr\u003eM. Forrer, E. Tōshirō, \u003cem\u003ePublisher at Nagoya. A Contribution to the History of Publishing in 19th Century Japan\u003c\/em\u003e, Amsterdam: J.C. Gieben, 1985\u003cbr\u003eS. Nagata, \u003cem\u003eHokusai no Etehon (Hokusai's Drawing Manuals)\u003c\/em\u003e, vol. 1, Tokyo: Iwasaki Bijutsu-sha, 1986\u003cbr\u003eS. Vesco, \u003cem\u003eSpontaneous Mastery. The Ryakuga haya oshie of Katsushika Hokusai\u003c\/em\u003e, Venice: Edizioni Ca’ Foscari, 2020\u003cbr\u003eBritish Museum: \u003ca href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1915-0823-0-93\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1915-0823-0-93\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago \u003ca href=\"https:\/\/www.artic.edu\/artworks\/192278\/ippitsu-gafu-album-of-drawings-with-one-stroke-complete-in-1-vol\"\u003ehttps:\/\/www.artic.edu\/artworks\/192278\/ippitsu-gafu-album-of-drawings-with-one-stroke-complete-in-1-vol\u003c\/a\u003e\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/78799\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/78799\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCommentary\u003c\/strong\u003e\u003cbr\u003eThe very title of the collection, \u003cem\u003eConveying the Spirit, Revealing the Form of Things through a Single Brushstroke\u003c\/em\u003e (\u003cem\u003eDenshin kaishu Ippitsu gafu\u003c\/em\u003e), expresses Hokusai's entire philosophy: the belief that art must go beyond mere reproduction of reality to capture the vital energy of each subject. \u003cbr\u003eAs Van Gogh recalled in a letter to his brother Theo in 1888, \"the charm of Hokusai lies in his ability to remove the superfluous to let the essential shine through.\" The refined tones of turquoise and deep pink in the woodblock prints of the collection indeed enchant with their immediate freshness and demonstrate how Hokusai, in his graphic synthesis, anticipated and influenced modern sensibility, from Impressionist painters onward.\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":52232542585179,"sku":null,"price":320.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiIppitsuGafu10.jpg?v=1770670314"},{"product_id":"hokusai-katsushika-manga-n-3-1814-1849","title":"HOKUSAI KATSUSHIKA, Manga no. 3, 1814-1849","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM. Forrer,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eManga\u003c\/em\u003e, Hazan Eds, 2014\u003cbr\u003eJ.A. Michener,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHokusai sketch books\u003c\/em\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHokusai, the old madman of painting\u003c\/em\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHokusai, prints and drawings\u003c\/em\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe art of Hokusai in book illustration\u003c\/em\u003e, London, 1980\u003cbr\u003eR. Lane,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHokusai, life and works\u003c\/em\u003e, Milan, 1991\u003cbr\u003eT. Clark,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHokusai: Beyond the Great Wave\u003c\/em\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of Art:\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.elenasalamon.com\/products\/M.%20Forrer,%20Manga,%20Hazan%20Eds,%202014%20J.A.%20Michener,%20Hokusai%20sketch%20books,%20Rutland%20e%20Tokio,%201958%20G.C.%20Calza,%20Hokusai,%20il%20vecchio%20pazzo%20per%20la%20pittura,%20Catalogo%20Mostra%20Milano%201999-2000,%20Londra,%202003%20M.%20Forrer,%20Hokusai,%20prints%20and%20drawings,%20Londra,%201991%20J.%20Hillier,%20The%20art%20of%20Hokusai%20in%20book%20illustration,%20Londra,%201980%20R.%20Lane,%20Hokusai,%20vita%20e%20opere,%20Milano,%201991%20T.%20Clark,%20Hokusai:%20Beyond%20the%20Great%20Wave,%20British%20Museum%20Press,%202017%20The%20Metropolitan%20Museum%20of%20art:%20https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%20British%20Museum:%20https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1%20National%20Museum%20of%20Asian%20Art:%20https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14%20The%20Art%20Institute%20of%20Chicago:%20https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" rel=\"noopener\" aria-describedby=\"a11y-new-window-message\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum:\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" rel=\"noopener\" aria-describedby=\"a11y-new-window-external-message\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art:\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" rel=\"noopener\" aria-describedby=\"a11y-new-window-external-message\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago:\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" rel=\"noopener\" aria-describedby=\"a11y-new-window-external-message\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe term\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e“manga”\u003c\/strong\u003e, at the time, referred to “unconstrained images” and related to educational, playful, and illustrative collections. Hokusai's Manga, published starting in 1814, is an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a meaning very different from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":52597244363099,"sku":null,"price":180.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga3.jpg?v=1773604061"},{"product_id":"hokusai-katsushika-manga-n-30-1814-1849-copia","title":"HOKUSAI KATSUSHIKA, Manga no. 30, 1814-1849","description":"\u003cp class=\"p1\"\u003eDelicate proof in a version dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga”\u003c\/b\u003e, at the time, referred to “unconstrained images” and related to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a meaning very different from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":52619233296731,"sku":null,"price":130.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga30.jpg?v=1773836471"},{"product_id":"hokusai-katsushika-manga-n-44-1814-1849","title":"HOKUSAI KATSUSHIKA, Manga no. 44, 1814-1849","description":"\u003cp class=\"p1\"\u003eDelicate proof in a version dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga”\u003c\/b\u003e, at the time, referred to “unconstrained images” and related to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a meaning very different from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":52622427259227,"sku":null,"price":180.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga44.jpg?v=1773863083"},{"product_id":"hokusai-katsushika-manga-n-47-1814-1849","title":"HOKUSAI KATSUSHIKA, Manga no. 47, 1814-1849","description":"\u003cp class=\"p1\"\u003eDelicate proof in a version dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga”\u003c\/b\u003e, at the time, referred to “unconstrained images” and related to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a meaning very different from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":52622436860251,"sku":null,"price":170.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga47.jpg?v=1773863284"},{"product_id":"hokusai-katsushika-cento-vedute-del-monte-fuji-n-34-1834","title":"HOKUSAI KATSUSHIKA, One Hundred Views of Mount Fuji No. 34, 1834","description":"\u003cp\u003eA splendid impression with good contrasts, attributable to the Eirakuya Tōshirō edition (mid-19th century) from the original blocks of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSelected Bibliography\u003c\/strong\u003e\u003cbr\u003eH.D. Smith II, \u003cem\u003eHokusai: One Hundred Views of Mt. Fuji\u003c\/em\u003e, New York: George Braziller, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, London: Royal Academy of Arts, 1991\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, New York: Rizzoli, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai: Prints and Drawings\u003c\/em\u003e, Munich: Prestel, 1991\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai: il vecchio pazzo per la pittura\u003c\/em\u003e, Milano 1999-2000, Londra 2003\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai: le cento vedute del Fuji\u003c\/em\u003e, Milano: Editoriale Nuova, 1982\u003cbr\u003eJ. Hillier, \u003cem\u003eThe Art of Hokusai in Book Illustration\u003c\/em\u003e, London: Sotheby Parke Bernet, 1980\u003cbr\u003eJ. Hillier, L. Smith, \u003cem\u003eJapanese Prints: 300 Years of Albums and Books\u003c\/em\u003e, London: British Museum Publications, 1980\u003cbr\u003eR.S. Keyes, \u003cem\u003eEhon: The Artist and the Book in Japan\u003c\/em\u003e, New York: George Braziller, 2006\u003cbr\u003eT. Clark (ed.), \u003cem\u003eHokusai: Beyond the Great Wave\u003c\/em\u003e, London: British Museum Press, 2017\u003cbr\u003eM. Forrer, W.R. van Gulik, \u003cem\u003eHokusai and His School: Paintings, Drawings and Illustrated Books\u003c\/em\u003e, Leiden: Society for Japanese Arts and Crafts, 1991\u003cbr\u003eThe Metropolitan Museum of Art, New York: \u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/78803\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/78803\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCommentary\u003c\/strong\u003e\u003cbr\u003eMount Fuji can be glimpsed through an elegant bamboo curtain.\u003cbr\u003eThe superb beauty of this composition, which makes it one of the favorites in the entire series, is more complex than it might appear and is the result of the intertwining play of bamboos (mature ones in the foreground, young ones still covered in their sheaths in the background), whose curved stems echo the extremely linear and pure outline of the sides of the sacred mountain rising white in the distance.\u003cbr\u003eBamboo can withstand the most impetuous wind, endure cold winters and very hot summers. In classical iconography, it symbolizes flexibility, strength, and adaptability.\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":52893239312731,"sku":null,"price":1500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiKatsushikaOneHundredViewsofMountFuji34.jpg?v=1777457288"},{"product_id":"hokusai-katsushika-cento-vedute-del-monte-fuji-n-36-1834","title":"HOKUSAI KATSUSHIKA, One Hundred Views of Mount Fuji No. 36, 1834","description":"\u003cp\u003eBeautiful impression with good contrasts, attributable to the Eirakuya Tōshirō edition (mid-19th century) from the original blocks of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSelected Bibliography\u003c\/strong\u003e\u003cbr\u003eH.D. Smith II, \u003cem\u003eHokusai: One Hundred Views of Mt. Fuji\u003c\/em\u003e, New York: George Braziller, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, London: Royal Academy of Arts, 1991\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, New York: Rizzoli, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai: Prints and Drawings\u003c\/em\u003e, Munich: Prestel, 1991\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai: the Old Man Mad About Painting\u003c\/em\u003e, Milan 1999-2000, London 2003\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai: One Hundred Views of Fuji\u003c\/em\u003e, Milan: Editoriale Nuova, 1982\u003cbr\u003eJ. Hillier, \u003cem\u003eThe Art of Hokusai in Book Illustration\u003c\/em\u003e, London: Sotheby Parke Bernet, 1980\u003cbr\u003eJ. Hillier, L. Smith, \u003cem\u003eJapanese Prints: 300 Years of Albums and Books\u003c\/em\u003e, London: British Museum Publications, 1980\u003cbr\u003eR.S. Keyes, \u003cem\u003eEhon: The Artist and the Book in Japan\u003c\/em\u003e, New York: George Braziller, 2006\u003cbr\u003eT. Clark (ed.), \u003cem\u003eHokusai: Beyond the Great Wave\u003c\/em\u003e, London: British Museum Press, 2017\u003cbr\u003eM. Forrer, W.R. van Gulik, \u003cem\u003eHokusai and His School: Paintings, Drawings and Illustrated Books\u003c\/em\u003e, Leiden: Society for Japanese Arts and Crafts, 1991\u003cbr\u003eThe Metropolitan Museum of Art, New York: \u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/78803\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/78803\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCommentary\u003c\/strong\u003e\u003cbr\u003eLiterally \"a visit to Fuji\", practically a divine encounter.\u003cbr\u003eFrom the dark depths of a lake, a dragon ascends to the sky, leaving behind the curling waves that allude to its watery lair, where, according to legend, it spent a thousand years.\u003cbr\u003e\u003cem\u003eRyu\u003c\/em\u003e, the dragon, in Chinese iconography is the symbol of the emperor, while in Japanese mythology it embodies the spiritual power of celestial spaces. In this print, where Mount Fuji ascends among the clouds, it is a metaphor for rebirth and earthly success.\u003cbr\u003eThis is one of the views in the series (along with print no. 52) where a separate black block (instead of grey) was used for the background gradation, achieving a refined effect in both cases.\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":52893243736411,"sku":null,"price":730.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiOneHundred36_1400x1400_79c0ccc2-b1d1-47bd-8a16-ddc23ddff3f6.jpg?v=1782399821"},{"product_id":"hokusai-katsushika-manga-n-51-1834","title":"HOKUSAI KATSUSHIKA, Manga No. 51, 1834","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition datable to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003cbr\u003e\u003c\/b\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003cbr\u003e\u003c\/strong\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a meaning very different from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":53064005058907,"sku":null,"price":130.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga51.jpg?v=1779644813"},{"product_id":"hokusai-katsushika-manga-n-42-1834","title":"HOKUSAI KATSUSHIKA, Manga No. 42, 1834","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003cbr\u003e\u003c\/b\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman for painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003cbr\u003e\u003c\/strong\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a very different meaning from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":53064017150299,"sku":null,"price":280.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga42.jpg?v=1779645405"},{"product_id":"hokusai-katsushika-manga-n-41-1834","title":"HOKUSAI KATSUSHIKA, Manga No. 41, 1834","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003cbr\u003e\u003c\/b\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman for painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003cbr\u003e\u003c\/strong\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a very different meaning from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":53064020263259,"sku":null,"price":220.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga41.jpg?v=1779645452"},{"product_id":"hokusai-katsushika-manga-n-40-1834","title":"HOKUSAI KATSUSHIKA, Manga No. 40, 1834","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003cbr\u003e\u003c\/b\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman for painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003cbr\u003e\u003c\/strong\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a very different meaning from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":53064046575963,"sku":null,"price":280.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga40.jpg?v=1779645512"},{"product_id":"hokusai-katsushika-manga-n-39-1834","title":"HOKUSAI KATSUSHIKA, Manga No. 39, 1834","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003cbr\u003e\u003c\/b\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman for painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003cbr\u003e\u003c\/strong\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a very different meaning from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":53064047690075,"sku":null,"price":130.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga39.jpg?v=1779645567"},{"product_id":"hokusai-katsushika-manga-n-35-1834","title":"HOKUSAI KATSUSHIKA, Manga No. 35, 1834","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003cbr\u003e\u003c\/b\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman for painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003cbr\u003e\u003c\/strong\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a very different meaning from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":53064054767963,"sku":null,"price":130.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga35.jpg?v=1779645777"},{"product_id":"hokusai-katsushika-manga-n-31-1834","title":"HOKUSAI KATSUSHIKA, Manga No. 31, 1834","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003cbr\u003e\u003c\/b\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman for painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003cbr\u003e\u003c\/strong\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a very different meaning from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":53064058732891,"sku":null,"price":130.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga31_9aad6d31-d1d2-4b5e-b188-f5454317b958.jpg?v=1779645948"},{"product_id":"hokusai-katsushika-manga-n-29-1834","title":"HOKUSAI KATSUSHIKA, Manga No. 29, 1834","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003cbr\u003e\u003c\/b\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman for painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003cbr\u003e\u003c\/strong\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a very different meaning from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":53125588746587,"sku":null,"price":90.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga29.jpg?v=1779900687"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/collections\/FUJITA_FUMIO_White_Birches_on_the_Shore_2.jpg?v=1794390453","url":"https:\/\/www.elenasalamon.com\/en\/collections\/stampe-giapponesi-ukiyo-e-sosaku-hanga.oembed?page=3","provider":"Galleria Elena Salamon - Arte Moderna","version":"1.0","type":"link"}