{"title":"Hiroshige Utagawa I","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e (Edo 1797 -\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e(Edo\u003c\/span\u003e 1858)\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003eJapanese engraver and painter, Utagawa Hiroshige is\u003c\/span\u003e \u003cspan color=\"#202122\" style=\"color: #202122;\"\u003econsidered\u003c\/span\u003e \u003cspan color=\"#202122\" style=\"color: #202122;\"\u003eone\u003c\/span\u003e \u003cspan color=\"#202122\" style=\"color: #202122;\"\u003eof the main Japanese landscape artists of the nineteenth century and among the most famous representatives of the Ukiyo-e artistic movement.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan color=\"#202122\" style=\"color: #202122;\"\u003eHis\u003c\/span\u003e \u003cspan color=\"#202122\" style=\"color: #202122;\"\u003eartistic production, which includes about 400 engravings, includes different genres (prints of actors, warriors, courtesans...), but the main subject of his art is nature in its many expressions, which the master always portrays in a subtle and poetic way,\u003c\/span\u003e \u003cspan color=\"#202122\" style=\"color: #202122;\"\u003ecapturing\u003c\/span\u003e \u003cspan color=\"#202122\" style=\"color: #202122;\"\u003ethe\u003c\/span\u003e \u003cspan color=\"#202122\" style=\"color: #202122;\"\u003epeculiar\u003c\/span\u003e \u003cspan color=\"#202122\" style=\"color: #202122;\"\u003eessence\u003c\/span\u003e \u003cspan color=\"#202122\" style=\"color: #202122;\"\u003eof the Japanese landscape.\u003c\/span\u003e \u003cspan color=\"#202122\" style=\"color: #202122;\"\u003eThe\u003c\/span\u003e most \u003cspan color=\"#202122\" style=\"color: #202122;\"\u003efamous\u003c\/span\u003e \u003cspan color=\"#202122\" style=\"color: #202122;\"\u003eseries\u003c\/span\u003e\u003cspan color=\"#202122\" style=\"color: #202122;\"\u003e \u003c\/span\u003e\u003cspan color=\"#202122\" style=\"color: #202122;\"\u003eof this production\u003c\/span\u003e \u003cspan color=\"#202122\" style=\"color: #202122;\"\u003eis\u003c\/span\u003e \u003cspan color=\"#202122\" style=\"color: #202122;\"\u003eentitled\u003c\/span\u003e \u003cspan color=\"#202122\" style=\"color: #202122;\"\u003e\u003ci\u003eOne Hundred Famous Views of Edo\u003c\/i\u003e\u003c\/span\u003e\u003cspan color=\"#202122\" style=\"color: #202122;\"\u003e \u003c\/span\u003e\u003cspan color=\"#202122\" style=\"color: #202122;\"\u003ewhich\u003c\/span\u003e had an extraordinary influence on European \u003cspan color=\"#202122\" style=\"color: #202122;\"\u003eImpressionist and Post-Impressionist\u003c\/span\u003e \u003cspan color=\"#202122\" style=\"color: #202122;\"\u003epainting\u003c\/span\u003e \u003cspan color=\"#202122\" style=\"color: #202122;\"\u003e, being imitated\u003c\/span\u003e \u003cspan color=\"#202122\" style=\"color: #202122;\"\u003eby\u003c\/span\u003e \u003cspan color=\"#202122\" style=\"color: #202122;\"\u003eseveral artists, including Claude Monet and Vincent van Gogh.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"hiroshige-utagawa-i-musashi-province-sumida-river-snowy-morning-musashi-sumidagawa-yuki-no-ashita","title":"HIROSHIGE UTAGAWA I, Mattina dopo una nevicata, il fiume Sumida, Provincia di Musashi, 1853","description":"\u003cp style=\"font-weight: 400;\"\u003e \u003cem\u003eNishiki-e.\u003c\/em\u003e Color woodcut, signed on the plate: Hiroshige hitsu\u003cbr\u003e Series: \u003cem\u003eRokuyu-yoshu meisho zue.\u003c\/em\u003e Views of Famous Spots in the Sixty Different Provinces of Japan. No. 16.\u003cbr\u003e Date: 1853\u003cbr\u003e Format: \u003cem\u003eoban tate-e\u003c\/em\u003e (mm. 344x228)\u003cbr\u003e Censor: Kinugasa, Murata\u003cbr\u003e Publisher: Koshimuraya Heisuke (Koshihei)\u003cbr\u003e\u003cbr\u003e Splendid proof with excellent colours with the effect of the \u003cem\u003emokumezuri\u003c\/em\u003e visible in the upper part, the basic wood grain characteristic of the older proofs and of the \u003cem\u003ebokashi\u003c\/em\u003e (colour shades).\u003cbr\u003e Printed on Japanese paper, datable to the second half of the 19th century. In perfect condition except for a crease on the edge of the lower part of the sheet. With good margins all around beyond the marginal line.\u003cbr\u003e \u003cbr\u003eBibliography: Jansen, Hiroshige's Journey (2004), #16; Ukiyo-e shûka 14 (1981), Hiroshige list, p. 249, ôban #64.65\u003cbr\u003e\u003cbr\u003e https:\/\/collections.mfa.org\/objects\/209234\u003cbr\u003e https:\/\/www.britishmuseum.org\/collection\/object\/A_1902-0212-0-397-53\u003c\/p\u003e","brand":"Elena Salamon - Arte Moderna","offers":[{"title":"Default Title","offer_id":47389899817307,"sku":null,"price":3400.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HiroshigeMusashiProvinceSumidaRiver.jpg?v=1701447921"},{"product_id":"hiroshige-utagawa-i-tsukudajima-from-eitai-bridge-eitaibashi-tsukudajima-from-the-series-one-hundred-famous-views-of-edo-meisho-edo-hyakkei-copia","title":"HIROSHIGE UTAGAWA I, Seido e il fiume Kanda dal ponte Shohei, 1857","description":"\u003cp class=\"p2\"\u003e \u003cb\u003eShoheibashi Seido Kandagawa (Seido and Kanda river from Shohei bridge) No. 47 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cp class=\"p1\"\u003e \u003ci\u003eNishiki-e.\u003c\/i\u003e Color woodblock print, signed on the plate: Hiroshige ga\u003c\/p\u003e\n\n\u003cp class=\"p1\"\u003e Series: \u003ci\u003eMeisho Edo Hyakkei\u003c\/i\u003e The Hundred Views of Edo n. 47\u003c\/p\u003e\n\n\u003cp class=\"p1\"\u003e Date: 1857, ninth month\u003c\/p\u003e\n\n\u003cp class=\"p1\"\u003e Format: \u003ci\u003eoban tate-e\u003c\/i\u003e (mm. 348x230)\u003c\/p\u003e\n\n\u003cp class=\"p1\"\u003e Censor: aratame, Snake\u003c\/p\u003e\n\n\u003cp class=\"p1\"\u003e Publisher: Uoya Eikichi.\u003c\/p\u003e\n\n \u003cp class=\"p1\"\u003eMagnificent proof with excellent colors. Printed on Japanese paper, datable to the second half of the 19th century. In perfect condition. Superbly executed \" \u003ci\u003ebokashi\u003c\/i\u003e \" shading. With excellent margins all around beyond the marginal line.\u003c\/p\u003e\n\n\u003cp class=\"p1\"\u003e Bibliography:\u003c\/p\u003e\n\n\u003cp class=\"p1\"\u003e Sakai, Hiroshige Edo fûkei (1996), list #12.47, pls. 156, 157; Smith \u0026amp; Poster, 100 Views (1986), #4; Ukiyo-e shûka 14 (1981), Hiroshige list, p. 250, vertical ôban #62.47\u003c\/p\u003e\n\n\u003cp class=\"p1\"\u003e \u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.brooklynmuseum.org\/opencollection\/objects\/121660\"\u003ehttps:\/\/www.brooklynmuseum.org\/opencollection\/objects\/121660\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"p1\"\u003e https:\/\/www.metmuseum.org\/art\/collection\/search\/53679\u003c\/p\u003e\n\n\u003cp class=\"p1\"\u003e Rare inking with a very dark and rainy sky.\u003c\/p\u003e\n\n \u003cp class=\"p1\"\u003eThis is the first of three rain scenes in the series, all of which are from the summer season. Here Hiroshige depicts the steady, slanting rain typical of the “plum rain” of June, so called for the fruit that appears at that time. On the Kanda River, boatmen, protected by straw raincoats, haul in their loads of wood, while the hillside villagers all seem comfortable in the warm summer rain. On the right are the outer walls of the Yushima Seidō Shrine, founded in the 17th century for the study of Confucianism.\u003c\/p\u003e\n\n\u003cp class=\"p1\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":49266766086491,"sku":null,"price":3100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HiroshigeSeidoandKandariverfromShoheibridge.jpg?v=1729260266"},{"product_id":"hiroshige-utagawa-i-tokaido-fukei-zue-vedute-della-tokaido-n-67-kaei-4-1851","title":"HIROSHIGE UTAGAWA I, Tōkaidō fukei zue - Views of the Tōkaidō n. 76, , Kaei 4, 1851","description":"\u003cp\u003e\u003cem\u003eNishiki-e, color woodblock print, signed on the colophon: Hiroshige ga\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eFormat: Illustrated album (ehon) (mm 150x210)\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eVolumes: Zen Pen (I Vol.) Go Hen (II Vol.)\u003c\/em\u003e\u003cbr\u003e \u003cem\u003ePreface and texts: Ryukatei Tanekadzu\u003c\/em\u003e\u003cbr\u003e \u003cem\u003ePublisher: Fujioka Keijiro\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e Delicate proof in a contemporary edition, printed on Japanese paper, in good condition, with a small margin all around.\u003cbr\u003e Series of narrative and landscape illustrations that retrace the stations of the Tōkaidō.\u003c\/p\u003e\n\u003cp\u003e Bibliography:\u003cbr\u003e https:\/\/www.hiroshige.org.uk\/Illustrated_Books\/TokaidoFukeiZuye1851.htm\u003cbr\u003e https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-550-1?selectedImageId=1613410201\u003cbr\u003e https:\/\/www.artic.edu\/artworks\/231171\/teќkaideќ-fe-kei-zue\u003cbr\u003e https:\/\/asia-archive.si.edu\/object\/FSC-GR-780.700\/\u003c\/p\u003e\n\u003cp\u003e Ryūkatei Tanekazu wrote in the spring of 1851:\u003cbr\u003e \u003cem\u003ePreface to Volume I\u003c\/em\u003e\u003cbr\u003e «Traveling is one of life's greatest pleasures. Every year, with an anxious heart, I have wanted to leave, but daily commitments have always held me back, making it impossible to realize this dream.\u003cbr\u003e This work by the famous artist Hiroshige offers us a magnificent alternative to the journey itself. It carefully and minutely depicts more than fifty villages along the road between Kyoto and Yedo (Edo), including famous seaside and mountain resorts: Mount Akiha in Omi Province, Horaiji Temple in Mikawa, and the paths leading to the sacred Ise Shrine.\u003cbr\u003e Observing these images is a pleasure that, at times, can even surpass that of the actual journey. Those who have never traveled will find in these pages a precious guide; those who have already visited these places will see their most vivid memories rekindled in their memory.\u003cbr\u003e Although I am ignorant of the art of drawing, I dare say that this work - with its shading, its shades of ink, its harmony and grace - is in no way inferior to those of the great masters of the past.\"\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003eAfterword on the back of Volume II\u003c\/em\u003e\u003cbr\u003e «A thought for the teacher Hiroshige: leaning on the desk, I observed the first drafts depicting Kanazawa and Kamakura; the pine forests of the Hodogaya villa; the plum trees in blossom in Sugita; the sea coasts of Kagekiyo; the temple of Horai, that of Atsuta; Yokkaichi; the clear waters of the Isuzu river; the mountain of Asama and the conjugal rocks of Futami-ga-Ura (Meoto Iwa, which means precisely “husband and wife rocks” are a very famous place in Japan, ed.).\u003cbr\u003e Continuing towards the western capital, Kyoto, the Higashiyama Hills, Kiyomizu Temple, and finally the Sanjō Bridge appear.\u003cbr\u003e Like a fox borrowing the lion's mane, I have the honor of writing these final words to conclude the work, on a rainy day in early spring.\"\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":50441554264411,"sku":null,"price":90.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HiroshigeoriginalLittleTokaido67.jpg?v=1744811549"},{"product_id":"hiroshige-utagawa-i-tokaido-fukei-zue-vedute-della-tokaido-n-65-kaei-4-1851","title":"HIROSHIGE UTAGAWA I, Tōkaidō fukei zue - Views of the Tōkaidō n. 76, , Kaei 4, 1851","description":"\u003cp\u003e\u003cem\u003eNishiki-e, color woodblock print, signed on the colophon: Hiroshige ga\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eFormat: Illustrated album (ehon) (mm 150x210)\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eVolumes: Zen Pen (I Vol.) Go Hen (II Vol.)\u003c\/em\u003e\u003cbr\u003e \u003cem\u003ePreface and texts: Ryukatei Tanekadzu\u003c\/em\u003e\u003cbr\u003e \u003cem\u003ePublisher: Fujioka Keijiro\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e Delicate proof in a contemporary edition, printed on Japanese paper, in good condition, with a small margin all around.\u003cbr\u003e Series of narrative and landscape illustrations that retrace the stations of the Tōkaidō.\u003c\/p\u003e\n\u003cp\u003e Bibliography:\u003cbr\u003e https:\/\/www.hiroshige.org.uk\/Illustrated_Books\/TokaidoFukeiZuye1851.htm\u003cbr\u003e https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-550-1?selectedImageId=1613410201\u003cbr\u003e https:\/\/www.artic.edu\/artworks\/231171\/teќkaideќ-fe-kei-zue\u003cbr\u003e https:\/\/asia-archive.si.edu\/object\/FSC-GR-780.700\/\u003c\/p\u003e\n\u003cp\u003e Ryūkatei Tanekazu wrote in the spring of 1851:\u003cbr\u003e \u003cem\u003ePreface to Volume I\u003c\/em\u003e\u003cbr\u003e «Traveling is one of life's greatest pleasures. Every year, with an anxious heart, I have wanted to leave, but daily commitments have always held me back, making it impossible to realize this dream.\u003cbr\u003e This work by the famous artist Hiroshige offers us a magnificent alternative to the journey itself. It carefully and minutely depicts more than fifty villages along the road between Kyoto and Yedo (Edo), including famous seaside and mountain resorts: Mount Akiha in Omi Province, Horaiji Temple in Mikawa, and the paths leading to the sacred Ise Shrine.\u003cbr\u003e Observing these images is a pleasure that, at times, can even surpass that of the actual journey. Those who have never traveled will find in these pages a precious guide; those who have already visited these places will see their most vivid memories rekindled in their memory.\u003cbr\u003e Although I am ignorant of the art of drawing, I dare say that this work - with its shading, its shades of ink, its harmony and grace - is in no way inferior to those of the great masters of the past.\"\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003eAfterword on the back of Volume II\u003c\/em\u003e\u003cbr\u003e «A thought for the teacher Hiroshige: leaning on the desk, I observed the first drafts depicting Kanazawa and Kamakura; the pine forests of the Hodogaya villa; the plum trees in blossom in Sugita; the sea coasts of Kagekiyo; the temple of Horai, that of Atsuta; Yokkaichi; the clear waters of the Isuzu river; the mountain of Asama and the conjugal rocks of Futami-ga-Ura (Meoto Iwa, which means precisely “husband and wife rocks” are a very famous place in Japan, ed.).\u003cbr\u003e Continuing towards the western capital, Kyoto, the Higashiyama Hills, Kiyomizu Temple, and finally the Sanjō Bridge appear.\u003cbr\u003e Like a fox borrowing the lion's mane, I have the honor of writing these final words to conclude the work, on a rainy day in early spring.\"\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":50441564422491,"sku":null,"price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HiroshigeoriginalLittleTokaido65.jpg?v=1744811684"},{"product_id":"hiroshige-utagawa-i-tokaido-fukei-zue-vedute-della-tokaido-n-55-kaei-4-1851","title":"HIROSHIGE UTAGAWA I, Tōkaidō fukei zue - Views of the Tōkaidō n. 76, , Kaei 4, 1851","description":"\u003cp\u003e\u003cem\u003eNishiki-e, color woodblock print, signed on the colophon: Hiroshige ga\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eFormat: Illustrated album (ehon) (mm 150x210)\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eVolumes: Zen Pen (I Vol.) Go Hen (II Vol.)\u003c\/em\u003e\u003cbr\u003e \u003cem\u003ePreface and texts: Ryukatei Tanekadzu\u003c\/em\u003e\u003cbr\u003e \u003cem\u003ePublisher: Fujioka Keijiro\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e Delicate proof in a contemporary edition, printed on Japanese paper, in good condition, with a small margin all around.\u003cbr\u003e Series of narrative and landscape illustrations that retrace the stations of the Tōkaidō.\u003c\/p\u003e\n\u003cp\u003e Bibliography:\u003cbr\u003e https:\/\/www.hiroshige.org.uk\/Illustrated_Books\/TokaidoFukeiZuye1851.htm\u003cbr\u003e https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-550-1?selectedImageId=1613410201\u003cbr\u003e https:\/\/www.artic.edu\/artworks\/231171\/teќkaideќ-fe-kei-zue\u003cbr\u003e https:\/\/asia-archive.si.edu\/object\/FSC-GR-780.700\/\u003c\/p\u003e\n\u003cp\u003e Ryūkatei Tanekazu wrote in the spring of 1851:\u003cbr\u003e \u003cem\u003ePreface to Volume I\u003c\/em\u003e\u003cbr\u003e «Traveling is one of life's greatest pleasures. Every year, with an anxious heart, I have wanted to leave, but daily commitments have always held me back, making it impossible to realize this dream.\u003cbr\u003e This work by the famous artist Hiroshige offers us a magnificent alternative to the journey itself. It carefully and minutely depicts more than fifty villages along the road between Kyoto and Yedo (Edo), including famous seaside and mountain resorts: Mount Akiha in Omi Province, Horaiji Temple in Mikawa, and the paths leading to the sacred Ise Shrine.\u003cbr\u003e Observing these images is a pleasure that, at times, can even surpass that of the actual journey. Those who have never traveled will find in these pages a precious guide; those who have already visited these places will see their most vivid memories rekindled in their memory.\u003cbr\u003e Although I am ignorant of the art of drawing, I dare say that this work - with its shading, its shades of ink, its harmony and grace - is in no way inferior to those of the great masters of the past.\"\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003eAfterword on the back of Volume II\u003c\/em\u003e\u003cbr\u003e «A thought for the teacher Hiroshige: leaning on the desk, I observed the first drafts depicting Kanazawa and Kamakura; the pine forests of the Hodogaya villa; the plum trees in blossom in Sugita; the sea coasts of Kagekiyo; the temple of Horai, that of Atsuta; Yokkaichi; the clear waters of the Isuzu river; the mountain of Asama and the conjugal rocks of Futami-ga-Ura (Meoto Iwa, which means precisely “husband and wife rocks” are a very famous place in Japan, ed.).\u003cbr\u003e Continuing towards the western capital, Kyoto, the Higashiyama Hills, Kiyomizu Temple, and finally the Sanjō Bridge appear.\u003cbr\u003e Like a fox borrowing the lion's mane, I have the honor of writing these final words to conclude the work, on a rainy day in early spring.\"\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":50441617965403,"sku":null,"price":80.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HiroshigeoriginalLittleTokaido55.jpg?v=1744812101"},{"product_id":"hiroshige-utagawa-i-tokaido-fukei-zue-vedute-della-tokaido-n-53-kaei-4-1851","title":"HIROSHIGE UTAGAWA I, Tōkaidō fukei zue - Views of the Tōkaidō n. 76, , Kaei 4, 1851","description":"\u003cp\u003e\u003cem\u003eNishiki-e, color woodblock print, signed on the colophon: Hiroshige ga\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eFormat: Illustrated album (ehon) (mm 150x210)\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eVolumes: Zen Pen (I Vol.) Go Hen (II Vol.)\u003c\/em\u003e\u003cbr\u003e \u003cem\u003ePreface and texts: Ryukatei Tanekadzu\u003c\/em\u003e\u003cbr\u003e \u003cem\u003ePublisher: Fujioka Keijiro\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e Delicate proof in a contemporary edition, printed on Japanese paper, in good condition, with a small margin all around.\u003cbr\u003e Series of narrative and landscape illustrations that retrace the stations of the Tōkaidō.\u003c\/p\u003e\n\u003cp\u003e Bibliography:\u003cbr\u003e https:\/\/www.hiroshige.org.uk\/Illustrated_Books\/TokaidoFukeiZuye1851.htm\u003cbr\u003e https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-550-1?selectedImageId=1613410201\u003cbr\u003e https:\/\/www.artic.edu\/artworks\/231171\/teќkaideќ-fe-kei-zue\u003cbr\u003e https:\/\/asia-archive.si.edu\/object\/FSC-GR-780.700\/\u003c\/p\u003e\n\u003cp\u003e Ryūkatei Tanekazu wrote in the spring of 1851:\u003cbr\u003e \u003cem\u003ePreface to Volume I\u003c\/em\u003e\u003cbr\u003e «Traveling is one of life's greatest pleasures. Every year, with an anxious heart, I have wanted to leave, but daily commitments have always held me back, making it impossible to realize this dream.\u003cbr\u003e This work by the famous artist Hiroshige offers us a magnificent alternative to the journey itself. It carefully and minutely depicts more than fifty villages along the road between Kyoto and Yedo (Edo), including famous seaside and mountain resorts: Mount Akiha in Omi Province, Horaiji Temple in Mikawa, and the paths leading to the sacred Ise Shrine.\u003cbr\u003e Observing these images is a pleasure that, at times, can even surpass that of the actual journey. Those who have never traveled will find in these pages a precious guide; those who have already visited these places will see their most vivid memories rekindled in their memory.\u003cbr\u003e Although I am ignorant of the art of drawing, I dare say that this work - with its shading, its shades of ink, its harmony and grace - is in no way inferior to those of the great masters of the past.\"\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003eAfterword on the back of Volume II\u003c\/em\u003e\u003cbr\u003e «A thought for the teacher Hiroshige: leaning on the desk, I observed the first drafts depicting Kanazawa and Kamakura; the pine forests of the Hodogaya villa; the plum trees in blossom in Sugita; the sea coasts of Kagekiyo; the temple of Horai, that of Atsuta; Yokkaichi; the clear waters of the Isuzu river; the mountain of Asama and the conjugal rocks of Futami-ga-Ura (Meoto Iwa, which means precisely “husband and wife rocks” are a very famous place in Japan, ed.).\u003cbr\u003e Continuing towards the western capital, Kyoto, the Higashiyama Hills, Kiyomizu Temple, and finally the Sanjō Bridge appear.\u003cbr\u003e Like a fox borrowing the lion's mane, I have the honor of writing these final words to conclude the work, on a rainy day in early spring.\"\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":50441624453467,"sku":null,"price":90.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HiroshigeoriginalLittleTokaido53.jpg?v=1744812169"},{"product_id":"hiroshige-utagawa-i-tokaido-fukei-zue-vedute-della-tokaido-n-48-kaei-4-1851","title":"HIROSHIGE UTAGAWA I, Tōkaidō fukei zue - Views of the Tōkaidō n. 76, , Kaei 4, 1851","description":"\u003cp\u003e\u003cem\u003eNishiki-e, color woodblock print, signed on the colophon: Hiroshige ga\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eFormat: Illustrated album (ehon) (mm 150x210)\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eVolumes: Zen Pen (I Vol.) Go Hen (II Vol.)\u003c\/em\u003e\u003cbr\u003e \u003cem\u003ePreface and texts: Ryukatei Tanekadzu\u003c\/em\u003e\u003cbr\u003e \u003cem\u003ePublisher: Fujioka Keijiro\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e Delicate proof in a contemporary edition, printed on Japanese paper, in good condition, with a small margin all around.\u003cbr\u003e Series of narrative and landscape illustrations that retrace the stations of the Tōkaidō.\u003c\/p\u003e\n\u003cp\u003e Bibliography:\u003cbr\u003e https:\/\/www.hiroshige.org.uk\/Illustrated_Books\/TokaidoFukeiZuye1851.htm\u003cbr\u003e https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-550-1?selectedImageId=1613410201\u003cbr\u003e https:\/\/www.artic.edu\/artworks\/231171\/teќkaideќ-fe-kei-zue\u003cbr\u003e https:\/\/asia-archive.si.edu\/object\/FSC-GR-780.700\/\u003c\/p\u003e\n\u003cp\u003e Ryūkatei Tanekazu wrote in the spring of 1851:\u003cbr\u003e \u003cem\u003ePreface to Volume I\u003c\/em\u003e\u003cbr\u003e «Traveling is one of life's greatest pleasures. Every year, with an anxious heart, I have wanted to leave, but daily commitments have always held me back, making it impossible to realize this dream.\u003cbr\u003e This work by the famous artist Hiroshige offers us a magnificent alternative to the journey itself. It carefully and minutely depicts more than fifty villages along the road between Kyoto and Yedo (Edo), including famous seaside and mountain resorts: Mount Akiha in Omi Province, Horaiji Temple in Mikawa, and the paths leading to the sacred Ise Shrine.\u003cbr\u003e Observing these images is a pleasure that, at times, can even surpass that of the actual journey. Those who have never traveled will find in these pages a precious guide; those who have already visited these places will see their most vivid memories rekindled in their memory.\u003cbr\u003e Although I am ignorant of the art of drawing, I dare say that this work - with its shading, its shades of ink, its harmony and grace - is in no way inferior to those of the great masters of the past.\"\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003eAfterword on the back of Volume II\u003c\/em\u003e\u003cbr\u003e «A thought for the teacher Hiroshige: leaning on the desk, I observed the first drafts depicting Kanazawa and Kamakura; the pine forests of the Hodogaya villa; the plum trees in blossom in Sugita; the sea coasts of Kagekiyo; the temple of Horai, that of Atsuta; Yokkaichi; the clear waters of the Isuzu river; the mountain of Asama and the conjugal rocks of Futami-ga-Ura (Meoto Iwa, which means precisely “husband and wife rocks” are a very famous place in Japan, ed.).\u003cbr\u003e Continuing towards the western capital, Kyoto, the Higashiyama Hills, Kiyomizu Temple, and finally the Sanjō Bridge appear.\u003cbr\u003e Like a fox borrowing the lion's mane, I have the honor of writing these final words to conclude the work, on a rainy day in early spring.\"\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":50441653616987,"sku":null,"price":80.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HiroshigeoriginalLittleTokaido48.jpg?v=1744812424"},{"product_id":"hiroshige-utagawa-i-tokaido-fukei-zue-vedute-della-tokaido-n-42-kaei-4-1851","title":"HIROSHIGE UTAGAWA I, Tōkaidō fukei zue - Views of the Tōkaidō n. 76, , Kaei 4, 1851","description":"\u003cp\u003e\u003cem\u003eNishiki-e, color woodblock print, signed on the colophon: Hiroshige ga\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eFormat: Illustrated album (ehon) (mm 150x210)\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eVolumes: Zen Pen (I Vol.) Go Hen (II Vol.)\u003c\/em\u003e\u003cbr\u003e \u003cem\u003ePreface and texts: Ryukatei Tanekadzu\u003c\/em\u003e\u003cbr\u003e \u003cem\u003ePublisher: Fujioka Keijiro\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e Delicate proof in a contemporary edition, printed on Japanese paper, in good condition, with a small margin all around.\u003cbr\u003e Series of narrative and landscape illustrations that retrace the stations of the Tōkaidō.\u003c\/p\u003e\n\u003cp\u003e Bibliography:\u003cbr\u003e https:\/\/www.hiroshige.org.uk\/Illustrated_Books\/TokaidoFukeiZuye1851.htm\u003cbr\u003e https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-550-1?selectedImageId=1613410201\u003cbr\u003e https:\/\/www.artic.edu\/artworks\/231171\/teќkaideќ-fe-kei-zue\u003cbr\u003e https:\/\/asia-archive.si.edu\/object\/FSC-GR-780.700\/\u003c\/p\u003e\n\u003cp\u003e Ryūkatei Tanekazu wrote in the spring of 1851:\u003cbr\u003e \u003cem\u003ePreface to Volume I\u003c\/em\u003e\u003cbr\u003e «Traveling is one of life's greatest pleasures. Every year, with an anxious heart, I have wanted to leave, but daily commitments have always held me back, making it impossible to realize this dream.\u003cbr\u003e This work by the famous artist Hiroshige offers us a magnificent alternative to the journey itself. It carefully and minutely depicts more than fifty villages along the road between Kyoto and Yedo (Edo), including famous seaside and mountain resorts: Mount Akiha in Omi Province, Horaiji Temple in Mikawa, and the paths leading to the sacred Ise Shrine.\u003cbr\u003e Observing these images is a pleasure that, at times, can even surpass that of the actual journey. Those who have never traveled will find in these pages a precious guide; those who have already visited these places will see their most vivid memories rekindled in their memory.\u003cbr\u003e Although I am ignorant of the art of drawing, I dare say that this work - with its shading, its shades of ink, its harmony and grace - is in no way inferior to those of the great masters of the past.\"\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003eAfterword on the back of Volume II\u003c\/em\u003e\u003cbr\u003e «A thought for the teacher Hiroshige: leaning on the desk, I observed the first drafts depicting Kanazawa and Kamakura; the pine forests of the Hodogaya villa; the plum trees in blossom in Sugita; the sea coasts of Kagekiyo; the temple of Horai, that of Atsuta; Yokkaichi; the clear waters of the Isuzu river; the mountain of Asama and the conjugal rocks of Futami-ga-Ura (Meoto Iwa, which means precisely “husband and wife rocks” are a very famous place in Japan, ed.).\u003cbr\u003e Continuing towards the western capital, Kyoto, the Higashiyama Hills, Kiyomizu Temple, and finally the Sanjō Bridge appear.\u003cbr\u003e Like a fox borrowing the lion's mane, I have the honor of writing these final words to conclude the work, on a rainy day in early spring.\"\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":50441682813275,"sku":null,"price":80.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HiroshigeoriginalLittleTokaido42.jpg?v=1744812736"},{"product_id":"hiroshige-utagawa-i-tokaido-fukei-zue-vedute-della-tokaido-n-34-kaei-4-1851","title":"HIROSHIGE UTAGAWA I, Tōkaidō fukei zue - Views of the Tōkaidō n. 76, , Kaei 4, 1851","description":"\u003cp\u003e\u003cem\u003eNishiki-e, color woodblock print, signed on the colophon: Hiroshige ga\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eFormat: Illustrated album (ehon) (mm 150x210)\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eVolumes: Zen Pen (I Vol.) Go Hen (II Vol.)\u003c\/em\u003e\u003cbr\u003e \u003cem\u003ePreface and texts: Ryukatei Tanekadzu\u003c\/em\u003e\u003cbr\u003e \u003cem\u003ePublisher: Fujioka Keijiro\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e Delicate proof in a contemporary edition, printed on Japanese paper, in good condition, with a small margin all around.\u003cbr\u003e Series of narrative and landscape illustrations that retrace the stations of the Tōkaidō.\u003c\/p\u003e\n\u003cp\u003e Bibliography:\u003cbr\u003e https:\/\/www.hiroshige.org.uk\/Illustrated_Books\/TokaidoFukeiZuye1851.htm\u003cbr\u003e https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-550-1?selectedImageId=1613410201\u003cbr\u003e https:\/\/www.artic.edu\/artworks\/231171\/teќkaideќ-fe-kei-zue\u003cbr\u003e https:\/\/asia-archive.si.edu\/object\/FSC-GR-780.700\/\u003c\/p\u003e\n\u003cp\u003e Ryūkatei Tanekazu wrote in the spring of 1851:\u003cbr\u003e \u003cem\u003ePreface to Volume I\u003c\/em\u003e\u003cbr\u003e «Traveling is one of life's greatest pleasures. Every year, with an anxious heart, I have wanted to leave, but daily commitments have always held me back, making it impossible to realize this dream.\u003cbr\u003e This work by the famous artist Hiroshige offers us a magnificent alternative to the journey itself. It carefully and minutely depicts more than fifty villages along the road between Kyoto and Yedo (Edo), including famous seaside and mountain resorts: Mount Akiha in Omi Province, Horaiji Temple in Mikawa, and the paths leading to the sacred Ise Shrine.\u003cbr\u003e Observing these images is a pleasure that, at times, can even surpass that of the actual journey. Those who have never traveled will find in these pages a precious guide; those who have already visited these places will see their most vivid memories rekindled in their memory.\u003cbr\u003e Although I am ignorant of the art of drawing, I dare say that this work - with its shading, its shades of ink, its harmony and grace - is in no way inferior to those of the great masters of the past.\"\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003eAfterword on the back of Volume II\u003c\/em\u003e\u003cbr\u003e «A thought for the teacher Hiroshige: leaning on the desk, I observed the first drafts depicting Kanazawa and Kamakura; the pine forests of the Hodogaya villa; the plum trees in blossom in Sugita; the sea coasts of Kagekiyo; the temple of Horai, that of Atsuta; Yokkaichi; the clear waters of the Isuzu river; the mountain of Asama and the conjugal rocks of Futami-ga-Ura (Meoto Iwa, which means precisely “husband and wife rocks” are a very famous place in Japan, ed.).\u003cbr\u003e Continuing towards the western capital, Kyoto, the Higashiyama Hills, Kiyomizu Temple, and finally the Sanjō Bridge appear.\u003cbr\u003e Like a fox borrowing the lion's mane, I have the honor of writing these final words to conclude the work, on a rainy day in early spring.\"\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":50441749692763,"sku":null,"price":90.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HiroshigeoriginalLittleTokaido34.jpg?v=1744813454"},{"product_id":"hiroshige-utagawa-i-tokaido-fukei-zue-vedute-della-tokaido-n-33-kaei-4-1851","title":"HIROSHIGE UTAGAWA I, Tōkaidō fukei zue - Views of the Tōkaidō n. 76, , Kaei 4, 1851","description":"\u003cp\u003e\u003cem\u003eNishiki-e, color woodblock print, signed on the colophon: Hiroshige ga\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eFormat: Illustrated album (ehon) (mm 150x210)\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eVolumes: Zen Pen (I Vol.) Go Hen (II Vol.)\u003c\/em\u003e\u003cbr\u003e \u003cem\u003ePreface and texts: Ryukatei Tanekadzu\u003c\/em\u003e\u003cbr\u003e \u003cem\u003ePublisher: Fujioka Keijiro\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e Delicate proof in a contemporary edition, printed on Japanese paper, in good condition, with a small margin all around.\u003cbr\u003e Series of narrative and landscape illustrations that retrace the stations of the Tōkaidō.\u003c\/p\u003e\n\u003cp\u003e Bibliography:\u003cbr\u003e https:\/\/www.hiroshige.org.uk\/Illustrated_Books\/TokaidoFukeiZuye1851.htm\u003cbr\u003e https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-550-1?selectedImageId=1613410201\u003cbr\u003e https:\/\/www.artic.edu\/artworks\/231171\/teќkaideќ-fe-kei-zue\u003cbr\u003e https:\/\/asia-archive.si.edu\/object\/FSC-GR-780.700\/\u003c\/p\u003e\n\u003cp\u003e Ryūkatei Tanekazu wrote in the spring of 1851:\u003cbr\u003e \u003cem\u003ePreface to Volume I\u003c\/em\u003e\u003cbr\u003e «Traveling is one of life's greatest pleasures. Every year, with an anxious heart, I have wanted to leave, but daily commitments have always held me back, making it impossible to realize this dream.\u003cbr\u003e This work by the famous artist Hiroshige offers us a magnificent alternative to the journey itself. It carefully and minutely depicts more than fifty villages along the road between Kyoto and Yedo (Edo), including famous seaside and mountain resorts: Mount Akiha in Omi Province, Horaiji Temple in Mikawa, and the paths leading to the sacred Ise Shrine.\u003cbr\u003e Observing these images is a pleasure that, at times, can even surpass that of the actual journey. Those who have never traveled will find in these pages a precious guide; those who have already visited these places will see their most vivid memories rekindled in their memory.\u003cbr\u003e Although I am ignorant of the art of drawing, I dare say that this work - with its shading, its shades of ink, its harmony and grace - is in no way inferior to those of the great masters of the past.\"\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003eAfterword on the back of Volume II\u003c\/em\u003e\u003cbr\u003e «A thought for the teacher Hiroshige: leaning on the desk, I observed the first drafts depicting Kanazawa and Kamakura; the pine forests of the Hodogaya villa; the plum trees in blossom in Sugita; the sea coasts of Kagekiyo; the temple of Horai, that of Atsuta; Yokkaichi; the clear waters of the Isuzu river; the mountain of Asama and the conjugal rocks of Futami-ga-Ura (Meoto Iwa, which means precisely “husband and wife rocks” are a very famous place in Japan, ed.).\u003cbr\u003e Continuing towards the western capital, Kyoto, the Higashiyama Hills, Kiyomizu Temple, and finally the Sanjō Bridge appear.\u003cbr\u003e Like a fox borrowing the lion's mane, I have the honor of writing these final words to conclude the work, on a rainy day in early spring.\"\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":50441755623771,"sku":null,"price":90.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HiroshigeoriginalLittleTokaido33.jpg?v=1744813507"},{"product_id":"hiroshige-utagawa-i-tokaido-fukei-zue-vedute-della-tokaido-n-30-kaei-4-1851","title":"HIROSHIGE UTAGAWA I, Tōkaidō fukei zue - Views of the Tōkaidō n. 76, , Kaei 4, 1851","description":"\u003cp\u003e\u003cem\u003eNishiki-e, color woodblock print, signed on the colophon: Hiroshige ga\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eFormat: Illustrated album (ehon) (mm 150x210)\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eVolumes: Zen Pen (I Vol.) Go Hen (II Vol.)\u003c\/em\u003e\u003cbr\u003e \u003cem\u003ePreface and texts: Ryukatei Tanekadzu\u003c\/em\u003e\u003cbr\u003e \u003cem\u003ePublisher: Fujioka Keijiro\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e Delicate proof in a contemporary edition, printed on Japanese paper, in good condition, with a small margin all around.\u003cbr\u003e Series of narrative and landscape illustrations that retrace the stations of the Tōkaidō.\u003c\/p\u003e\n\u003cp\u003e Bibliography:\u003cbr\u003e https:\/\/www.hiroshige.org.uk\/Illustrated_Books\/TokaidoFukeiZuye1851.htm\u003cbr\u003e https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-550-1?selectedImageId=1613410201\u003cbr\u003e https:\/\/www.artic.edu\/artworks\/231171\/teќkaideќ-fe-kei-zue\u003cbr\u003e https:\/\/asia-archive.si.edu\/object\/FSC-GR-780.700\/\u003c\/p\u003e\n\u003cp\u003e Ryūkatei Tanekazu wrote in the spring of 1851:\u003cbr\u003e \u003cem\u003ePreface to Volume I\u003c\/em\u003e\u003cbr\u003e «Traveling is one of life's greatest pleasures. Every year, with an anxious heart, I have wanted to leave, but daily commitments have always held me back, making it impossible to realize this dream.\u003cbr\u003e This work by the famous artist Hiroshige offers us a magnificent alternative to the journey itself. It carefully and minutely depicts more than fifty villages along the road between Kyoto and Yedo (Edo), including famous seaside and mountain resorts: Mount Akiha in Omi Province, Horaiji Temple in Mikawa, and the paths leading to the sacred Ise Shrine.\u003cbr\u003e Observing these images is a pleasure that, at times, can even surpass that of the actual journey. Those who have never traveled will find in these pages a precious guide; those who have already visited these places will see their most vivid memories rekindled in their memory.\u003cbr\u003e Although I am ignorant of the art of drawing, I dare say that this work - with its shading, its shades of ink, its harmony and grace - is in no way inferior to those of the great masters of the past.\"\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003eAfterword on the back of Volume II\u003c\/em\u003e\u003cbr\u003e «A thought for the teacher Hiroshige: leaning on the desk, I observed the first drafts depicting Kanazawa and Kamakura; the pine forests of the Hodogaya villa; the plum trees in blossom in Sugita; the sea coasts of Kagekiyo; the temple of Horai, that of Atsuta; Yokkaichi; the clear waters of the Isuzu river; the mountain of Asama and the conjugal rocks of Futami-ga-Ura (Meoto Iwa, which means precisely “husband and wife rocks” are a very famous place in Japan, ed.).\u003cbr\u003e Continuing towards the western capital, Kyoto, the Higashiyama Hills, Kiyomizu Temple, and finally the Sanjō Bridge appear.\u003cbr\u003e Like a fox borrowing the lion's mane, I have the honor of writing these final words to conclude the work, on a rainy day in early spring.\"\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":50441760801115,"sku":null,"price":90.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HiroshigeoriginalLittleTokaido30.jpg?v=1744813585"},{"product_id":"hiroshige-utagawa-i-tokaido-fukei-zue-vedute-della-tokaido-n-29-kaei-4-1851","title":"HIROSHIGE UTAGAWA I, Tōkaidō fukei zue - Views of the Tōkaidō n. 76, , Kaei 4, 1851","description":"\u003cp\u003e\u003cem\u003eNishiki-e, color woodblock print, signed on the colophon: Hiroshige ga\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eFormat: Illustrated album (ehon) (mm 150x210)\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eVolumes: Zen Pen (I Vol.) Go Hen (II Vol.)\u003c\/em\u003e\u003cbr\u003e \u003cem\u003ePreface and texts: Ryukatei Tanekadzu\u003c\/em\u003e\u003cbr\u003e \u003cem\u003ePublisher: Fujioka Keijiro\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e Delicate proof in a contemporary edition, printed on Japanese paper, in good condition, with a small margin all around.\u003cbr\u003e Series of narrative and landscape illustrations that retrace the stations of the Tōkaidō.\u003c\/p\u003e\n\u003cp\u003e Bibliography:\u003cbr\u003e https:\/\/www.hiroshige.org.uk\/Illustrated_Books\/TokaidoFukeiZuye1851.htm\u003cbr\u003e https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-550-1?selectedImageId=1613410201\u003cbr\u003e https:\/\/www.artic.edu\/artworks\/231171\/teќkaideќ-fe-kei-zue\u003cbr\u003e https:\/\/asia-archive.si.edu\/object\/FSC-GR-780.700\/\u003c\/p\u003e\n\u003cp\u003e Ryūkatei Tanekazu wrote in the spring of 1851:\u003cbr\u003e \u003cem\u003ePreface to Volume I\u003c\/em\u003e\u003cbr\u003e «Traveling is one of life's greatest pleasures. Every year, with an anxious heart, I have wanted to leave, but daily commitments have always held me back, making it impossible to realize this dream.\u003cbr\u003e This work by the famous artist Hiroshige offers us a magnificent alternative to the journey itself. It carefully and minutely depicts more than fifty villages along the road between Kyoto and Yedo (Edo), including famous seaside and mountain resorts: Mount Akiha in Omi Province, Horaiji Temple in Mikawa, and the paths leading to the sacred Ise Shrine.\u003cbr\u003e Observing these images is a pleasure that, at times, can even surpass that of the actual journey. Those who have never traveled will find in these pages a precious guide; those who have already visited these places will see their most vivid memories rekindled in their memory.\u003cbr\u003e Although I am ignorant of the art of drawing, I dare say that this work - with its shading, its shades of ink, its harmony and grace - is in no way inferior to those of the great masters of the past.\"\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003eAfterword on the back of Volume II\u003c\/em\u003e\u003cbr\u003e «A thought for the teacher Hiroshige: leaning on the desk, I observed the first drafts depicting Kanazawa and Kamakura; the pine forests of the Hodogaya villa; the plum trees in blossom in Sugita; the sea coasts of Kagekiyo; the temple of Horai, that of Atsuta; Yokkaichi; the clear waters of the Isuzu river; the mountain of Asama and the conjugal rocks of Futami-ga-Ura (Meoto Iwa, which means precisely “husband and wife rocks” are a very famous place in Japan, ed.).\u003cbr\u003e Continuing towards the western capital, Kyoto, the Higashiyama Hills, Kiyomizu Temple, and finally the Sanjō Bridge appear.\u003cbr\u003e Like a fox borrowing the lion's mane, I have the honor of writing these final words to conclude the work, on a rainy day in early spring.\"\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":50441762406747,"sku":null,"price":90.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HiroshigeoriginalLittleTokaido29.jpg?v=1744813613"},{"product_id":"hiroshige-utagawa-i-tokaido-fukei-zue-vedute-della-tokaido-n-26-kaei-4-1851","title":"HIROSHIGE UTAGAWA I, Tōkaidō fukei zue - Views of the Tōkaidō n. 76, , Kaei 4, 1851","description":"\u003cp\u003e\u003cem\u003eNishiki-e, color woodblock print, signed on the colophon: Hiroshige ga\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eFormat: Illustrated album (ehon) (mm 150x210)\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eVolumes: Zen Pen (I Vol.) Go Hen (II Vol.)\u003c\/em\u003e\u003cbr\u003e \u003cem\u003ePreface and texts: Ryukatei Tanekadzu\u003c\/em\u003e\u003cbr\u003e \u003cem\u003ePublisher: Fujioka Keijiro\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e Delicate proof in a contemporary edition, printed on Japanese paper, in good condition, with a small margin all around.\u003cbr\u003e Series of narrative and landscape illustrations that retrace the stations of the Tōkaidō.\u003c\/p\u003e\n\u003cp\u003e Bibliography:\u003cbr\u003e https:\/\/www.hiroshige.org.uk\/Illustrated_Books\/TokaidoFukeiZuye1851.htm\u003cbr\u003e https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-550-1?selectedImageId=1613410201\u003cbr\u003e https:\/\/www.artic.edu\/artworks\/231171\/teќkaideќ-fe-kei-zue\u003cbr\u003e https:\/\/asia-archive.si.edu\/object\/FSC-GR-780.700\/\u003c\/p\u003e\n\u003cp\u003e Ryūkatei Tanekazu wrote in the spring of 1851:\u003cbr\u003e \u003cem\u003ePreface to Volume I\u003c\/em\u003e\u003cbr\u003e «Traveling is one of life's greatest pleasures. Every year, with an anxious heart, I have wanted to leave, but daily commitments have always held me back, making it impossible to realize this dream.\u003cbr\u003e This work by the famous artist Hiroshige offers us a magnificent alternative to the journey itself. It carefully and minutely depicts more than fifty villages along the road between Kyoto and Yedo (Edo), including famous seaside and mountain resorts: Mount Akiha in Omi Province, Horaiji Temple in Mikawa, and the paths leading to the sacred Ise Shrine.\u003cbr\u003e Observing these images is a pleasure that, at times, can even surpass that of the actual journey. Those who have never traveled will find in these pages a precious guide; those who have already visited these places will see their most vivid memories rekindled in their memory.\u003cbr\u003e Although I am ignorant of the art of drawing, I dare say that this work - with its shading, its shades of ink, its harmony and grace - is in no way inferior to those of the great masters of the past.\"\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003eAfterword on the back of Volume II\u003c\/em\u003e\u003cbr\u003e «A thought for the teacher Hiroshige: leaning on the desk, I observed the first drafts depicting Kanazawa and Kamakura; the pine forests of the Hodogaya villa; the plum trees in blossom in Sugita; the sea coasts of Kagekiyo; the temple of Horai, that of Atsuta; Yokkaichi; the clear waters of the Isuzu river; the mountain of Asama and the conjugal rocks of Futami-ga-Ura (Meoto Iwa, which means precisely “husband and wife rocks” are a very famous place in Japan, ed.).\u003cbr\u003e Continuing towards the western capital, Kyoto, the Higashiyama Hills, Kiyomizu Temple, and finally the Sanjō Bridge appear.\u003cbr\u003e Like a fox borrowing the lion's mane, I have the honor of writing these final words to conclude the work, on a rainy day in early spring.\"\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":50441776136539,"sku":null,"price":90.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HiroshigeoriginalLittleTokaido26.jpg?v=1744813779"},{"product_id":"hiroshige-utagawa-i-tokaido-fukei-zue-vedute-della-tokaido-n-20-kaei-4-1851","title":"HIROSHIGE UTAGAWA I, Tōkaidō fukei zue - Views of the Tōkaidō n. 76, , Kaei 4, 1851","description":"\u003cp\u003e\u003cem\u003eNishiki-e, color woodblock print, signed on the colophon: Hiroshige ga\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eFormat: Illustrated album (ehon) (mm 150x210)\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eVolumes: Zen Pen (I Vol.) Go Hen (II Vol.)\u003c\/em\u003e\u003cbr\u003e \u003cem\u003ePreface and texts: Ryukatei Tanekadzu\u003c\/em\u003e\u003cbr\u003e \u003cem\u003ePublisher: Fujioka Keijiro\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e Delicate proof in a contemporary edition, printed on Japanese paper, in good condition, with a small margin all around.\u003cbr\u003e Series of narrative and landscape illustrations that retrace the stations of the Tōkaidō.\u003c\/p\u003e\n\u003cp\u003e Bibliography:\u003cbr\u003e https:\/\/www.hiroshige.org.uk\/Illustrated_Books\/TokaidoFukeiZuye1851.htm\u003cbr\u003e https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-550-1?selectedImageId=1613410201\u003cbr\u003e https:\/\/www.artic.edu\/artworks\/231171\/teќkaideќ-fe-kei-zue\u003cbr\u003e https:\/\/asia-archive.si.edu\/object\/FSC-GR-780.700\/\u003c\/p\u003e\n\u003cp\u003e Ryūkatei Tanekazu wrote in the spring of 1851:\u003cbr\u003e \u003cem\u003ePreface to Volume I\u003c\/em\u003e\u003cbr\u003e «Traveling is one of life's greatest pleasures. Every year, with an anxious heart, I have wanted to leave, but daily commitments have always held me back, making it impossible to realize this dream.\u003cbr\u003e This work by the famous artist Hiroshige offers us a magnificent alternative to the journey itself. It carefully and minutely depicts more than fifty villages along the road between Kyoto and Yedo (Edo), including famous seaside and mountain resorts: Mount Akiha in Omi Province, Horaiji Temple in Mikawa, and the paths leading to the sacred Ise Shrine.\u003cbr\u003e Observing these images is a pleasure that, at times, can even surpass that of the actual journey. Those who have never traveled will find in these pages a precious guide; those who have already visited these places will see their most vivid memories rekindled in their memory.\u003cbr\u003e Although I am ignorant of the art of drawing, I dare say that this work - with its shading, its shades of ink, its harmony and grace - is in no way inferior to those of the great masters of the past.\"\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003eAfterword on the back of Volume II\u003c\/em\u003e\u003cbr\u003e «A thought for the teacher Hiroshige: leaning on the desk, I observed the first drafts depicting Kanazawa and Kamakura; the pine forests of the Hodogaya villa; the plum trees in blossom in Sugita; the sea coasts of Kagekiyo; the temple of Horai, that of Atsuta; Yokkaichi; the clear waters of the Isuzu river; the mountain of Asama and the conjugal rocks of Futami-ga-Ura (Meoto Iwa, which means precisely “husband and wife rocks” are a very famous place in Japan, ed.).\u003cbr\u003e Continuing towards the western capital, Kyoto, the Higashiyama Hills, Kiyomizu Temple, and finally the Sanjō Bridge appear.\u003cbr\u003e Like a fox borrowing the lion's mane, I have the honor of writing these final words to conclude the work, on a rainy day in early spring.\"\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":50441789374811,"sku":null,"price":90.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HiroshigeoriginalLittleTokaido20.jpg?v=1744813961"},{"product_id":"hiroshige-utagawa-i-tokaido-fukei-zue-vedute-della-tokaido-n-17-kaei-4-1851","title":"HIROSHIGE UTAGAWA I, Tōkaidō fukei zue - Views of the Tōkaidō n. 76, , Kaei 4, 1851","description":"\u003cp\u003e\u003cem\u003eNishiki-e, color woodblock print, signed on the colophon: Hiroshige ga\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eFormat: Illustrated album (ehon) (mm 150x210)\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eVolumes: Zen Pen (I Vol.) Go Hen (II Vol.)\u003c\/em\u003e\u003cbr\u003e \u003cem\u003ePreface and texts: Ryukatei Tanekadzu\u003c\/em\u003e\u003cbr\u003e \u003cem\u003ePublisher: Fujioka Keijiro\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e Delicate proof in a contemporary edition, printed on Japanese paper, in good condition, with a small margin all around.\u003cbr\u003e Series of narrative and landscape illustrations that retrace the stations of the Tōkaidō.\u003c\/p\u003e\n\u003cp\u003e Bibliography:\u003cbr\u003e https:\/\/www.hiroshige.org.uk\/Illustrated_Books\/TokaidoFukeiZuye1851.htm\u003cbr\u003e https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-550-1?selectedImageId=1613410201\u003cbr\u003e https:\/\/www.artic.edu\/artworks\/231171\/teќkaideќ-fe-kei-zue\u003cbr\u003e https:\/\/asia-archive.si.edu\/object\/FSC-GR-780.700\/\u003c\/p\u003e\n\u003cp\u003e Ryūkatei Tanekazu wrote in the spring of 1851:\u003cbr\u003e \u003cem\u003ePreface to Volume I\u003c\/em\u003e\u003cbr\u003e «Traveling is one of life's greatest pleasures. Every year, with an anxious heart, I have wanted to leave, but daily commitments have always held me back, making it impossible to realize this dream.\u003cbr\u003e This work by the famous artist Hiroshige offers us a magnificent alternative to the journey itself. It carefully and minutely depicts more than fifty villages along the road between Kyoto and Yedo (Edo), including famous seaside and mountain resorts: Mount Akiha in Omi Province, Horaiji Temple in Mikawa, and the paths leading to the sacred Ise Shrine.\u003cbr\u003e Observing these images is a pleasure that, at times, can even surpass that of the actual journey. Those who have never traveled will find in these pages a precious guide; those who have already visited these places will see their most vivid memories rekindled in their memory.\u003cbr\u003e Although I am ignorant of the art of drawing, I dare say that this work - with its shading, its shades of ink, its harmony and grace - is in no way inferior to those of the great masters of the past.\"\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003eAfterword on the back of Volume II\u003c\/em\u003e\u003cbr\u003e «A thought for the teacher Hiroshige: leaning on the desk, I observed the first drafts depicting Kanazawa and Kamakura; the pine forests of the Hodogaya villa; the plum trees in blossom in Sugita; the sea coasts of Kagekiyo; the temple of Horai, that of Atsuta; Yokkaichi; the clear waters of the Isuzu river; the mountain of Asama and the conjugal rocks of Futami-ga-Ura (Meoto Iwa, which means precisely “husband and wife rocks” are a very famous place in Japan, ed.).\u003cbr\u003e Continuing towards the western capital, Kyoto, the Higashiyama Hills, Kiyomizu Temple, and finally the Sanjō Bridge appear.\u003cbr\u003e Like a fox borrowing the lion's mane, I have the honor of writing these final words to conclude the work, on a rainy day in early spring.\"\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":50441797009755,"sku":null,"price":90.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HiroshigeoriginalLittleTokaido17.jpg?v=1744814038"},{"product_id":"hiroshige-utagawa-i-tokaido-fukei-zue-vedute-della-tokaido-n-13-kaei-4-1851","title":"HIROSHIGE UTAGAWA I, Tōkaidō fukei zue - Views of the Tōkaidō n. 76, , Kaei 4, 1851","description":"\u003cp\u003e\u003cem\u003eNishiki-e, color woodblock print, signed on the colophon: Hiroshige ga\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eFormat: Illustrated album (ehon) (mm 150x210)\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eVolumes: Zen Pen (I Vol.) Go Hen (II Vol.)\u003c\/em\u003e\u003cbr\u003e \u003cem\u003ePreface and texts: Ryukatei Tanekadzu\u003c\/em\u003e\u003cbr\u003e \u003cem\u003ePublisher: Fujioka Keijiro\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e Delicate proof in a contemporary edition, printed on Japanese paper, in good condition, with a small margin all around.\u003cbr\u003e Series of narrative and landscape illustrations that retrace the stations of the Tōkaidō.\u003c\/p\u003e\n\u003cp\u003e Bibliography:\u003cbr\u003e https:\/\/www.hiroshige.org.uk\/Illustrated_Books\/TokaidoFukeiZuye1851.htm\u003cbr\u003e https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-550-1?selectedImageId=1613410201\u003cbr\u003e https:\/\/www.artic.edu\/artworks\/231171\/teќkaideќ-fe-kei-zue\u003cbr\u003e https:\/\/asia-archive.si.edu\/object\/FSC-GR-780.700\/\u003c\/p\u003e\n\u003cp\u003e Ryūkatei Tanekazu wrote in the spring of 1851:\u003cbr\u003e \u003cem\u003ePreface to Volume I\u003c\/em\u003e\u003cbr\u003e «Traveling is one of life's greatest pleasures. Every year, with an anxious heart, I have wanted to leave, but daily commitments have always held me back, making it impossible to realize this dream.\u003cbr\u003e This work by the famous artist Hiroshige offers us a magnificent alternative to the journey itself. It carefully and minutely depicts more than fifty villages along the road between Kyoto and Yedo (Edo), including famous seaside and mountain resorts: Mount Akiha in Omi Province, Horaiji Temple in Mikawa, and the paths leading to the sacred Ise Shrine.\u003cbr\u003e Observing these images is a pleasure that, at times, can even surpass that of the actual journey. Those who have never traveled will find in these pages a precious guide; those who have already visited these places will see their most vivid memories rekindled in their memory.\u003cbr\u003e Although I am ignorant of the art of drawing, I dare say that this work - with its shading, its shades of ink, its harmony and grace - is in no way inferior to those of the great masters of the past.\"\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003eAfterword on the back of Volume II\u003c\/em\u003e\u003cbr\u003e «A thought for the teacher Hiroshige: leaning on the desk, I observed the first drafts depicting Kanazawa and Kamakura; the pine forests of the Hodogaya villa; the plum trees in blossom in Sugita; the sea coasts of Kagekiyo; the temple of Horai, that of Atsuta; Yokkaichi; the clear waters of the Isuzu river; the mountain of Asama and the conjugal rocks of Futami-ga-Ura (Meoto Iwa, which means precisely “husband and wife rocks” are a very famous place in Japan, ed.).\u003cbr\u003e Continuing towards the western capital, Kyoto, the Higashiyama Hills, Kiyomizu Temple, and finally the Sanjō Bridge appear.\u003cbr\u003e Like a fox borrowing the lion's mane, I have the honor of writing these final words to conclude the work, on a rainy day in early spring.\"\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":50441807036763,"sku":null,"price":90.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HiroshigeoriginalLittleTokaido13.jpg?v=1744814189"},{"product_id":"hiroshige-utagawa-i-tokaido-fukei-zue-vedute-della-tokaido-n-12-kaei-4-1851","title":"HIROSHIGE UTAGAWA I, Tōkaidō fukei zue - Views of the Tōkaidō n. 76, , Kaei 4, 1851","description":"\u003cp\u003e\u003cem\u003eNishiki-e, color woodblock print, signed on the colophon: Hiroshige ga\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eFormat: Illustrated album (ehon) (mm 150x210)\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eVolumes: Zen Pen (I Vol.) Go Hen (II Vol.)\u003c\/em\u003e\u003cbr\u003e \u003cem\u003ePreface and texts: Ryukatei Tanekadzu\u003c\/em\u003e\u003cbr\u003e \u003cem\u003ePublisher: Fujioka Keijiro\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e Delicate proof in a contemporary edition, printed on Japanese paper, in good condition, with a small margin all around.\u003cbr\u003e Series of narrative and landscape illustrations that retrace the stations of the Tōkaidō.\u003c\/p\u003e\n\u003cp\u003e Bibliography:\u003cbr\u003e https:\/\/www.hiroshige.org.uk\/Illustrated_Books\/TokaidoFukeiZuye1851.htm\u003cbr\u003e https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-550-1?selectedImageId=1613410201\u003cbr\u003e https:\/\/www.artic.edu\/artworks\/231171\/teќkaideќ-fe-kei-zue\u003cbr\u003e https:\/\/asia-archive.si.edu\/object\/FSC-GR-780.700\/\u003c\/p\u003e\n\u003cp\u003e Ryūkatei Tanekazu wrote in the spring of 1851:\u003cbr\u003e \u003cem\u003ePreface to Volume I\u003c\/em\u003e\u003cbr\u003e «Traveling is one of life's greatest pleasures. Every year, with an anxious heart, I have wanted to leave, but daily commitments have always held me back, making it impossible to realize this dream.\u003cbr\u003e This work by the famous artist Hiroshige offers us a magnificent alternative to the journey itself. It carefully and minutely depicts more than fifty villages along the road between Kyoto and Yedo (Edo), including famous seaside and mountain resorts: Mount Akiha in Omi Province, Horaiji Temple in Mikawa, and the paths leading to the sacred Ise Shrine.\u003cbr\u003e Observing these images is a pleasure that, at times, can even surpass that of the actual journey. Those who have never traveled will find in these pages a precious guide; those who have already visited these places will see their most vivid memories rekindled in their memory.\u003cbr\u003e Although I am ignorant of the art of drawing, I dare say that this work - with its shading, its shades of ink, its harmony and grace - is in no way inferior to those of the great masters of the past.\"\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003eAfterword on the back of Volume II\u003c\/em\u003e\u003cbr\u003e «A thought for the teacher Hiroshige: leaning on the desk, I observed the first drafts depicting Kanazawa and Kamakura; the pine forests of the Hodogaya villa; the plum trees in blossom in Sugita; the sea coasts of Kagekiyo; the temple of Horai, that of Atsuta; Yokkaichi; the clear waters of the Isuzu river; the mountain of Asama and the conjugal rocks of Futami-ga-Ura (Meoto Iwa, which means precisely “husband and wife rocks” are a very famous place in Japan, ed.).\u003cbr\u003e Continuing towards the western capital, Kyoto, the Higashiyama Hills, Kiyomizu Temple, and finally the Sanjō Bridge appear.\u003cbr\u003e Like a fox borrowing the lion's mane, I have the honor of writing these final words to conclude the work, on a rainy day in early spring.\"\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":50441810313563,"sku":null,"price":90.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HiroshigeoriginalLittleTokaido12.jpg?v=1744814218"},{"product_id":"hiroshige-utagawa-i-tokaido-fukei-zue-vedute-della-tokaido-n-10-kaei-4-1851","title":"HIROSHIGE UTAGAWA I, Tōkaidō fukei zue - Views of the Tōkaidō n. 76, , Kaei 4, 1851","description":"\u003cp\u003e\u003cem\u003eNishiki-e, color woodblock print, signed on the colophon: Hiroshige ga\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eFormat: Illustrated album (ehon) (mm 150x210)\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eVolumes: Zen Pen (I Vol.) Go Hen (II Vol.)\u003c\/em\u003e\u003cbr\u003e \u003cem\u003ePreface and texts: Ryukatei Tanekadzu\u003c\/em\u003e\u003cbr\u003e \u003cem\u003ePublisher: Fujioka Keijiro\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e Delicate proof in a contemporary edition, printed on Japanese paper, in good condition, with a small margin all around.\u003cbr\u003e Series of narrative and landscape illustrations that retrace the stations of the Tōkaidō.\u003c\/p\u003e\n\u003cp\u003e Bibliography:\u003cbr\u003e https:\/\/www.hiroshige.org.uk\/Illustrated_Books\/TokaidoFukeiZuye1851.htm\u003cbr\u003e https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-550-1?selectedImageId=1613410201\u003cbr\u003e https:\/\/www.artic.edu\/artworks\/231171\/teќkaideќ-fe-kei-zue\u003cbr\u003e https:\/\/asia-archive.si.edu\/object\/FSC-GR-780.700\/\u003c\/p\u003e\n\u003cp\u003e Ryūkatei Tanekazu wrote in the spring of 1851:\u003cbr\u003e \u003cem\u003ePreface to Volume I\u003c\/em\u003e\u003cbr\u003e «Traveling is one of life's greatest pleasures. Every year, with an anxious heart, I have wanted to leave, but daily commitments have always held me back, making it impossible to realize this dream.\u003cbr\u003e This work by the famous artist Hiroshige offers us a magnificent alternative to the journey itself. It carefully and minutely depicts more than fifty villages along the road between Kyoto and Yedo (Edo), including famous seaside and mountain resorts: Mount Akiha in Omi Province, Horaiji Temple in Mikawa, and the paths leading to the sacred Ise Shrine.\u003cbr\u003e Observing these images is a pleasure that, at times, can even surpass that of the actual journey. Those who have never traveled will find in these pages a precious guide; those who have already visited these places will see their most vivid memories rekindled in their memory.\u003cbr\u003e Although I am ignorant of the art of drawing, I dare say that this work - with its shading, its shades of ink, its harmony and grace - is in no way inferior to those of the great masters of the past.\"\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003eAfterword on the back of Volume II\u003c\/em\u003e\u003cbr\u003e «A thought for the teacher Hiroshige: leaning on the desk, I observed the first drafts depicting Kanazawa and Kamakura; the pine forests of the Hodogaya villa; the plum trees in blossom in Sugita; the sea coasts of Kagekiyo; the temple of Horai, that of Atsuta; Yokkaichi; the clear waters of the Isuzu river; the mountain of Asama and the conjugal rocks of Futami-ga-Ura (Meoto Iwa, which means precisely “husband and wife rocks” are a very famous place in Japan, ed.).\u003cbr\u003e Continuing towards the western capital, Kyoto, the Higashiyama Hills, Kiyomizu Temple, and finally the Sanjō Bridge appear.\u003cbr\u003e Like a fox borrowing the lion's mane, I have the honor of writing these final words to conclude the work, on a rainy day in early spring.\"\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":50441813885275,"sku":null,"price":90.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HiroshigeoriginalLittleTokaido10.jpg?v=1744814275"},{"product_id":"hiroshige-utagawa-i-tokaido-fukei-zue-vedute-della-tokaido-n-6-kaei-4-1851","title":"HIROSHIGE UTAGAWA I, Tōkaidō fukei zue - Views of the Tōkaidō n. 76, , Kaei 4, 1851","description":"\u003cp\u003e\u003cem\u003eNishiki-e, color woodblock print, signed on the colophon: Hiroshige ga\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eFormat: Illustrated album (ehon) (mm 150x210)\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eVolumes: Zen Pen (I Vol.) Go Hen (II Vol.)\u003c\/em\u003e\u003cbr\u003e \u003cem\u003ePreface and texts: Ryukatei Tanekadzu\u003c\/em\u003e\u003cbr\u003e \u003cem\u003ePublisher: Fujioka Keijiro\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e Delicate proof in a contemporary edition, printed on Japanese paper, in good condition, with a small margin all around.\u003cbr\u003e Series of narrative and landscape illustrations that retrace the stations of the Tōkaidō.\u003c\/p\u003e\n\u003cp\u003e Bibliography:\u003cbr\u003e https:\/\/www.hiroshige.org.uk\/Illustrated_Books\/TokaidoFukeiZuye1851.htm\u003cbr\u003e https:\/\/www.britishmuseum.org\/collection\/object\/A_1979-0305-0-550-1?selectedImageId=1613410201\u003cbr\u003e https:\/\/www.artic.edu\/artworks\/231171\/teќkaideќ-fe-kei-zue\u003cbr\u003e https:\/\/asia-archive.si.edu\/object\/FSC-GR-780.700\/\u003c\/p\u003e\n\u003cp\u003e Ryūkatei Tanekazu wrote in the spring of 1851:\u003cbr\u003e \u003cem\u003ePreface to Volume I\u003c\/em\u003e\u003cbr\u003e «Traveling is one of life's greatest pleasures. Every year, with an anxious heart, I have wanted to leave, but daily commitments have always held me back, making it impossible to realize this dream.\u003cbr\u003e This work by the famous artist Hiroshige offers us a magnificent alternative to the journey itself. It carefully and minutely depicts more than fifty villages along the road between Kyoto and Yedo (Edo), including famous seaside and mountain resorts: Mount Akiha in Omi Province, Horaiji Temple in Mikawa, and the paths leading to the sacred Ise Shrine.\u003cbr\u003e Observing these images is a pleasure that, at times, can even surpass that of the actual journey. Those who have never traveled will find in these pages a precious guide; those who have already visited these places will see their most vivid memories rekindled in their memory.\u003cbr\u003e Although I am ignorant of the art of drawing, I dare say that this work - with its shading, its shades of ink, its harmony and grace - is in no way inferior to those of the great masters of the past.\"\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003eAfterword on the back of Volume II\u003c\/em\u003e\u003cbr\u003e «A thought for the teacher Hiroshige: leaning on the desk, I observed the first drafts depicting Kanazawa and Kamakura; the pine forests of the Hodogaya villa; the plum trees in blossom in Sugita; the sea coasts of Kagekiyo; the temple of Horai, that of Atsuta; Yokkaichi; the clear waters of the Isuzu river; the mountain of Asama and the conjugal rocks of Futami-ga-Ura (Meoto Iwa, which means precisely “husband and wife rocks” are a very famous place in Japan, ed.).\u003cbr\u003e Continuing towards the western capital, Kyoto, the Higashiyama Hills, Kiyomizu Temple, and finally the Sanjō Bridge appear.\u003cbr\u003e Like a fox borrowing the lion's mane, I have the honor of writing these final words to conclude the work, on a rainy day in early spring.\"\u003cbr\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":50441826074971,"sku":null,"price":90.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HiroshigeoriginalLittleTokaido6.jpg?v=1744814409"},{"product_id":"hiroshige-utagawa-i-yoshiwara-floating-islands-in-fuji-marsh-yoshiwara-fuji-no-numa-ukishima-ga-hara-yoshiwara-isole-galleggianti-nella-palude-del-fuji","title":"HIROSHIGE UTAGAWA I, Yoshiwara: Floating Islands in Fuji Marsh (Yoshiwara, Fuji no numa ukishima ga hara) Yoshiwara: Floating Islands in Fuji Marsh","description":"\u003cp class=\"p1\"\u003e\u003ci\u003eNishiki-e.\u003c\/i\u003e Color woodcut, signed on the plate: Hiroshige hitsu\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSeries: Famous Places of the Fifty-Three Stations \u003ci\u003e(Gojûsan tsugi meisho zue),\u003c\/i\u003e also known as the Vertical Tôkaidô, No. 15\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDate: 1855 (Ansei 2), 7th month\u0026nbsp;\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFormat: \u003ci\u003eoban tate-e\u003c\/i\u003e (mm. 354x236)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePublisher: \u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/collections.mfa.org\/search\/Objects\/peopleSearch%3ATsutaya%20Kichiz%C5%8D%20%28K%C5%8Deid%C5%8D%29\"\u003eTsutaya Kichizō (Kōeidō)\u003c\/a\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCensor: aratame, Hare 7\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBibliography: Sakai, Hiroshige Edo fûkei (1996), list #12.8, pls. 216-217; Smith \u0026amp; Poster, 100 Views (1986), #73; Ukiyo-e shûka 14 (1981), Hiroshige list, p. 250, vertical ôban #62.47; Genshoku ukiyo-e dai hyakka jiten 5 (1980), #43\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMuseum of Fine Art Boston: \u003ca href=\"https:\/\/collections.mfa.org\/objects\/207669\"\u003e\u003cspan class=\"s1\"\u003ehttps:\/\/collections.mfa.org\/objects\/207669\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSplendid proof with excellent colors. Printed on Japanese paper, datable to the Meiji era (1868-1912). In perfect condition. With excellent margins all around beyond the marginal line.\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":50475219386715,"sku":null,"price":1500.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HiroshigeYoshiwaracopia.jpg?v=1745421472"},{"product_id":"utagawa-hiroshige-ii-shigenobu-fishing-boats-at-tsukuda-island-tsukudajima-gyoshoi-tsukuda-jima-gyoshu","title":"HIROSHIGE UTAGAWA II, Pescherecchi nell’isola di Tsukuda, 1862","description":"\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eTechnique: \u003ci\u003enishikie,\u003c\/i\u003e Color woodblock print, signed on the plate Hiroshige ga\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e Series: \u003ci\u003eTōto sanjūrokkei\u003c\/i\u003e The 36 Views of the Capital\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e Format: \u003ci\u003eoban tate-e\u003c\/i\u003e (mm. 344x232)\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e Date: 1862\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e Publisher: Sagamiya Tōkichi (Ai-To)\u003cbr\u003e Censor's stamp and date: aratame, Bunkyū 2 (1862)\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e A splendid work with good colors. Printed on Japanese paper, dating to the second half of the 19th century. In perfect condition, with very thin margins all around, extending beyond the marginal line. The original red color of the flames has oxidized over time, taking on a brown hue.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e The series dates back to the period in which, after the death of the master Hiroshige I in 1858, his favorite pupil and son-in-law Shigenobu inherited his artistic name, starting to sign himself simply “Hiroshige”.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e The series title appears in the vertical rectangular cartouche at the top right; the title of each individual print is given in the fan-shaped cartouche to its left.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e Bibliography:\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e The Metropolitan Museum of Art \u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/37091\"\u003e\u003cspan class=\"s1\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/37091\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.hiroshigeii.net\/series\/36Eastern.html\"\u003ehttps:\/\/www.hiroshigeii.net\/series\/36Eastern.html\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e Edward F. Strange, in the volume \u003ci\u003eThe Color-Prints of Hiroshige\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":51705299272027,"sku":null,"price":1700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HiroshigeTsukudajimaGyoshoi_2d99713f-e043-428d-9f5c-1381829f734b.jpg?v=1762616028"},{"product_id":"hiroshige-utagawa-i-yui-satta-mine-yui-satta-peak","title":"HIROSHIGE UTAGAWA I, Yui e la cima del monte Satta, 1833-1834","description":"\u003cp class=\"p1\"\u003e\u003ci\u003eNishiki-e, mokumezuri-e\u003c\/i\u003e . Color woodblock print, signed on the plate: Hiroshige ga\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e Series: The Fifty-three Stations of the Tōkaidō Road (Tōkaidō Gojūsan Tsugi no Uchi) also known as the First Tōkaidō or Great Tōkaidō, Station No. 17.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e Date: circa 1833-34\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e Format: Horizontal ôban\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e Censor: kiwame\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e Publisher: Takenouchi Magohachi (Hoeido)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e Bibliography: Ukiyo-e shûka 14 (1981), Hiroshige list, p. 245, horizontal ôban #55.17\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e Museum of Fine Art Boston: \u003ca href=\"https:\/\/collections.mfa.org\/objects\/217428\"\u003e\u003cspan class=\"s1\"\u003ehttps:\/\/collections.mfa.org\/objects\/217428\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e Art Institute Chicago: \u003ca href=\"https:\/\/www.artic.edu\/artworks\/25616\/yui-satta-peak-yui-satta-mine-from-the-series-fifty-three-stations-of-the-tokaido-road-tokaido-gojusan-tsugi-no-uchi-also-known-as-the-hoeido-tokaido\"\u003e\u003cspan class=\"s1\"\u003ehttps:\/\/www.artic.edu\/artworks\/25616\/yui-satta-peak-yui-satta-mine-from-the-series-fifty-three-stations-of-the-tokaido-road-tokaido-gojusan-tsugi-no-uchi-also-known-as-the-hoeido-tokaido\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e British Museum: \u003ca href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1906-1220-0-786\"\u003e\u003cspan class=\"s1\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1906-1220-0-786\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e Harvard Art Museum: \u003ca href=\"https:\/\/harvardartmuseums.org\/collections\/object\/209219\"\u003e\u003cspan class=\"s1\"\u003ehttps:\/\/harvardartmuseums.org\/collections\/object\/209219\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e A good example with good colors. Printed on Japanese paper, datable to the mid-19th century. In perfect condition. With a good margin all around beyond the marginal line.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e At the top right is the series title and the Kiwame censor's seal. At the left is the artist's signature and seal.\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":51740992995675,"sku":null,"price":1900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HIROSHIGE53TokaidoYui.jpg?v=1763132297"},{"product_id":"hiroshige-utagawa-i-fujisawa-the-yugyo-ji-temple-fujisawa-yugyo-ji","title":"HIROSHIGE UTAGAWA I, Fujisawa e il tempio Yûgyô-ji, 1833-1834","description":"\u003cp class=\"p1\"\u003e\u003ci\u003eNishiki-e, mokumezuri-e\u003c\/i\u003e . Color woodblock print, signed on the plate: Hiroshige ga\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e Series: The Fifty-three Stations of the Tōkaidō Road (Tōkaidō Gojūsan Tsugi no Uchi) also known as the First Tōkaidō or Great Tōkaidō, Station No. 7.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e Date: circa 1833-34\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e Format: Horizontal ôban\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e Censor: kiwame\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e Publisher: Takenouchi Magohachi (Hoeido)\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003cspan class=\"s1\"\u003eBibliography:\u003c\/span\u003e Ukiyo-e shûka 14 (1981), Hiroshige list, p. 245, horizontal ôban #55.07\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e Museum of Fine Art Boston: https:\/\/collections.mfa.org\/objects\/464259\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e \u003cspan class=\"s1\"\u003eArt Institute Chicago: \u003ca href=\"https:\/\/www.artic.edu\/artworks\/25569\/fujisawa-yugyo-temple-fujisawa-yugyoji-from-the-series-fifty-three-stations-of-the-tokaido-road-tokaido-gojusan-tsugi-no-uchi-also-known-as-the-hoeido-tokaido\"\u003e\u003cspan class=\"s2\"\u003ehttps:\/\/www.artic.edu\/artworks\/25569\/fujisawa-yugyo-temple-fujisawa-yugyoji-from-the-series-fifty-three-stations-of-the-tokaido-road-tokaido-gojusan-tsugi-no-uchi-also-known-as-the-hoeido-tokaido\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e \u003cspan class=\"s1\"\u003eBritish Museum: \u003ca href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1906-1220-0-774\"\u003e\u003cspan class=\"s2\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1906-1220-0-774\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e A splendid work with good colors. Printed on Japanese paper, it dates back to the mid-19th century. In perfect condition. The engraved portion is complete.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e From left, artist's signature and seal, series title, and censor's seal Kiwame.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":51741034742107,"sku":null,"price":1900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/Hiroshige53TokaidoFujisawa.jpg?v=1763132644"},{"product_id":"hiroshige-utagawa-i-cranes-flying-over-waves-il-volo-delle-gru-sopra-la-grande-onda","title":"HIROSHIGE UTAGAWA I, Cranes Flying over Waves","description":"\u003cp class=\"p1\"\u003e\u003ci\u003eNishiki-e\u003c\/i\u003e . Color woodblock print, signed on the plate: Hiroshige ga\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e Date: 1858 Year of the Horse uma, Ansei period, fifth month\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e Format: oban tate-e diptych or kakemono-e (723x248 mm)\u003cspan class=\"s1\"\u003e\u003cbr\u003e\u003c\/span\u003e Censor: Zodiac seal with date\u003cspan class=\"s1\"\u003e\u003cbr\u003e\u003c\/span\u003e Seal: Ichiryusai (Hiroshige)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e Bibliography: EF Strange, \u003ci\u003eThe color prints of Hiroshige,\u003c\/i\u003e New York 1983; R. Lane, \u003ci\u003eImages from the floating world, The japanese prints F\u003c\/i\u003e riburg 1978.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e RISD, Yomigaeru bi (1990), #143 (complete diptych); Ukiyo-e shûka 14 (1981), Hiroshige list, p. 242, ôhaba #10\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e Museum of Fine Art Boston: \u003ca href=\"https:\/\/collections.mfa.org\/objects\/642930\"\u003e\u003cspan class=\"s2\"\u003ehttps:\/\/collections.mfa.org\/objects\/642930\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e Superb and extremely rare specimen (only one other example has appeared on the market in the last thirty years), with excellent colours.\u003cspan class=\"s1\"\u003e\u003cbr\u003e\u003c\/span\u003e Printed on Japanese paper, dating back to the mid-19th century. In exceptional condition, complete with all the engraved parts. The use of register on the sides and not on the\u003cspan class=\"s1\"\u003e\u003cbr\u003e\u003c\/span\u003e corners, did not allow for margins.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":51801898352987,"sku":null,"price":1.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HiroshigeCranesflyingoverwaves2.jpg?v=1764084195"},{"product_id":"hiroshige-utagawa-i-arai-ferryboats-arriving-at-the-checkpoint-arai-wataribune-chakugan-gosekisho-1855","title":"HIROSHIGE UTAGAWA I, Arai, traghetti arrivano al punto di imbarco, 1855","description":"\u003cp class=\"p3\"\u003eSplendida prova con ottimi colori, impressa su carta del Giappone databile alla metà del XIX secolo. In perfetto stato di conservazione. Con ottimo margine tutt’intorno oltre la linea marginale. \u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eBibliografia\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003eHiroshige list, p. 252\u003cbr\u003e\u003cspan class=\"s1\"\u003eBritish Museum \u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003ca href=\"https:\/\/www.britishmuseum.org\/collection\/object\/A_1915-0823-0-753\"\u003e\u003cspan class=\"s3\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/A_1915-0823-0-753\u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003eAllen Museum:\u003c\/span\u003e\u003cspan class=\"s4\"\u003e \u003ca href=\"https:\/\/allenartcollection.oberlin.edu\/objects\/4417\"\u003e\u003cspan class=\"s3\"\u003ehttps:\/\/allenartcollection.oberlin.edu\/objects\/4417\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eNational Museum Scotland\u003c\/span\u003e\u003cspan class=\"s5\"\u003e \u003ca rel=\"noopener\" href=\"https:\/\/www.nms.ac.uk\/search-our-collections\/collection-search-results?entry=676105\" target=\"_blank\"\u003ehttps:\/\/www.nms.ac.uk\/search-our-collections\/collection-search-results?entry=676105\u003c\/a\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003eChazen Museum of Art \u003ca href=\"https:\/\/chazen.wisc.edu\/collection\/5253\/ferries-approaching-the-government-barrier-at-arai\/\"\u003e\u003cspan class=\"s3\"\u003ehttps:\/\/chazen.wisc.edu\/collection\/5253\/ferries-approaching-the-government-barrier-at-arai\/\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/chazen.wisc.edu\/collection\/5253\/ferries-approaching-the-government-barrier-at-arai\/\"\u003e\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eNational museum of Asian Art \u003ca href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-705.32\/\"\u003e\u003cspan class=\"s3\"\u003ehttps:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_FSC-GR-705.32\/\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cstrong\u003eCommento\u003c\/strong\u003e\u003cbr\u003eVeduta a volo d’uccello, tavola n. 32 della seria \u003cem\u003eCinquantatré stazioni della Tōkaidō verticale \u003c\/em\u003e(\u003cem\u003eGojūsan-tsugi meisho zue\u003c\/em\u003e). Arai ospitava un importante posto di controllo governativo. Molti viaggiatori dormivano durante la traversata in traghetto di circa due miglia attraverso il golfo di Imagiri, nel punto in cui il lago Hamana incontra l’Oceano Pacifico: nel celebre \u003cem\u003eTōkaidōchū Hizakurige\u003c\/em\u003e, romanzo picaresco comico scritto da Jippensha Ikku che narra le disavventure di due viaggiatori lungo la Tōkaidō, si racconta infatti che l’attraversata avveniva con estrema lentezza e che i passeggeri finivano per addormentarsi. Hiroshige sottolinea la lunghezza di questo percorso facendo scomparire le imbarcazioni all’orizzonte.\u003c\/p\u003e","brand":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","offers":[{"title":"Default Title","offer_id":51997537370459,"sku":null,"price":2200.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/files\/HiroshigeArai.jpg?v=1767719736"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0405\/8110\/3766\/collections\/hirosige_elenasalamon.jpg?v=1737539831","url":"https:\/\/www.elenasalamon.com\/en-it\/collections\/hiroshige-utagawa-i.oembed","provider":"Galleria Elena Salamon - Arte Moderna e Contemporanea, Stampe Giapponesi","version":"1.0","type":"link"}