{"title":"PRINTS FROM XIV TO XIX CENTURY","description":"\u003cp\u003eOriginal antique prints \u003cstrong\u003efrom XIV to XIX century\u003c\/strong\u003e. Among the proposals, the antique religious prints by Altdorfer, Callot, Rembrandt and Dürer, the colour ones by Toulouse-Lautrec and the black and white ones by Renoir stand out. The works are made with \u003cstrong\u003eancient printing techniques\u003c\/strong\u003e , such as etching, and are all valuable plates, chosen by evaluating originality, provenance and state of conservation.\u003c\/p\u003e\n\u003ch2\u003eDiscover original antique engravings and prints\u003c\/h2\u003e","products":[{"product_id":"durer-albrecht-cinque-lanzichenecchi-e-un-orientale-a-cavallo-1495-c-a","title":"DÜRER ALBRECHT, Five Landsknets and an Oriental on Horseback, c. 1495","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eOriginal engraving, plate monogrammed in the lower center.\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"p1\"\u003e \u003cspan class=\"s1\"\u003e\u003ci\u003eBibliography: Meder and Hollstein 81 c \/ e, Bartsh 88.\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp data-mce-fragment=\"1\"\u003e Magnificent contemporary test in the third variant out of five. Imprinted on paper with the watermark of the “Gothic P with flower”, (Meder321), datable between 1500 and 1514.\u003c\/p\u003e\u003cp data-mce-fragment=\"1\"\u003e In perfect condition. With a thin margin all around beyond the marginal line.\u003c\/p\u003e\u003cp data-mce-fragment=\"1\"\u003e On the reverse the number 426 and the initials of a collector not reported by Lugt.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":40315628847254,"sku":null,"price":5700.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/products\/DurerCinquelanzichenecchi.jpg?v=1626874957"},{"product_id":"rembrandt-harmenszoon-van-rijn-la-decollazione-di-san-giovanni-battista-1640","title":"REMBRANDT HARMENSZOON VAN RIJN, The Beheading of Saint John the Baptist, 1640","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eOriginal etching signed 'Rembrandt f' in plate. Bibliography: White-Boon 92; Biorklund \u0026amp; Barnard n. 40-B; Bartsch 92, New Hollstein 183.\u003c\/i\u003e (127x103 mm.).\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e \u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eGood performance in the third state out of four according to Nowell - Ustike. Edition of the second half of the 18th century by PF Basan. Excellent conservation, with good margins (4-6 mm) all around.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":40882529894550,"sku":null,"price":2800.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/products\/Rembrandt.jpg?v=1633180663"},{"product_id":"piranesi-giovanni-battista-arco-di-settimo-severo-e-caracalla-nel-foro-boario-1748","title":"PIRANESI GIOVANNI BATTISTA, Arch of Settimo Severo and Caracalla in the Forum Boarium, 1748","description":"\u003cp data-mce-fragment=\"1\"\u003eArch of Settimo Severo and Caracalla in the Foro Boario, 1748\u003c\/p\u003e\u003cp class=\"p1\"\u003e Wonderful test in the first state out of two. Imprinted in the 18th century. Perfect conservation, with wide margins all around. From the series \"Various views of Ancient and Modern Rome\", printed between 1745 and 1748.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":42308130210037,"sku":null,"price":450.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/products\/PiranesiArcodiSettimo.jpg?v=1642608266"},{"product_id":"durer-albrecht-cristo-lava-i-piedi-a-san-pietro-1509-1510","title":"DÜRER ALBRECHT, Christ washes the feet of St. Peter, 1509-1510","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003ci data-mce-fragment=\"1\"\u003eOriginal woodcut monogrammed in the lower right image. (mm.128x98)\u003c\/i\u003e\u003c\/p\u003e\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e \u003ci data-mce-fragment=\"1\"\u003eBibliography:\u003c\/i\u003e\u003c\/p\u003e\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e Hollstein, 134; Bartsch, 25; Schoch \/ Mende \/ Scherbaum 195; Meder 134; Panofsky, 245; Strauss, 135; TIB 1001.225; A. Hass, Two Devotional Manuals by Albrecht Dürer: The \"'Small Passion\" and the \"Engraved Passion.\" Iconography, Context and Spirituality, in Zeitschrift für Kunstgeschichte 63. Bd., H. 2 (2000), pp. 169-230. Page 62. https:\/\/www.metmuseum.org\/art\/collection\/search\/388045\u003c\/p\u003e\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e From the series \"The Little Passion on Wood\". Magnificent proof, printed on contemporary laid paper, with full margins, in excellent condition\u003c\/p\u003e\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e This is the ninth plate from the second edition of the series, published by Daniel Bissuccio in Venice in 1612. The first edition was published in Nuremberg in 1511. This edition consists of 37 illustrations, all with Italian text on the reverse, signature D under the image .\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eAround 1509, while still completing the Great Passion, Dürer began his most extensive series of the passions of Christ, The Little Passion, which includes thirty-seven woodcuts. The series was released as a book; each plate is accompanied by a narrative-descriptive text composed by Dürer's friend, the humanist cleric Benedictus Chelidonius.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eChrist is shown without a halo, so as not to be distinguishable from his own disciples: he is simply a lovingly humble human being who lends service to his fellow men. This aspect is reinforced by the verses of Chelidonius engraved on the verse, which reaffirm the importance of humility and love.\u003c\/p\u003e\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":42647834820853,"sku":null,"price":1800.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/products\/DurerPiccolapassioneGesulavaipiediasanPietro.jpg?v=1650040530"},{"product_id":"rembrandt-harmenszoon-van-rijn-la-fuga-in-egitto-notturno-1651","title":"REMBRANDT HARMENSZOON VAN RIJN, The Flight into Egypt, nocturnal, 1651","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eOriginal etching.\u003c\/i\u003e\u003cspan class=\"s3\" data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e \u003c\/i\u003e\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eBibliography: Bartsch-Hollstein 53; New Holl. 262; Hind. 253;\u003c\/i\u003e \u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eWhite-Boon 57\u003c\/i\u003e\u003c\/span\u003e \u003ci data-mce-fragment=\"1\"\u003e(mm.125x109).\u003c\/i\u003e\u003c\/p\u003e\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e Beautiful proof in the fifth state out of five, printed on paper datable to the mid-1750s, in excellent condition, complete with the engraved part. \u003c\/p\u003e\u003cp class=\"p3\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\u003cp class=\"p4\" data-mce-fragment=\"1\"\u003e In the light of the lantern the Holy Family walks through a nocturnal landscape (Mt 2: 13-15).\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"p4\" data-mce-fragment=\"1\"\u003eIn 1650 Rembrandt created a series of nocturnes, which allowed him to explore the various ways in which individual light sources can illuminate a dark scene. LaVergine riding the mule is immersed in the shade, Giuseppe goes through a play of shadows created by the splendor of the lantern, whose windows are the only point where Rembrandt has left the original white of the paper visible.\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":43274448601333,"sku":null,"price":1800.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/products\/RembrandtFugainEgitto-1.jpg?v=1663947412"},{"product_id":"rembrandt-harmenszoon-van-rijn-la-presentazione-al-tempio-ca-1639-1640","title":"REMBRANDT HARMENSZOON VAN RIJN, The Presentation in the Temple, ca. 1639-1640 ","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003c\/b\u003e \u003ci data-mce-fragment=\"1\"\u003eOriginal etching and drypoint.\u003c\/i\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eBibliography:\u003c\/i\u003e \u003cspan class=\"s2\" data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eBartsch 49; Biörklund 40-1; Hollstein (White and Boon) 49; New Hollstein 184 v\/v; Hind 162.\u003c\/i\u003e\u003c\/span\u003e \u003ci data-mce-fragment=\"1\"\u003e(mm. 213x283).\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eSplendid proof in the fifth state out of six, printed on laid paper datable to the mid-1700s. In perfect condition with a margin of about 2 mm all around beyond the copper imprint.\u003c\/p\u003e\n\n \u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eIn the temple, on the right Mary is kneeling with Simeon holding the child on her lap. In the center the prophetess Anna is in the ray of light coming from the right. Above his head the dove of the Holy Spirit beats its wings, while a dog sits on the ground to the left. The back of the temple is lit up and full of people.\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp class=\"p3\" data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e“Now in Jerusalem there was a man named Simeon, a just and God-fearing man, waiting for the comfort of Israel;\u003c\/i\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e \u003c\/i\u003e\u003c\/b\u003e\u003ci data-mce-fragment=\"1\"\u003ethe Holy Spirit who was upon him had foretold him that he would not see death without first having seen the Lord's Messiah. Moved therefore by the Spirit, he went to the temple; and while the parents brought the child Jesus there to fulfill the Law,\u003c\/i\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e \u003c\/i\u003e\u003c\/b\u003e\u003ci data-mce-fragment=\"1\"\u003eshe took him in her arms and blessed God:\u003c\/i\u003e \u003c\/p\u003e\n\n\u003cp class=\"p4\" data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e“Now let your servant\u003c\/i\u003e \u003ci data-mce-fragment=\"1\"\u003ego in peace, O Lord, according to your word;\u003c\/i\u003e \u003ci data-mce-fragment=\"1\"\u003efor my eyes have seen your salvation,\u003c\/i\u003e \u003ci data-mce-fragment=\"1\"\u003ewhich you have prepared before all the peoples,\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003ci data-mce-fragment=\"1\"\u003elight to enlighten the nations\u003c\/i\u003e \u003ci data-mce-fragment=\"1\"\u003eand glory of your people Israel\".\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp class=\"p3\" data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eJesus' father and mother marveled at the things that were said about him. Simeon blessed them and spoke to Mary, his mother: \"He is here for the ruin and resurrection of many in Israel, a sign of contradiction\u003c\/i\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e \u003c\/i\u003e\u003c\/b\u003e\u003ci data-mce-fragment=\"1\"\u003efor the thoughts of many hearts to be revealed. And a sword will pierce your soul too.\"\u003c\/i\u003e \u003cbr data-mce-fragment=\"1\"\u003eThere was also a prophetess, Anna, daughter of Fanuèle, of the tribe of Asher. She was very advanced in age, having lived with her husband seven years since she was a girl,\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e \u003c\/i\u003e\u003c\/b\u003e\u003ci data-mce-fragment=\"1\"\u003eshe was later widowed and was now eighty-four years old. He never left the temple, serving God day and night with fasting and prayers.\u003c\/i\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e \u003c\/i\u003e\u003c\/b\u003e\u003ci data-mce-fragment=\"1\"\u003eArriving at that moment, she too began to praise God and spoke of the child to those who were waiting for the redemption of Jerusalem.\u003cbr data-mce-fragment=\"1\"\u003e When they had accomplished everything according to the law of the Lord, they returned to Galilee, to their city of Nazareth. The child grew and grew strong, full of wisdom, and the grace of God was upon him.\" New Testament, Luke 2, 25-52\u003c\/i\u003e\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":43523337257205,"sku":null,"price":4500.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/products\/RembrandtLapresentazionealtempio.jpg?v=1670686214"},{"product_id":"rembrandt-harmenszoon-van-rijn-lautoritratto-presso-la-finestra-1648","title":"REMBRANDT HARMENSZOON VAN RIJN, The Self-Portrait at the Window, 1648","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e \u003cem data-mce-fragment=\"1\"\u003eOriginal etching\u003c\/em\u003e signed and dated top left 'Rembrandt. f 1648'\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eBibliography:\u003c\/em\u003e \u003cem data-mce-fragment=\"1\"\u003eHind 229; Biörlund, 48; White \u0026amp; Boon, B22\u003c\/em\u003e \u003cem data-mce-fragment=\"1\"\u003e.\u003c\/em\u003e \u003cem data-mce-fragment=\"1\"\u003e(mm. 163x131).\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e Splendid in the fifth state out of five, from the Basan edition, printed on laid paper. In excellent condition with a margin of 1 to 2 millimeters all around beyond the copper imprint.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Self-Portrait at the Window, dated 1648 in the second state, is Rembrandt's first engraved self-portrait after the Self-Portrait at the Windowsill of 1639. It recounts the changes that occurred in the man and his style over the course of nine years. The artist no longer poses himself as a courtier, nor does he refer to the great painters of the Italian Renaissance. He paints himself without frills, working next to an open window. His hair has been cut short, his beard is shaved, and he wears simple clothes. Instead of the baroque emphasis given to the occupation of space by the body, with the figure perpendicular to the plane, with the head turned, in the 1648 composition he is seen frontally, with a wide-brimmed hat on his head replacing the elegant cap of the previous etching. Here Rembrandt seems to be staring at the viewer, but in reality, the gaze we see is the one with which he studies his image reflected in a mirror, to reproduce it on the copper plate placed on the table at which the artist sits.\u003c\/em\u003e\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":47194743931227,"sku":null,"price":5500.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/RembrandtAutoritrattopressolafinestra_1648.jpg?v=1697029558"},{"product_id":"rembrandt-harmenszoon-van-rijn-cristo-crocifisso-tra-i-due-ladroni-lastra-ovale-1648","title":"REMBRANDT HARMENSZOON VAN RIJN, Christ crucified between the two thieves: oval plate, 1648","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eOriginal etching\u003c\/em\u003e signed and dated top left \"Rembrandt. f 1648\".\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003cem data-mce-fragment=\"1\"\u003eBibliography:\u003c\/em\u003e Bartsch, 79; Hind 173; Biörlund, 41-2; White \u0026amp; Boon, B79 \u003cem data-mce-fragment=\"1\"\u003e.\u003c\/em\u003e \u003cem data-mce-fragment=\"1\"\u003e(mm. 163x131).\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e Splendid performance in the second state out of two according to White \u0026amp; Boon, from the Basan edition. In excellent condition with a margin of 1 to 2 millimeters all around beyond the copper imprint.\u003c\/p\u003e\n\n \u003cp class=\"p1\"\u003e\u003cem\u003eAttention is focused on Jesus. The brightly lit body of Christ hangs lower than the other two with the result that His arms are stretched upwards, forming a 'V' which frames the face and crown of thorns. Below, four figures under the cross of Jesus, with their heads almost hidden by a veil. In this work Rembrandt does not show who the Mother of Christ is among the characters present. Various other characters with different postures both in the foreground and background, brought together in the drama. On the right, beyond a bent horse, you can see a thin spear or spear.\u003c\/em\u003e\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":47217832788315,"sku":null,"price":5500.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/Rembrandt_Cristocrocifissolastraovale.jpg?v=1697556348"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/collections\/stampe_antiche_elenasalamon.jpg?v=1593596305","url":"https:\/\/www.elenasalamon.com\/en-it\/collections\/stampe-antiche.oembed","provider":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","version":"1.0","type":"link"}