{"title":"One-Pencil Drawing and Manga","description":"\u003cp\u003eOf immediate freshness are the woodblock prints from the collection \u003cem\u003eConveying the Spirit, Revealing the Form of Things with a Single Stroke of the Brush\u003c\/em\u003e (\u003cem\u003eDenshin kaishu Ippitsu gafu\u003c\/em\u003e, 1823), with refined tones of turquoise and deep pink. The title itself expresses the entire philosophy of Katsushika Hokusai: the belief that art should go beyond mere reproduction of reality to capture the vital energy of each subject. As Van Gogh recalled in a letter to his brother Theo in 1888, \"the charm of Hokusai lies in the ability to remove the superfluous to let the essential shine through.\"\u003cbr\u003eThe \u003cem\u003eManga\u003c\/em\u003e (1814) are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision. They were volumes intended as tools for teaching and artistic practice, used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a very different meaning from what we now associate with the word \"manga,\" which has become synonymous with comic. At the time, in fact, the term referred to \"unconstrained images\" and referred to educational, playful, and illustrative collections.\u003c\/p\u003e","products":[{"product_id":"hokusai-katsushika-illuminazione-1834","title":"HOKUSAI KATSUHIKA, Illumination, 1834","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga”\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a meaning very different from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":48568784716123,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/Hokusaimanga18.jpg?v=1719416585"},{"product_id":"hokusai-katsushika-studio-per-rocce-1834","title":"HOKUSAI KATSUHIKA, Study for rocks, 1834","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a meaning very different from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":48568826921307,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/Hokusaimanga22.jpg?v=1719416752"},{"product_id":"hokusai-katsushika-manga-n-75-1834","title":"HOKUSAI KATSUHIKA, Manga n. 83, 1834","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a meaning very different from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":50759449968987,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga75.jpg?v=1749395617"},{"product_id":"hokusai-katsushika-manga-n-72-1834","title":"HOKUSAI KATSUHIKA, Manga n. 83, 1834","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a meaning very different from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":50759459176795,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga72.jpg?v=1749395793"},{"product_id":"hokusai-katsushika-manga-n-66-1834","title":"HOKUSAI KATSUHIKA, Manga n. 83, 1834","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a meaning very different from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":50759463338331,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga66.jpg?v=1749395982"},{"product_id":"hokusai-katsushika-manga-n-62-1834","title":"HOKUSAI KATSUHIKA, Manga n. 83, 1834","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a meaning very different from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":50759468417371,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga62.jpg?v=1749396150"},{"product_id":"hokusai-katsushika-manga-n-37-1834","title":"HOKUSAI KATSUHIKA, Manga n. 83, 1834","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a meaning very different from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":50759506461019,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga37_8b800152-38fb-45f5-9993-b0ecf7362c1c.jpg?v=1749397313"},{"product_id":"hokusai-katsushika-manga-n-23-1834","title":"HOKUSAI KATSUHIKA, Manga n. 83, 1834","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a meaning very different from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":50759525695835,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga23_f06b930e-32ad-437f-b635-1cf4d2f81f3c.jpg?v=1749397841"},{"product_id":"hokusai-katsushika-manga-n-22-1834","title":"HOKUSAI KATSUHIKA, Manga n. 83, 1834","description":"\u003cp class=\"p1\"\u003eDelicate proof in a version dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of art: \u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" rel=\"noopener\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" rel=\"noopener\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" rel=\"noopener\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" rel=\"noopener\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga”\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a very different meaning from what we now associate with the word “manga,” which is now synonymous with comic.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":50759526744411,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga22_1d0b5685-06ce-4430-a007-023b110143ed.jpg?v=1749397863"},{"product_id":"hokusai-katsushika-manga-n-21-1834","title":"HOKUSAI KATSUHIKA, Manga n. 83, 1834","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" rel=\"noopener\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" rel=\"noopener\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" rel=\"noopener\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" rel=\"noopener\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga”\u003c\/b\u003e, at the time, referred to “unconstrained images” and related to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a very different meaning from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":50759527203163,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga21_3c5dc6fd-0940-4b25-8061-21db91f24b24.jpg?v=1749397889"},{"product_id":"hokusai-katsushika-ippitsu-gafu-n-52-1823","title":"HOKUSAI KATSUHIKA, Ippitsu Gafu n. 54, 1823","description":"\u003cp\u003eSplendid proof with brilliant colors and subtle marks, referring to the printing by Eirakuya Tōshirō (early Meiji era) from the original woodblocks. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnnotated bibliography\u003cbr\u003e\u003c\/strong\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, Munich: Prestel Verlag, 2010\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, New York: Rizzoli, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai. Prints and Drawings\u003c\/em\u003e, Munich: Prestel, 1991\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai. The Old Madman of Painting\u003c\/em\u003e, Milan: Electa, 2003\u003cbr\u003eJ. Hillier, \u003cem\u003eThe Art of Hokusai in Book Illustration\u003c\/em\u003e, London: Sotheby Parke Bernet, 1980 \u003cbr\u003eJ. Hillier, L. Smith, \u003cem\u003eJapanese Prints. 300 Years of Albums and Books\u003c\/em\u003e, London: British Museum Publications, 1980\u003cbr\u003eR.S. Keyes, \u003cem\u003eEhon. The Artist and the Book in Japan\u003c\/em\u003e, New York: George Braziller, 2006\u003cbr\u003eM. Forrer, W.R. van Gulik, \u003cem\u003eHokusai and His School. Paintings, Drawings and Illustrated Books\u003c\/em\u003e, Leiden: Society for Japanese Arts and Crafts, 1991\u003cbr\u003eM. Forrer, E. Tōshirō, \u003cem\u003ePublisher at Nagoya. A Contribution to the History of Publishing in 19th Century Japan\u003c\/em\u003e, Amsterdam: J.C. Gieben, 1985\u003cbr\u003eS. Nagata, \u003cem\u003eHokusai no Etehon (Hokusai's Drawing Manuals)\u003c\/em\u003e, vol. 1, Tokyo: Iwasaki Bijutsu-sha, 1986\u003cbr\u003eS. Vesco, \u003cem\u003eSpontaneous Mastery. The Ryakuga haya oshie of Katsushika Hokusai\u003c\/em\u003e, Venice: Edizioni Ca’ Foscari, 2020\u003cbr\u003eBritish Museum: \u003ca href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1915-0823-0-93\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1915-0823-0-93\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago \u003ca href=\"https:\/\/www.artic.edu\/artworks\/192278\/ippitsu-gafu-album-of-drawings-with-one-stroke-complete-in-1-vol\"\u003ehttps:\/\/www.artic.edu\/artworks\/192278\/ippitsu-gafu-album-of-drawings-with-one-stroke-complete-in-1-vol\u003c\/a\u003e\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/78799\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/78799\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCommentary\u003c\/strong\u003e\u003cbr\u003eThe very title of the collection, \u003cem\u003eConveying the Spirit, Revealing the Form of Things through a Single Brushstroke\u003c\/em\u003e (\u003cem\u003eDenshin kaishu Ippitsu gafu\u003c\/em\u003e), expresses Hokusai's entire philosophy: the belief that art must go beyond mere reproduction of reality to capture the vital energy of each subject. \u003cbr\u003eAs Van Gogh recalled in a letter to his brother Theo in 1888, \"the charm of Hokusai lies in the ability to remove the superfluous to let the essential shine.\" The refined tones of turquoise and deep pink in the woodblock prints of the collection indeed enchant with their immediate freshness and demonstrate how Hokusai, in his graphic synthesis, anticipated and influenced modern sensibility, from Impressionist painters onward.\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":52152316854619,"sku":null,"price":150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiIppitsuGafu52.jpg?v=1770051854"},{"product_id":"hokusai-katsushika-ippitsu-gafu-n-42-1823","title":"HOKUSAI KATSUHIKA, Ippitsu Gafu n. 54, 1823","description":"\u003cp\u003eSplendid proof with bright colors and subtle marks, attributable to the printing by Eirakuya Tōshirō (early Meiji era) from the original woodblocks. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnnotated Bibliography\u003cbr\u003e\u003c\/strong\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, Munich: Prestel Verlag, 2010\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, New York: Rizzoli, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai. Prints and Drawings\u003c\/em\u003e, Munich: Prestel, 1991\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai. The Old Madman of Painting\u003c\/em\u003e, Milan: Electa, 2003\u003cbr\u003eJ. Hillier, \u003cem\u003eThe Art of Hokusai in Book Illustration\u003c\/em\u003e, London: Sotheby Parke Bernet, 1980\u003cbr\u003eJ. Hillier, L. Smith, \u003cem\u003eJapanese Prints. 300 Years of Albums and Books\u003c\/em\u003e, London: British Museum Publications, 1980\u003cbr\u003eR.S. Keyes, \u003cem\u003eEhon. The Artist and the Book in Japan\u003c\/em\u003e, New York: George Braziller, 2006\u003cbr\u003eM. Forrer, W.R. van Gulik, \u003cem\u003eHokusai and His School. Paintings, Drawings and Illustrated Books\u003c\/em\u003e, Leiden: Society for Japanese Arts and Crafts, 1991\u003cbr\u003eM. Forrer, E. Tōshirō, \u003cem\u003ePublisher at Nagoya. A Contribution to the History of Publishing in 19th Century Japan\u003c\/em\u003e, Amsterdam: J.C. Gieben, 1985\u003cbr\u003eS. Nagata, \u003cem\u003eHokusai no Etehon (Hokusai's Drawing Manuals)\u003c\/em\u003e, vol. 1, Tokyo: Iwasaki Bijutsu-sha, 1986\u003cbr\u003eS. Vesco, \u003cem\u003eSpontaneous Mastery. The Ryakuga haya oshie of Katsushika Hokusai\u003c\/em\u003e, Venice: Edizioni Ca’ Foscari, 2020\u003cbr\u003eBritish Museum: \u003ca href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1915-0823-0-93\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1915-0823-0-93\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago \u003ca href=\"https:\/\/www.artic.edu\/artworks\/192278\/ippitsu-gafu-album-of-drawings-with-one-stroke-complete-in-1-vol\"\u003ehttps:\/\/www.artic.edu\/artworks\/192278\/ippitsu-gafu-album-of-drawings-with-one-stroke-complete-in-1-vol\u003c\/a\u003e\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/78799\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/78799\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCommentary\u003c\/strong\u003e\u003cbr\u003eThe very title of the collection, \u003cem\u003eTransmitting the Spirit, Revealing the Form of Things through a Single Brush Stroke\u003c\/em\u003e (\u003cem\u003eDenshin kaishu Ippitsu gafu\u003c\/em\u003e), expresses Hokusai's entire philosophy: the belief that art must go beyond mere reproduction of reality to capture the vital energy of each subject. \u003cbr\u003eAs Van Gogh recalled in a letter to his brother Theo in 1888, \"the charm of Hokusai lies in the ability to remove the superfluous to let the essential shine.\" From the refined tones of turquoise and intense pink, the woodblock prints of the collection indeed enchant with their immediate freshness and demonstrate how Hokusai, in his graphic synthesis, anticipated and influenced modern sensibility, from Impressionist painters onward.\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":52232147337563,"sku":null,"price":150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiIppitsuGafu42.jpg?v=1770668504"},{"product_id":"hokusai-katsushika-ippitsu-gafu-n-31-1823","title":"HOKUSAI KATSUHIKA, Ippitsu Gafu n. 36, 1823","description":"\u003cp\u003eSeries: Collection of sketches with a single brushstroke; \u003cem\u003eConveying the spirit and revealing the form of things through the album of drawings with a single brushstroke\u003c\/em\u003e (\u003cem\u003eDenshin kaishu Ippitsu Gafu\u003c\/em\u003e)\u003cbr\u003eTechnique: \u003cem\u003eSumizuri-e\u003c\/em\u003e, woodblock prints in two or three tones of pink, turquoise, and black\u003cbr\u003eFormat: \u003cem\u003eChubon\u003c\/em\u003e (approximately mm 174x122)\u003cbr\u003eSignatures: Zen Hokusai Iitsu Aratame Gakyorojin Manji\u003cbr\u003eArtist's seal: Fuji no Yama\u003cbr\u003eDate: Woodblocks carved around 1823; prints made during the Meiji era (1868)\u003cbr\u003ePublisher: Eirakuya Tōshirō (Tōshodō), Nagoya\u003c\/p\u003e\n\u003cp\u003eBeautiful proof with bright colors and fine lines, attributable to the edition by Eirakuya Tōshirō (early Meiji period) from the original woodblocks. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnnotated bibliography\u003cbr\u003e\u003c\/strong\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, Munich: Prestel Verlag, 2010\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, New York: Rizzoli, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai. Prints and Drawings\u003c\/em\u003e, Munich: Prestel, 1991\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai. The Old Mad about Painting\u003c\/em\u003e, Milan: Electa, 2003\u003cbr\u003eJ. Hillier, \u003cem\u003eThe Art of Hokusai in Book Illustration\u003c\/em\u003e, London: Sotheby Parke Bernet, 1980\u003cbr\u003eJ. Hillier, L. Smith, \u003cem\u003eJapanese Prints. 300 Years of Albums and Books\u003c\/em\u003e, London: British Museum Publications, 1980\u003cbr\u003eR.S. Keyes, \u003cem\u003eEhon. The Artist and the Book in Japan\u003c\/em\u003e, New York: George Braziller, 2006\u003cbr\u003eM. Forrer, W.R. van Gulik, \u003cem\u003eHokusai and His School. Paintings, Drawings and Illustrated Books\u003c\/em\u003e, Leiden: Society for Japanese Arts and Crafts, 1991\u003cbr\u003eM. Forrer, E. Tōshirō, \u003cem\u003ePublisher at Nagoya. A Contribution to the History of Publishing in 19th Century Japan\u003c\/em\u003e, Amsterdam: J.C. Gieben, 1985\u003cbr\u003eS. Nagata, \u003cem\u003eHokusai no Etehon (Hokusai's Drawing Manuals)\u003c\/em\u003e, vol. 1, Tokyo: Iwasaki Bijutsu-sha, 1986\u003cbr\u003eS. Vesco, \u003cem\u003eSpontaneous Mastery. The Ryakuga haya oshie of Katsushika Hokusai\u003c\/em\u003e, Venice: Edizioni Ca’ Foscari, 2020\u003cbr\u003eBritish Museum: \u003ca href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1915-0823-0-93\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1915-0823-0-93\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago \u003ca href=\"https:\/\/www.artic.edu\/artworks\/192278\/ippitsu-gafu-album-of-drawings-with-one-stroke-complete-in-1-vol\"\u003ehttps:\/\/www.artic.edu\/artworks\/192278\/ippitsu-gafu-album-of-drawings-with-one-stroke-complete-in-1-vol\u003c\/a\u003e\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/78799\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/78799\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCommentary\u003c\/strong\u003e\u003cbr\u003eThe very title of the collection, \u003cem\u003eConveying the spirit, revealing the form of things through a single brushstroke\u003c\/em\u003e (\u003cem\u003eDenshin kaishu Ippitsu gafu\u003c\/em\u003e), expresses Hokusai's entire philosophy: the belief that art must go beyond mere reproduction of reality to capture the vital energy of each subject. \u003cbr\u003eAs Van Gogh recalled in a letter to his brother Theo in 1888, \"the charm of Hokusai lies in the ability to remove the superfluous to let the essential shine through.\" From the refined tones of turquoise and intense pink, the woodblock prints of the collection indeed enchant with their immediate freshness and demonstrate how Hokusai, in his graphic synthesis, anticipated and influenced modern sensibility, from Impressionist painters onward.\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":52232195211611,"sku":null,"price":270.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiIppitsuGafu31.jpg?v=1770669282"},{"product_id":"hokusai-katsushika-ippitsu-gafu-n-23-1823","title":"HOKUSAI KATSUHIKA, Ippitsu Gafu n. 28, 1823","description":"\u003cp\u003eSplendid proof with bright colors and subtle marks, attributable to the printing of Eirakuya Tōshirō (early Meiji era) from the original woodblocks. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnnotated Bibliography\u003cbr\u003e\u003c\/strong\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, Munich: Prestel Verlag, 2010\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, New York: Rizzoli, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai. Prints and Drawings\u003c\/em\u003e, Munich: Prestel, 1991\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai. The Old Madman of Painting\u003c\/em\u003e, Milan: Electa, 2003\u003cbr\u003eJ. Hillier, \u003cem\u003eThe Art of Hokusai in Book Illustration\u003c\/em\u003e, London: Sotheby Parke Bernet, 1980\u003cbr\u003eJ. Hillier, L. Smith, \u003cem\u003eJapanese Prints. 300 Years of Albums and Books\u003c\/em\u003e, London: British Museum Publications, 1980\u003cbr\u003eR.S. Keyes, \u003cem\u003eEhon. The Artist and the Book in Japan\u003c\/em\u003e, New York: George Braziller, 2006\u003cbr\u003eM. Forrer, W.R. van Gulik, \u003cem\u003eHokusai and His School. Paintings, Drawings and Illustrated Books\u003c\/em\u003e, Leiden: Society for Japanese Arts and Crafts, 1991\u003cbr\u003eM. Forrer, E. Tōshirō, \u003cem\u003ePublisher at Nagoya. A Contribution to the History of Publishing in 19th Century Japan\u003c\/em\u003e, Amsterdam: J.C. Gieben, 1985\u003cbr\u003eS. Nagata, \u003cem\u003eHokusai no Etehon (Hokusai's Drawing Manuals)\u003c\/em\u003e, vol. 1, Tokyo: Iwasaki Bijutsu-sha, 1986\u003cbr\u003eS. Vesco, \u003cem\u003eSpontaneous Mastery. The Ryakuga haya oshie of Katsushika Hokusai\u003c\/em\u003e, Venice: Edizioni Ca’ Foscari, 2020\u003cbr\u003eBritish Museum: \u003ca href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1915-0823-0-93\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1915-0823-0-93\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago \u003ca href=\"https:\/\/www.artic.edu\/artworks\/192278\/ippitsu-gafu-album-of-drawings-with-one-stroke-complete-in-1-vol\"\u003ehttps:\/\/www.artic.edu\/artworks\/192278\/ippitsu-gafu-album-of-drawings-with-one-stroke-complete-in-1-vol\u003c\/a\u003e\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/78799\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/78799\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCommentary\u003c\/strong\u003e\u003cbr\u003eThe very title of the collection, \u003cem\u003eTransmitting the Spirit, Revealing the Form of Things through a Single Brushstroke\u003c\/em\u003e (\u003cem\u003eDenshin kaishu Ippitsu gafu\u003c\/em\u003e), expresses Hokusai's entire philosophy: the belief that art must go beyond mere reproduction of reality to capture the vital energy of each subject. \u003cbr\u003eAs Van Gogh recalled in a letter to his brother Theo in 1888, \"the charm of Hokusai lies in his ability to remove the superfluous to let the essential shine.\" From the refined tones of turquoise and intense pink, the woodblock prints of the collection indeed enchant with their immediate freshness and demonstrate how Hokusai, in his graphic synthesis, anticipated and influenced modern sensibility, from Impressionist painters onward.\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":52232230437211,"sku":null,"price":270.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiIppitsuGafu23.jpg?v=1770669865"},{"product_id":"hokusai-katsushika-ippitsu-gafu-n-22-1823","title":"HOKUSAI KATSUHIKA, Ippitsu Gafu n. 28, 1823","description":"\u003cp\u003eSplendid proof with bright colors and subtle marks, attributable to the printing of Eirakuya Tōshirō (early Meiji era) from the original woodblocks. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnnotated Bibliography\u003cbr\u003e\u003c\/strong\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, Munich: Prestel Verlag, 2010\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, New York: Rizzoli, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai. Prints and Drawings\u003c\/em\u003e, Munich: Prestel, 1991\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai. The Old Madman of Painting\u003c\/em\u003e, Milan: Electa, 2003\u003cbr\u003eJ. Hillier, \u003cem\u003eThe Art of Hokusai in Book Illustration\u003c\/em\u003e, London: Sotheby Parke Bernet, 1980\u003cbr\u003eJ. Hillier, L. Smith, \u003cem\u003eJapanese Prints. 300 Years of Albums and Books\u003c\/em\u003e, London: British Museum Publications, 1980\u003cbr\u003eR.S. Keyes, \u003cem\u003eEhon. The Artist and the Book in Japan\u003c\/em\u003e, New York: George Braziller, 2006\u003cbr\u003eM. Forrer, W.R. van Gulik, \u003cem\u003eHokusai and His School. Paintings, Drawings and Illustrated Books\u003c\/em\u003e, Leiden: Society for Japanese Arts and Crafts, 1991\u003cbr\u003eM. Forrer, E. Tōshirō, \u003cem\u003ePublisher at Nagoya. A Contribution to the History of Publishing in 19th Century Japan\u003c\/em\u003e, Amsterdam: J.C. Gieben, 1985\u003cbr\u003eS. Nagata, \u003cem\u003eHokusai no Etehon (Hokusai's Drawing Manuals)\u003c\/em\u003e, vol. 1, Tokyo: Iwasaki Bijutsu-sha, 1986\u003cbr\u003eS. Vesco, \u003cem\u003eSpontaneous Mastery. The Ryakuga haya oshie of Katsushika Hokusai\u003c\/em\u003e, Venice: Edizioni Ca’ Foscari, 2020\u003cbr\u003eBritish Museum: \u003ca href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1915-0823-0-93\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1915-0823-0-93\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago \u003ca href=\"https:\/\/www.artic.edu\/artworks\/192278\/ippitsu-gafu-album-of-drawings-with-one-stroke-complete-in-1-vol\"\u003ehttps:\/\/www.artic.edu\/artworks\/192278\/ippitsu-gafu-album-of-drawings-with-one-stroke-complete-in-1-vol\u003c\/a\u003e\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/78799\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/78799\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCommentary\u003c\/strong\u003e\u003cbr\u003eThe very title of the collection, \u003cem\u003eConveying the Spirit, Revealing the Form of Things Through a Single Brushstroke\u003c\/em\u003e (\u003cem\u003eDenshin kaishu Ippitsu gafu\u003c\/em\u003e), expresses Hokusai's entire philosophy: the belief that art must go beyond mere reproduction of reality to capture the vital energy of each subject. \u003cbr\u003eAs Van Gogh recalled in a letter to his brother Theo in 1888, \"the charm of Hokusai lies in the ability to remove the superfluous to let the essential shine.\" From the refined tones of turquoise and intense pink, the woodblock prints of the collection indeed enchant with their immediate freshness and demonstrate how Hokusai, in his graphic synthesis, anticipated and influenced modern sensibility, from Impressionist painters onward.\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":52232233124187,"sku":null,"price":270.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiIppitsuGafu22_44346dfb-a7c7-4852-a78f-0004bb62eb89.jpg?v=1770669918"},{"product_id":"hokusai-katsushika-ippitsu-gafu-n-20-1823","title":"HOKUSAI KATSUHIKA, Ippitsu Gafu n. 28, 1823","description":"\u003cp\u003eSplendid proof with bright colors and subtle marks, attributable to the printing of Eirakuya Tōshirō (early Meiji era) from the original woodblocks. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnnotated Bibliography\u003cbr\u003e\u003c\/strong\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, Munich: Prestel Verlag, 2010\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, New York: Rizzoli, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai. Prints and Drawings\u003c\/em\u003e, Munich: Prestel, 1991\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai. The Old Madman of Painting\u003c\/em\u003e, Milan: Electa, 2003\u003cbr\u003eJ. Hillier, \u003cem\u003eThe Art of Hokusai in Book Illustration\u003c\/em\u003e, London: Sotheby Parke Bernet, 1980\u003cbr\u003eJ. Hillier, L. Smith, \u003cem\u003eJapanese Prints. 300 Years of Albums and Books\u003c\/em\u003e, London: British Museum Publications, 1980\u003cbr\u003eR.S. Keyes, \u003cem\u003eEhon. The Artist and the Book in Japan\u003c\/em\u003e, New York: George Braziller, 2006\u003cbr\u003eM. Forrer, W.R. van Gulik, \u003cem\u003eHokusai and His School. Paintings, Drawings and Illustrated Books\u003c\/em\u003e, Leiden: Society for Japanese Arts and Crafts, 1991\u003cbr\u003eM. Forrer, E. Tōshirō, \u003cem\u003ePublisher at Nagoya. A Contribution to the History of Publishing in 19th Century Japan\u003c\/em\u003e, Amsterdam: J.C. Gieben, 1985\u003cbr\u003eS. Nagata, \u003cem\u003eHokusai no Etehon (Hokusai's Drawing Manuals)\u003c\/em\u003e, vol. 1, Tokyo: Iwasaki Bijutsu-sha, 1986\u003cbr\u003eS. Vesco, \u003cem\u003eSpontaneous Mastery. The Ryakuga haya oshie of Katsushika Hokusai\u003c\/em\u003e, Venice: Edizioni Ca’ Foscari, 2020\u003cbr\u003eBritish Museum: \u003ca href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1915-0823-0-93\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1915-0823-0-93\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago \u003ca href=\"https:\/\/www.artic.edu\/artworks\/192278\/ippitsu-gafu-album-of-drawings-with-one-stroke-complete-in-1-vol\"\u003ehttps:\/\/www.artic.edu\/artworks\/192278\/ippitsu-gafu-album-of-drawings-with-one-stroke-complete-in-1-vol\u003c\/a\u003e\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/78799\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/78799\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCommentary\u003c\/strong\u003e\u003cbr\u003eThe very title of the collection, \u003cem\u003eConveying the Spirit, Revealing the Form of Things through a Single Brushstroke\u003c\/em\u003e (\u003cem\u003eDenshin kaishu Ippitsu gafu\u003c\/em\u003e), expresses Hokusai's entire philosophy: the belief that art must go beyond mere reproduction of reality to capture the vital energy of each subject. \u003cbr\u003eAs Van Gogh recalled in a letter to his brother Theo in 1888, \"the charm of Hokusai lies in the ability to remove the superfluous to let the essential shine.\" From the refined tones of turquoise and intense pink, the woodblock prints of the collection indeed enchant with their immediate freshness and demonstrate how Hokusai, in his graphic synthesis, anticipated and influenced modern sensibility, from Impressionist painters onward.\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":52232235975003,"sku":null,"price":320.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiIppitsuGafu20.jpg?v=1770669997"},{"product_id":"hokusai-katsushika-ippitsu-gafu-n-17-1823","title":"HOKUSAI KATSUHIKA, Ippitsu Gafu n. 28, 1823","description":"\u003cp\u003eSplendid proof with bright colors and subtle marks, attributable to the printing of Eirakuya Tōshirō (early Meiji era) from the original woodblocks. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnnotated Bibliography\u003cbr\u003e\u003c\/strong\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, Munich: Prestel Verlag, 2010\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, New York: Rizzoli, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai. Prints and Drawings\u003c\/em\u003e, Munich: Prestel, 1991\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai. The Old Madman of Painting\u003c\/em\u003e, Milan: Electa, 2003\u003cbr\u003eJ. Hillier, \u003cem\u003eThe Art of Hokusai in Book Illustration\u003c\/em\u003e, London: Sotheby Parke Bernet, 1980\u003cbr\u003eJ. Hillier, L. Smith, \u003cem\u003eJapanese Prints. 300 Years of Albums and Books\u003c\/em\u003e, London: British Museum Publications, 1980\u003cbr\u003eR.S. Keyes, \u003cem\u003eEhon. The Artist and the Book in Japan\u003c\/em\u003e, New York: George Braziller, 2006\u003cbr\u003eM. Forrer, W.R. van Gulik, \u003cem\u003eHokusai and His School. Paintings, Drawings and Illustrated Books\u003c\/em\u003e, Leiden: Society for Japanese Arts and Crafts, 1991\u003cbr\u003eM. Forrer, E. Tōshirō, \u003cem\u003ePublisher at Nagoya. A Contribution to the History of Publishing in 19th Century Japan\u003c\/em\u003e, Amsterdam: J.C. Gieben, 1985\u003cbr\u003eS. Nagata, \u003cem\u003eHokusai no Etehon (Hokusai's Drawing Manuals)\u003c\/em\u003e, vol. 1, Tokyo: Iwasaki Bijutsu-sha, 1986\u003cbr\u003eS. Vesco, \u003cem\u003eSpontaneous Mastery. The Ryakuga haya oshie of Katsushika Hokusai\u003c\/em\u003e, Venice: Edizioni Ca’ Foscari, 2020\u003cbr\u003eBritish Museum: \u003ca href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1915-0823-0-93\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1915-0823-0-93\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago \u003ca href=\"https:\/\/www.artic.edu\/artworks\/192278\/ippitsu-gafu-album-of-drawings-with-one-stroke-complete-in-1-vol\"\u003ehttps:\/\/www.artic.edu\/artworks\/192278\/ippitsu-gafu-album-of-drawings-with-one-stroke-complete-in-1-vol\u003c\/a\u003e\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/78799\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/78799\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCommentary\u003c\/strong\u003e\u003cbr\u003eThe very title of the collection, \u003cem\u003eTransmitting the Spirit, Revealing the Form of Things through a Single Brush Stroke\u003c\/em\u003e (\u003cem\u003eDenshin kaishu Ippitsu gafu\u003c\/em\u003e), expresses Hokusai's entire philosophy: the belief that art must go beyond mere reproduction of reality to capture the vital energy of each subject. \u003cbr\u003eAs Van Gogh recalled in a letter to his brother Theo in 1888, \"the charm of Hokusai lies in the ability to remove the superfluous to let the essential shine.\" From the refined tones of turquoise and intense pink, the woodblock prints of the collection indeed enchant with their immediate freshness and demonstrate how Hokusai, in his graphic synthesis, anticipated and influenced modern sensibility, from Impressionist painters onward.\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":52232237220187,"sku":null,"price":320.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiIppitsuGafu17.jpg?v=1770670087"},{"product_id":"hokusai-katsushika-ippitsu-gafu-n-14-1823","title":"HOKUSAI KATSUHIKA, Ippitsu Gafu n. 28, 1823","description":"\u003cp\u003eSplendid proof with bright colors and subtle marks, attributable to the printing of Eirakuya Tōshirō (early Meiji era) from the original woodblocks. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnnotated Bibliography\u003cbr\u003e\u003c\/strong\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, Munich: Prestel Verlag, 2010\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, New York: Rizzoli, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai. Prints and Drawings\u003c\/em\u003e, Munich: Prestel, 1991\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai. The Old Madman of Painting\u003c\/em\u003e, Milan: Electa, 2003\u003cbr\u003eJ. Hillier, \u003cem\u003eThe Art of Hokusai in Book Illustration\u003c\/em\u003e, London: Sotheby Parke Bernet, 1980\u003cbr\u003eJ. Hillier, L. Smith, \u003cem\u003eJapanese Prints. 300 Years of Albums and Books\u003c\/em\u003e, London: British Museum Publications, 1980\u003cbr\u003eR.S. Keyes, \u003cem\u003eEhon. The Artist and the Book in Japan\u003c\/em\u003e, New York: George Braziller, 2006\u003cbr\u003eM. Forrer, W.R. van Gulik, \u003cem\u003eHokusai and His School. Paintings, Drawings and Illustrated Books\u003c\/em\u003e, Leiden: Society for Japanese Arts and Crafts, 1991\u003cbr\u003eM. Forrer, E. Tōshirō, \u003cem\u003ePublisher at Nagoya. A Contribution to the History of Publishing in 19th Century Japan\u003c\/em\u003e, Amsterdam: J.C. Gieben, 1985\u003cbr\u003eS. Nagata, \u003cem\u003eHokusai no Etehon (Hokusai's Drawing Manuals)\u003c\/em\u003e, vol. 1, Tokyo: Iwasaki Bijutsu-sha, 1986\u003cbr\u003eS. Vesco, \u003cem\u003eSpontaneous Mastery. The Ryakuga haya oshie of Katsushika Hokusai\u003c\/em\u003e, Venice: Edizioni Ca’ Foscari, 2020\u003cbr\u003eBritish Museum: \u003ca href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1915-0823-0-93\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1915-0823-0-93\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago \u003ca href=\"https:\/\/www.artic.edu\/artworks\/192278\/ippitsu-gafu-album-of-drawings-with-one-stroke-complete-in-1-vol\"\u003ehttps:\/\/www.artic.edu\/artworks\/192278\/ippitsu-gafu-album-of-drawings-with-one-stroke-complete-in-1-vol\u003c\/a\u003e\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/78799\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/78799\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCommentary\u003c\/strong\u003e\u003cbr\u003eThe very title of the collection, \u003cem\u003eTransmitting the Spirit, Revealing the Form of Things through a Single Brushstroke\u003c\/em\u003e (\u003cem\u003eDenshin kaishu Ippitsu gafu\u003c\/em\u003e), expresses Hokusai's entire philosophy: the belief that art must go beyond mere reproduction of reality to capture the vital energy of each subject. \u003cbr\u003eAs Van Gogh recalled in a letter to his brother Theo in 1888, \"the charm of Hokusai lies in his ability to remove the superfluous to let the essential shine.\" From the refined tones of turquoise and intense pink, the woodblock prints of the collection indeed enchant with their immediate freshness and demonstrate how Hokusai, in his graphic synthesis, anticipated and influenced modern sensibility, from Impressionist painters onward.\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":52232380744027,"sku":null,"price":320.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiIppitsuGafu14.jpg?v=1770670182"},{"product_id":"hokusai-katsushika-ippitsu-gafu-n-13-1823","title":"HOKUSAI KATSUHIKA, Ippitsu Gafu n. 28, 1823","description":"\u003cp\u003eSplendid proof with bright colors and subtle marks, attributable to the printing of Eirakuya Tōshirō (early Meiji era) from the original woodblocks. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnnotated Bibliography\u003cbr\u003e\u003c\/strong\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, Munich: Prestel Verlag, 2010\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, New York: Rizzoli, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai. Prints and Drawings\u003c\/em\u003e, Munich: Prestel, 1991\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai. The Old Madman of Painting\u003c\/em\u003e, Milan: Electa, 2003\u003cbr\u003eJ. Hillier, \u003cem\u003eThe Art of Hokusai in Book Illustration\u003c\/em\u003e, London: Sotheby Parke Bernet, 1980\u003cbr\u003eJ. Hillier, L. Smith, \u003cem\u003eJapanese Prints. 300 Years of Albums and Books\u003c\/em\u003e, London: British Museum Publications, 1980\u003cbr\u003eR.S. Keyes, \u003cem\u003eEhon. The Artist and the Book in Japan\u003c\/em\u003e, New York: George Braziller, 2006\u003cbr\u003eM. Forrer, W.R. van Gulik, \u003cem\u003eHokusai and His School. Paintings, Drawings and Illustrated Books\u003c\/em\u003e, Leiden: Society for Japanese Arts and Crafts, 1991\u003cbr\u003eM. Forrer, E. Tōshirō, \u003cem\u003ePublisher at Nagoya. A Contribution to the History of Publishing in 19th Century Japan\u003c\/em\u003e, Amsterdam: J.C. Gieben, 1985\u003cbr\u003eS. Nagata, \u003cem\u003eHokusai no Etehon (Hokusai's Drawing Manuals)\u003c\/em\u003e, vol. 1, Tokyo: Iwasaki Bijutsu-sha, 1986\u003cbr\u003eS. Vesco, \u003cem\u003eSpontaneous Mastery. The Ryakuga haya oshie of Katsushika Hokusai\u003c\/em\u003e, Venice: Edizioni Ca’ Foscari, 2020\u003cbr\u003eBritish Museum: \u003ca href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1915-0823-0-93\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1915-0823-0-93\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago \u003ca href=\"https:\/\/www.artic.edu\/artworks\/192278\/ippitsu-gafu-album-of-drawings-with-one-stroke-complete-in-1-vol\"\u003ehttps:\/\/www.artic.edu\/artworks\/192278\/ippitsu-gafu-album-of-drawings-with-one-stroke-complete-in-1-vol\u003c\/a\u003e\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/78799\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/78799\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCommentary\u003c\/strong\u003e\u003cbr\u003eThe very title of the collection, \u003cem\u003eTransmitting the Spirit, Revealing the Form of Things through a Single Brushstroke\u003c\/em\u003e (\u003cem\u003eDenshin kaishu Ippitsu gafu\u003c\/em\u003e), expresses Hokusai's entire philosophy: the belief that art must go beyond mere reproduction of reality to capture the vital energy of each subject. \u003cbr\u003eAs Van Gogh recalled in a letter to his brother Theo in 1888, \"the charm of Hokusai lies in his ability to remove the superfluous to let the essential shine.\" From the refined tones of turquoise and intense pink, the woodblock prints of the collection indeed enchant with their immediate freshness and demonstrate how Hokusai, in his graphic synthesis, anticipated and influenced modern sensibility, from Impressionist painters onward.\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":52232431305051,"sku":null,"price":320.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiIppitsuGafu13.jpg?v=1770670220"},{"product_id":"hokusai-katsushika-ippitsu-gafu-n-10-1823","title":"HOKUSAI KATSUHIKA, Ippitsu Gafu n. 28, 1823","description":"\u003cp\u003eSplendid proof with bright colors and subtle marks, attributable to the printing of Eirakuya Tōshirō (early Meiji era) from the original woodblocks. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnnotated Bibliography\u003cbr\u003e\u003c\/strong\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, Munich: Prestel Verlag, 2010\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, New York: Rizzoli, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai. Prints and Drawings\u003c\/em\u003e, Munich: Prestel, 1991\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai. The Old Madman of Painting\u003c\/em\u003e, Milan: Electa, 2003\u003cbr\u003eJ. Hillier, \u003cem\u003eThe Art of Hokusai in Book Illustration\u003c\/em\u003e, London: Sotheby Parke Bernet, 1980\u003cbr\u003eJ. Hillier, L. Smith, \u003cem\u003eJapanese Prints. 300 Years of Albums and Books\u003c\/em\u003e, London: British Museum Publications, 1980\u003cbr\u003eR.S. Keyes, \u003cem\u003eEhon. The Artist and the Book in Japan\u003c\/em\u003e, New York: George Braziller, 2006\u003cbr\u003eM. Forrer, W.R. van Gulik, \u003cem\u003eHokusai and His School. Paintings, Drawings and Illustrated Books\u003c\/em\u003e, Leiden: Society for Japanese Arts and Crafts, 1991\u003cbr\u003eM. Forrer, E. Tōshirō, \u003cem\u003ePublisher at Nagoya. A Contribution to the History of Publishing in 19th Century Japan\u003c\/em\u003e, Amsterdam: J.C. Gieben, 1985\u003cbr\u003eS. Nagata, \u003cem\u003eHokusai no Etehon (Hokusai's Drawing Manuals)\u003c\/em\u003e, vol. 1, Tokyo: Iwasaki Bijutsu-sha, 1986\u003cbr\u003eS. Vesco, \u003cem\u003eSpontaneous Mastery. The Ryakuga haya oshie of Katsushika Hokusai\u003c\/em\u003e, Venice: Edizioni Ca’ Foscari, 2020\u003cbr\u003eBritish Museum: \u003ca href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1915-0823-0-93\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1915-0823-0-93\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago \u003ca href=\"https:\/\/www.artic.edu\/artworks\/192278\/ippitsu-gafu-album-of-drawings-with-one-stroke-complete-in-1-vol\"\u003ehttps:\/\/www.artic.edu\/artworks\/192278\/ippitsu-gafu-album-of-drawings-with-one-stroke-complete-in-1-vol\u003c\/a\u003e\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/78799\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/78799\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCommentary\u003c\/strong\u003e\u003cbr\u003eThe very title of the collection, \u003cem\u003eTransmitting the Spirit, Revealing the Form of Things through a Single Brushstroke\u003c\/em\u003e (\u003cem\u003eDenshin kaishu Ippitsu gafu\u003c\/em\u003e), expresses Hokusai's entire philosophy: the belief that art must go beyond mere reproduction of reality to capture the vital energy of each subject. \u003cbr\u003eAs Van Gogh recalled in a letter to his brother Theo in 1888, \"the charm of Hokusai lies in his ability to remove the superfluous to let the essential shine.\" From the refined tones of turquoise and intense pink, the woodblock prints of the collection indeed enchant with their immediate freshness and demonstrate how Hokusai, in his graphic synthesis, anticipated and influenced modern sensibility, from Impressionist painters onward.\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":52232542585179,"sku":null,"price":320.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiIppitsuGafu10.jpg?v=1770670314"},{"product_id":"hokusai-katsushika-ippitsu-gafu-n-6-1823","title":"HOKUSAI KATSUHIKA, Ippitsu Gafu n. 28, 1823","description":"\u003cp\u003eSplendid proof with bright colors and subtle marks, attributable to the printing of Eirakuya Tōshirō (early Meiji era) from the original woodblocks. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnnotated Bibliography\u003cbr\u003e\u003c\/strong\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, Munich: Prestel Verlag, 2010\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai\u003c\/em\u003e, New York: Rizzoli, 1988\u003cbr\u003eM. Forrer, \u003cem\u003eHokusai. Prints and Drawings\u003c\/em\u003e, Munich: Prestel, 1991\u003cbr\u003eG.C. Calza, \u003cem\u003eHokusai. The Old Madman of Painting\u003c\/em\u003e, Milan: Electa, 2003\u003cbr\u003eJ. Hillier, \u003cem\u003eThe Art of Hokusai in Book Illustration\u003c\/em\u003e, London: Sotheby Parke Bernet, 1980\u003cbr\u003eJ. Hillier, L. Smith, \u003cem\u003eJapanese Prints. 300 Years of Albums and Books\u003c\/em\u003e, London: British Museum Publications, 1980\u003cbr\u003eR.S. Keyes, \u003cem\u003eEhon. The Artist and the Book in Japan\u003c\/em\u003e, New York: George Braziller, 2006\u003cbr\u003eM. Forrer, W.R. van Gulik, \u003cem\u003eHokusai and His School. Paintings, Drawings and Illustrated Books\u003c\/em\u003e, Leiden: Society for Japanese Arts and Crafts, 1991\u003cbr\u003eM. Forrer, E. Tōshirō, \u003cem\u003ePublisher at Nagoya. A Contribution to the History of Publishing in 19th Century Japan\u003c\/em\u003e, Amsterdam: J.C. Gieben, 1985\u003cbr\u003eS. Nagata, \u003cem\u003eHokusai no Etehon (Hokusai's Drawing Manuals)\u003c\/em\u003e, vol. 1, Tokyo: Iwasaki Bijutsu-sha, 1986\u003cbr\u003eS. Vesco, \u003cem\u003eSpontaneous Mastery. The Ryakuga haya oshie of Katsushika Hokusai\u003c\/em\u003e, Venice: Edizioni Ca’ Foscari, 2020\u003cbr\u003eBritish Museum: \u003ca href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1915-0823-0-93\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1915-0823-0-93\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago \u003ca href=\"https:\/\/www.artic.edu\/artworks\/192278\/ippitsu-gafu-album-of-drawings-with-one-stroke-complete-in-1-vol\"\u003ehttps:\/\/www.artic.edu\/artworks\/192278\/ippitsu-gafu-album-of-drawings-with-one-stroke-complete-in-1-vol\u003c\/a\u003e\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/78799\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/78799\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCommentary\u003c\/strong\u003e\u003cbr\u003eThe very title of the collection, \u003cem\u003eTransmitting the Spirit, Revealing the Form of Things through a Single Brushstroke\u003c\/em\u003e (\u003cem\u003eDenshin kaishu Ippitsu gafu\u003c\/em\u003e), expresses Hokusai's entire philosophy: the belief that art must go beyond mere reproduction of reality to capture the vital energy of each subject. \u003cbr\u003eAs Van Gogh recalled in a letter to his brother Theo in 1888, \"the charm of Hokusai lies in his ability to remove the superfluous to let the essential shine.\" From the refined tones of turquoise and intense pink, the woodblock prints of the collection indeed enchant with their immediate freshness and demonstrate how Hokusai, in his graphic synthesis, anticipated and influenced modern sensibility, from Impressionist painters onward.\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":52232546320731,"sku":null,"price":320.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiIppitsuGafu6.jpg?v=1770670461"},{"product_id":"hokusai-katsushika-manga-n-3-1814-1849","title":"HOKUSAI KATSUHIKA, Manga, 1814-1849","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM. Forrer,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eManga\u003c\/em\u003e, Hazan Eds, 2014\u003cbr\u003eJ.A. Michener,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHokusai sketch books\u003c\/em\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHokusai, the old madman of painting\u003c\/em\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHokusai, prints and drawings\u003c\/em\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe art of Hokusai in book illustration\u003c\/em\u003e, London, 1980\u003cbr\u003eR. Lane,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHokusai, life and works\u003c\/em\u003e, Milan, 1991\u003cbr\u003eT. Clark,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHokusai: Beyond the Great Wave\u003c\/em\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of Art:\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.elenasalamon.com\/products\/M.%20Forrer,%20Manga,%20Hazan%20Eds,%202014%20J.A.%20Michener,%20Hokusai%20sketch%20books,%20Rutland%20e%20Tokio,%201958%20G.C.%20Calza,%20Hokusai,%20il%20vecchio%20pazzo%20per%20la%20pittura,%20Catalogo%20Mostra%20Milano%201999-2000,%20Londra,%202003%20M.%20Forrer,%20Hokusai,%20prints%20and%20drawings,%20Londra,%201991%20J.%20Hillier,%20The%20art%20of%20Hokusai%20in%20book%20illustration,%20Londra,%201980%20R.%20Lane,%20Hokusai,%20vita%20e%20opere,%20Milano,%201991%20T.%20Clark,%20Hokusai:%20Beyond%20the%20Great%20Wave,%20British%20Museum%20Press,%202017%20The%20Metropolitan%20Museum%20of%20art:%20https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%20British%20Museum:%20https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1%20National%20Museum%20of%20Asian%20Art:%20https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14%20The%20Art%20Institute%20of%20Chicago:%20https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" rel=\"noopener\" aria-describedby=\"a11y-new-window-message\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum:\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" rel=\"noopener\" aria-describedby=\"a11y-new-window-external-message\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art:\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" rel=\"noopener\" aria-describedby=\"a11y-new-window-external-message\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago:\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" rel=\"noopener\" aria-describedby=\"a11y-new-window-external-message\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe term\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e“manga”\u003c\/strong\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's Manga, published starting in 1814, is an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a meaning very different from what we now associate with the word “manga,” which is now synonymous with comic.\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":52597244363099,"sku":null,"price":180.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga3.jpg?v=1773604061"},{"product_id":"hokusai-katsushika-manga-n-4-1814-1849","title":"HOKUSAI KATSUHIKA, Manga, 1814-1849","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM. Forrer,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eManga\u003c\/em\u003e, Hazan Eds, 2014\u003cbr\u003eJ.A. Michener,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHokusai sketch books\u003c\/em\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHokusai, the old madman of painting\u003c\/em\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHokusai, prints and drawings\u003c\/em\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe art of Hokusai in book illustration\u003c\/em\u003e, London, 1980\u003cbr\u003eR. Lane,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHokusai, life and works\u003c\/em\u003e, Milan, 1991\u003cbr\u003eT. Clark,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHokusai: Beyond the Great Wave\u003c\/em\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of Art:\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.elenasalamon.com\/products\/M.%20Forrer,%20Manga,%20Hazan%20Eds,%202014%20J.A.%20Michener,%20Hokusai%20sketch%20books,%20Rutland%20e%20Tokio,%201958%20G.C.%20Calza,%20Hokusai,%20il%20vecchio%20pazzo%20per%20la%20pittura,%20Catalogo%20Mostra%20Milano%201999-2000,%20Londra,%202003%20M.%20Forrer,%20Hokusai,%20prints%20and%20drawings,%20Londra,%201991%20J.%20Hillier,%20The%20art%20of%20Hokusai%20in%20book%20illustration,%20Londra,%201980%20R.%20Lane,%20Hokusai,%20vita%20e%20opere,%20Milano,%201991%20T.%20Clark,%20Hokusai:%20Beyond%20the%20Great%20Wave,%20British%20Museum%20Press,%202017%20The%20Metropolitan%20Museum%20of%20art:%20https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%20British%20Museum:%20https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1%20National%20Museum%20of%20Asian%20Art:%20https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14%20The%20Art%20Institute%20of%20Chicago:%20https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" rel=\"noopener\" aria-describedby=\"a11y-new-window-message\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum:\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" rel=\"noopener\" aria-describedby=\"a11y-new-window-external-message\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art:\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" rel=\"noopener\" aria-describedby=\"a11y-new-window-external-message\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago:\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" rel=\"noopener\" aria-describedby=\"a11y-new-window-external-message\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe term\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e“manga”\u003c\/strong\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's Manga, published starting in 1814, is an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a meaning very different from what we now associate with the word “manga,” which is now synonymous with comic.\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":52597244756315,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga4.jpg?v=1773604123"},{"product_id":"hokusai-katsushika-manga-n-6-1814-1849","title":"HOKUSAI KATSUHIKA, Manga, 1814-1849","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM. Forrer,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eManga\u003c\/em\u003e, Hazan Eds, 2014\u003cbr\u003eJ.A. Michener,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHokusai sketch books\u003c\/em\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHokusai, the old madman of painting\u003c\/em\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHokusai, prints and drawings\u003c\/em\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe art of Hokusai in book illustration\u003c\/em\u003e, London, 1980\u003cbr\u003eR. Lane,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHokusai, life and works\u003c\/em\u003e, Milan, 1991\u003cbr\u003eT. Clark,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHokusai: Beyond the Great Wave\u003c\/em\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of Art:\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.elenasalamon.com\/products\/M.%20Forrer,%20Manga,%20Hazan%20Eds,%202014%20J.A.%20Michener,%20Hokusai%20sketch%20books,%20Rutland%20e%20Tokio,%201958%20G.C.%20Calza,%20Hokusai,%20il%20vecchio%20pazzo%20per%20la%20pittura,%20Catalogo%20Mostra%20Milano%201999-2000,%20Londra,%202003%20M.%20Forrer,%20Hokusai,%20prints%20and%20drawings,%20Londra,%201991%20J.%20Hillier,%20The%20art%20of%20Hokusai%20in%20book%20illustration,%20Londra,%201980%20R.%20Lane,%20Hokusai,%20vita%20e%20opere,%20Milano,%201991%20T.%20Clark,%20Hokusai:%20Beyond%20the%20Great%20Wave,%20British%20Museum%20Press,%202017%20The%20Metropolitan%20Museum%20of%20art:%20https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%20British%20Museum:%20https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1%20National%20Museum%20of%20Asian%20Art:%20https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14%20The%20Art%20Institute%20of%20Chicago:%20https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" rel=\"noopener\" aria-describedby=\"a11y-new-window-message\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum:\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" rel=\"noopener\" aria-describedby=\"a11y-new-window-external-message\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art:\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" rel=\"noopener\" aria-describedby=\"a11y-new-window-external-message\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago:\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" rel=\"noopener\" aria-describedby=\"a11y-new-window-external-message\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe term\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e“manga”\u003c\/strong\u003e, at the time, referred to “unconstrained images” and related to educational, playful, and illustrative collections. Hokusai's Manga, published starting in 1814, is an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a very different meaning from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":52597290008923,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga7.jpg?v=1773605962"},{"product_id":"hokusai-katsushika-manga-n-12-1814-1849","title":"HOKUSAI KATSUHIKA, Manga, 1814-1849","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a meaning very different from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":52610279506267,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga12.jpg?v=1773767339"},{"product_id":"hokusai-katsushika-manga-n-16-1814-1849","title":"HOKUSAI KATSUHIKA, Manga, 1814-1849","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a meaning very different from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":52610302443867,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga16.jpg?v=1773767599"},{"product_id":"hokusai-katsushika-manga-n-21-1814-1849","title":"HOKUSAI KATSUHIKA, Manga, 1814-1849","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a meaning very different from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":52619167629659,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga21.jpg?v=1773836027"},{"product_id":"hokusai-katsushika-manga-n-23-1814-1849","title":"HOKUSAI KATSUHIKA, Manga, 1814-1849","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a meaning very different from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":52619173232987,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga23.jpg?v=1773836107"},{"product_id":"hokusai-katsushika-manga-n-26-1814-1849","title":"HOKUSAI KATSUHIKA, Manga, 1814-1849","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a meaning very different from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":52619176673627,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga26.jpg?v=1773836215"},{"product_id":"hokusai-katsushika-manga-n-27-1814-1849","title":"HOKUSAI KATSUHIKA, Manga, 1814-1849","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a meaning very different from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":52619222647131,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga27.jpg?v=1773836252"},{"product_id":"hokusai-katsushika-manga-n-30-1814-1849-copia","title":"HOKUSAI KATSUHIKA, Manga, 1814-1849","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a meaning very different from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":52619233296731,"sku":null,"price":130.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga30.jpg?v=1773836471"},{"product_id":"hokusai-katsushika-manga-n-36-1814-1849","title":"HOKUSAI KATSUHIKA, Manga, 1814-1849","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a meaning very different from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":52622402191707,"sku":null,"price":130.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga36.jpg?v=1773862266"},{"product_id":"hokusai-katsushika-manga-n-43-1814-1849","title":"HOKUSAI KATSUHIKA, Manga, 1814-1849","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a meaning very different from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":52622424834395,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga43.jpg?v=1773863034"},{"product_id":"hokusai-katsushika-manga-n-44-1814-1849","title":"HOKUSAI KATSUHIKA, Manga, 1814-1849","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a meaning very different from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":52622427259227,"sku":null,"price":180.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga44.jpg?v=1773863083"},{"product_id":"hokusai-katsushika-manga-n-45-1814-1849","title":"HOKUSAI KATSUHIKA, Manga, 1814-1849","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a meaning very different from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":52622430077275,"sku":null,"price":160.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga45.jpg?v=1773863120"},{"product_id":"hokusai-katsushika-manga-n-46-1814-1849","title":"HOKUSAI KATSUHIKA, Manga, 1814-1849","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a meaning very different from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":52622432010587,"sku":null,"price":150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga46_7621a60d-c597-4762-a8ac-4c258137c3d8.jpg?v=1773863202"},{"product_id":"hokusai-katsushika-manga-n-47-1814-1849","title":"HOKUSAI KATSUHIKA, Manga, 1814-1849","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a meaning very different from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":52622436860251,"sku":null,"price":170.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga47.jpg?v=1773863284"},{"product_id":"hokusai-katsushika-manga-n-81-1834","title":"HOKUSAI KATSUHIKA, Illumination, 1834","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a meaning very different from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":52625868816731,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga81.jpg?v=1773934310"},{"product_id":"hokusai-katsushika-manga-n-82-1834","title":"HOKUSAI KATSUHIKA, Illumination, 1834","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a meaning very different from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":52625874354523,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga82.jpg?v=1773934428"},{"product_id":"hokusai-katsushika-manga-n-83-1834","title":"HOKUSAI KATSUHIKA, Illumination, 1834","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a meaning very different from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":52625885593947,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga83_e22b409c-4f65-4503-9e17-4e58a8453cea.jpg?v=1773934473"},{"product_id":"hokusai-katsushika-manga-n-84-1834","title":"HOKUSAI KATSUHIKA, Illumination, 1834","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a meaning very different from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":52625888739675,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga84.jpg?v=1773934520"},{"product_id":"hokusai-katsushika-manga-n-88-1834","title":"HOKUSAI KATSUHIKA, Illumination, 1834","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a meaning very different from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":52625916461403,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga88.jpg?v=1773934729"},{"product_id":"hokusai-katsushika-manga-n-89-1834","title":"HOKUSAI KATSUHIKA, Illumination, 1834","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a meaning very different from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":52625922851163,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga89.jpg?v=1773934790"},{"product_id":"hokusai-katsushika-manga-n-90-1834","title":"HOKUSAI KATSUHIKA, Illumination, 1834","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a meaning very different from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":52625925898587,"sku":null,"price":110.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga90.jpg?v=1773934844"},{"product_id":"hokusai-katsushika-manga-n-92-1834","title":"HOKUSAI KATSUHIKA, Illumination, 1834","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a meaning very different from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":52632732500315,"sku":null,"price":80.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga92_1400x1400_45199075-f019-4e60-acbd-6da9589e8754.jpg?v=1774020806"},{"product_id":"hokusai-katsushika-manga-n-51-1834","title":"HOKUSAI KATSUSHIKA, Manga No. 51, 1834","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003cbr\u003e\u003c\/b\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003cbr\u003e\u003c\/strong\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a very different meaning from what we now associate with the word “manga,” which is now synonymous with comic.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":53064005058907,"sku":null,"price":130.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga51.jpg?v=1779644813"},{"product_id":"hokusai-katsushika-manga-n-50-1834","title":"HOKUSAI KATSUSHIKA, Manga No. 50, 1834","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003cbr\u003e\u003c\/b\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003cbr\u003e\u003c\/strong\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a very different meaning from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":53064011743579,"sku":null,"price":90.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga50.jpg?v=1779645219"},{"product_id":"hokusai-katsushika-manga-n-49-1834","title":"HOKUSAI KATSUSHIKA, Manga No. 49, 1834","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003cbr\u003e\u003c\/b\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003cbr\u003e\u003c\/strong\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a very different meaning from what we now associate with the word “manga,” which is now synonymous with comic.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":53064014397787,"sku":null,"price":110.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga49.jpg?v=1779645268"},{"product_id":"hokusai-katsushika-manga-n-48-1834","title":"HOKUSAI KATSUSHIKA, Manga No. 48, 1834","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003cbr\u003e\u003c\/b\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003cbr\u003e\u003c\/strong\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a very different meaning from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":53064015413595,"sku":null,"price":110.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga48.jpg?v=1779645359"},{"product_id":"hokusai-katsushika-manga-n-42-1834","title":"HOKUSAI KATSUSHIKA, Manga No. 42, 1834","description":"\u003cp class=\"p1\"\u003eDelicate proof in an edition dating back to the second half of the 19th century. Printed on Japanese paper. In perfect condition, with a small margin all around.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eBibliography\u003cbr\u003e\u003c\/b\u003eM. Forrer, \u003ci\u003eManga,\u003c\/i\u003e Hazan Eds, 2014\u003cbr\u003eJ.A. Michener, \u003ci\u003eHokusai sketch books\u003c\/i\u003e, Rutland and Tokyo, 1958\u003cbr\u003eG.C. Calza, \u003ci\u003eHokusai, the old madman of painting\u003c\/i\u003e, Exhibition Catalog Milan 1999-2000, London, 2003\u003cbr\u003eM. Forrer, \u003ci\u003eHokusai, prints and drawings\u003c\/i\u003e, London, 1991\u003cbr\u003eJ. Hillier,\u003ci\u003e The art of Hokusai in book illustration,\u003c\/i\u003e London, 1980\u003cbr\u003eR. Lane, \u003ci\u003eHokusai, life and works,\u003c\/i\u003e Milan, 1991\u003cbr\u003eT. Clark, \u003ci\u003eHokusai: Beyond the Great Wave\u003c\/i\u003e, British Museum Press, 2017\u003cbr\u003eThe Metropolitan Museum of Art: \u003ca rel=\"noopener\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/57804%E2%80%A8\" target=\"_blank\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/57804\u003c\/a\u003e\u003cbr\u003eBritish Museum: \u003ca rel=\"noopener\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\" target=\"_blank\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-428-1\u003c\/a\u003e\u003cbr\u003eNational Museum of Asian Art: \u003ca rel=\"noopener\" href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\" target=\"_blank\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-780.233.1-14\u003c\/a\u003e\u003cbr\u003eThe Art Institute of Chicago: \u003ca rel=\"noopener\" href=\"https:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\" target=\"_blank\"\u003ehttps:\/\/www.artic.edu\/artworks\/231633\/hokusai-manga\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eComment\u003cbr\u003e\u003c\/strong\u003eThe term \u003cstrong\u003e“\u003c\/strong\u003e\u003cb\u003emanga\u003c\/b\u003e, at the time, referred to “unconstrained images” and referred to educational, playful, and illustrative collections. Hokusai's \u003cem\u003eManga\u003c\/em\u003e, published starting in 1814, are an extraordinary collection of spontaneous sketches and visual notes: human figures, animals, landscapes, scenes of daily life, and decorative motifs follow one another with grace, irony, and precision.\u003cbr\u003eDesigned as tools for teaching and artistic practice, these volumes were used to be copied, studied, and admired. They partly anticipate modern Japanese visual culture, but with a very different meaning from what we now associate with the word “manga,” which has become synonymous with comic.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":53064017150299,"sku":null,"price":280.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HokusaiManga42.jpg?v=1779645405"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/collections\/Fondo_bordeaux.jpg?v=1777102949","url":"https:\/\/www.elenasalamon.com\/en\/collections\/ippitsu-gafu-e-manga.oembed?page=3","provider":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","version":"1.0","type":"link"}