{"title":"Goujaud Anne","description":"\u003cp\u003e(Neuchâteau 1954)\u003c\/p\u003e\n\u003cp\u003eD\u003cstrong\u003e\u003c\/strong\u003eiplomacy in engraving at the Academy of Fine Arts in Reims in 1978, \u003cstrong\u003eAnne Goujaud\u003c\/strong\u003e is a French artist who lives and works in Nogent-sur-Marne, at the Smith-Lesouëf Foundation. Her artistic research moves between \u003cstrong\u003epainting and art graphics\u003c\/strong\u003e, with a coherence of vision that traverses different techniques without ever betraying itself.\u003cbr\u003eHer references range from Delaunay to Matisse, from Calder to Miró, from Chillida to Le Corbusier, masters of color and form who share with her the belief in joy as an aesthetic category: “My work is joyful, full of imagination, precise... It tends towards the clear, the bright, the new. Nature is always present in its process of transformation and in its geometric constructions.”\u003cbr\u003eIn recent years, Goujaud has focused her creative expression on \u003cstrong\u003emonotype\u003c\/strong\u003e: the process originates from the engraving of \u003cstrong\u003enatural elements\u003c\/strong\u003e (leaves and shapes taken from her garden) and develops through successive \u003cstrong\u003ecollages of hand-inked Japanese papers\u003c\/strong\u003e. More passes under the press transform these layers into a unique and unrepeatable work.\u003cbr\u003e\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003ch2\u003eFrom paper to scenography to inhabit light and matter\u003c\/h2\u003e\n\u003cp\u003eThe work of \u003cstrong\u003eAnne Goujaud\u003c\/strong\u003e does not stop at paper, but opens up to different fields and sectors that remain, for her, another way to inhabit light and matter.\u003cbr\u003eIn 2019, for example, four rugs published by Codimat in Paris transported her chromatic world into \u003cstrong\u003etextile design\u003c\/strong\u003e and over the years she has collaborated on projects of \u003cstrong\u003escenography for theater and fashion\u003c\/strong\u003e.\u003cbr\u003eBetween the late 1980s and early 1990s, a long stay in Africa led her to animate the workshops of the Cultural Centers of N’Djamena and Brazzaville and to participate in the reinstallation of the National Museum of Chad: experiences that amplified her \u003cstrong\u003eview on color\u003c\/strong\u003e and on the \u003cstrong\u003eforms of the natural world\u003c\/strong\u003e.\u003cbr\u003eGoujaud's works are present in public and private collections, including the FRAC Limousin and the FRAC Champagne-Ardenne. She regularly exhibits in France and abroad: among the most significant events, the exhibition at the Studio Théâtre of the Comédie Française in Paris (2002), the Musée de Rentilly in Marne et Gondoire (2025), and her presence at international fairs such as ART Wynwood in Miami, the Affordable Art Fair in Hamburg and Brussels, and print salons in Europe and the United States, from Madrid to New York, from Krakow to Paris.\u003cbr\u003e\u003c\/p\u003e","products":[],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/collections\/Anne_Goujaud.jpg?v=1780569167","url":"https:\/\/www.elenasalamon.com\/en\/collections\/goujaud-anne.oembed","provider":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","version":"1.0","type":"link"}