Collection: ABSTRACTIONISM

Perché di fronte a un’opera astratta rimaniamo spesso dubbiosi e ci sembra di non comprenderla appieno? E perché allo stesso tempo siamo inconsapevolmente catturati da questo tipo di rappresentazione?
Nel libro Arte e neuroscienze. Le due culture a confronto, il premio Nobel per la medicina Eric R. Kandel usa la parola “riduzionismo” riferendosi all’attività di scomporre concetti e forme complesse nelle loro componenti essenziali: gli scienziati usano il riduzionismo per risolvere un problema complesso, mentre gli artisti lo sfruttano riducendo le immagini ai loro elementi essenziali di forma, linea, colore o luce.
Le opere di questa sezione dedicata all’astrattismo, allo spazialismo e alla optical art, evocheranno inevitabilmente delle emozioni. La memoria, l’attenzione, le aspettative e le associazioni visive che ognuno di noi ha appreso e interiorizzato, attribuiranno però allo stesso concetto diversi significati aggiuntivi molto personali. Interpretando ciò che vediamo in modo soggettivo, contribuiremo a “creare” l’opera d’arte. Il nostro cervello, cioè, prenderà l’opera e la completerà a modo suo per dare un senso a ciò che vediamo.

56 products
  • BILL MAX, Look at, 1970
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  • MALEVIĆ KAZIMIR, Composizione suprematista, aereoplano in volo, 1915
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  • MONDRIAN PIET, Composizione con rosso, giallo, blu e nero, 1921
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  • ACCARDI CARLA , Freccia, 1992
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  • VASARELY VICTOR, Composition, 1982
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  • VASARELY VICTOR, Planetarium Folklore Participation, 1969
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  • VASARELY VICTOR, Sikra, 1970
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  • VASARELY VICTOR, Xia, 1981
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  • MUNARI BRUNO, Negative Positive (Turquoise), 1995
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  • MUNARI BRUNO, Negative Positive n. 2, 1995
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  • AGAM YAACOV, Composition, 1978
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  • AGAM YAACOV, Hommage, 1980
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  • ALBERS JOSEF, Study for homage to the Square departing in yellow, 1968
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  • ALBERS JOSEF, Homage to the Square, n.5, Renewed Hope, 1977
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  • ALBERS JOSEF, Homage to the Square, Selected n.9, 1977
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  • ALBERS JOSEF, Study to Homage to the Square n.8, Yes Sir, 1977
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  • ALBERS JOSEF, Study to Homage to the Square n. 1, RI d-5, 1977
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  • ALBERS JOSEF, Study to Homage to the Square n.3, blue + darkgreen with two reds, 1977
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  • ALBERS JOSEF, Study to Homage to the Square n.7, La Tehuana, 1977
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  • ALBERS JOSEF, Homage to the Square n.6, Grisaille and Patina, 1977
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  • CALDER ALEXANDER, Champs cultivés, 1971
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  • CALDER ALEXANDER, Hommage, 1966
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  • CALDER ALEXANDER, Orage, 1968
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  • CALDER ALEXANDER, Spiral rouges, 1966
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  • SONIA DELAUNAY, Composition, 1969
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  • DELAUNAY SONIA, Composition, 1975
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  • ESTÈVE MAURICE, Composition, 1974
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  • DORAZIO PIERO, Composition, 1965-95
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  • FONTANA LUCIO, Pink Theater, 1966
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  • FONTANA LUCIO, Turquoise Theater, 1966
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  • FONTANA LUCIO, Turquoise Theater, 1966
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  • FONTANA LUCIO, Turquoise Theater, 1966
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